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Thistles

Ime Razred Datum

Michele Elizabeth Field, Thistles (2004). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Michele Elizabeth Field topimpressionists.com/sr/artists/michele-elizabeth-field/
Datumi umetnika
1953 – 2014
Slikano
2004
Prvobitne dimenzije
76 x 30 cm

U kontekstu

Thistles — Michele Elizabeth Field

Koje su dimenzije?

Originalne dimenzije su 76 × 30 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 61 u smrti.

Naslikano kada je umetnik imao 51 godina. Umetnik je doživeo 61. 0 od ukupno 34 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Michele Elizabeth Field (1953–2014) ▲ ovo delo, 2004 svaka datirana slika, deceniju po deceniju

Uporedi sa

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/michele-elizabeth-field-thistles-AQUPVM-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Phthalo Green #15191a

    Katalogizovana paleta

    • #15191A
    • #5F5D73
    • #948FB5
    • #394030

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Naziv primarne boje
    Phthalo Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Discordant Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Michele Elizabeth Field tokom poslednjih dvanaest meseci — ukupno u 2 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 70,0%
    2. 2 Сједињене Америчке Државе 30,0%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    10 najposećenijih dela umetnika Michele Elizabeth Field

    1. 1 Robin, 2007 18,2%
    2. 2 Purple and Gold Abstract, 2005 18,2%
    3. 3 Yellow Poppies, 2006 9,1%
    4. 4 Anemones, 2006 9,1%
    5. 5 Hibiscus, 2005 9,1%
    6. 6 Purple Poppies, 2006 9,1%
    7. 7 Irises, 2004 9,1%
    8. 8 Daffodils, 2006 9,1%
    9. 9 Pink Tulips, 2004 9,1%
    10. — Thistles, 2004 ova slika 0,0%

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 34 dela ovog umetnika, od kojih je 9 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Michele Elizabeth Field

    A Life Painted in Light and Water

    Michele Elizabeth Field, born Michele Wright, was an artist whose soul seemed inextricably linked to the tranquil rhythms of the English landscape. Born on June 10, 1953, in Solihull, West Midlands, her early years were shaped by a profound fascination with the natural world. This innate curiosity found its most potent expression through the serene waterways and rolling vistas of Oxford—a region that would become the heartbeat of her creative vision. Her palette was often a direct reflection of this environment, mirroring the soft, luminous hues of the Thames and the verdant, undulating textures of the Chiltern Hills. Through her work, one does not merely see a landscape; one feels the atmospheric weight of a misty morning or the warmth of sunlight filtering through a summer canopy.

    Her formal journey into the mastery of medium began at the Plymouth College of Art, where she meticulously honed her skills in both watercolor and oil painting. While her technical foundation was rigorous, it was her relocation to Oxford in 1980 that truly catalyzed her artistic evolution. Immersed in the city’s rich artistic heritage, Field established herself as a freelance artist with an unwavering commitment to emotional resonance. She possessed a rare ability to capture the essence of a scene, moving beyond mere representation to achieve a sense of profound stillness and accuracy that captivated both casual observers and seasoned collectors alike.

    The Language of Flowers and Form

    As her career progressed into the early 2000s, Field’s expressive range underwent a beautiful transformation. While she remained a master of the delicate, translucent washes characteristic of watercolor, she began to embrace the bold, tactile possibilities of acrylics and oils. This experimentation allowed her to explore deeper textures and more vibrant, saturated colors, adding a new dimension of physical presence to her canvases. Her botanical works, in particular, emerged as some of her most celebrated achievements. In paintings such as White Lilies and Yellow Lilies, she rendered floral subjects with a precision that bordered on the meditative.

    Her floral compositions—frequently featuring anemones, poppies, and daisies—were far more than simple botanical studies. They served as poignant meditations on the ephemeral nature of beauty and the cyclical rhythms of life. In works like Daisies and Orange Flowers, she utilized a stylized, almost folk-art charm to evoke joy and rustic serenity, whereas her more abstract endeavors, such as Purple and Gold Abstract, showcased her ability to manipulate impasto textures and swirling forms to convey pure emotion. This versatility ensured that her work could speak to the viewer through both the literal beauty of nature and the abstract language of color.

    Legacy of Empathy and Observation

    Beyond the landscapes and botanicals, Field’s artistry was defined by a deep-seated empathy, a quality most evident in her highly sought-after pet portraits. Tasked with capturing the likenesses of beloved dogs, she approached each commission with an exceptional level of observation, seeking to translate the unique character and spirit of each animal onto the canvas. This ability to capture the "essence" of a subject became a hallmark of her professional reputation, making her work deeply personal to those who owned it.

    A dedicated member of the Guild of Waterway Artists, Field was not only a creator but also a vital part of the artistic community. She was known for her professionalism and her skill as a promoter, often organizing exhibitions at venues such as the John Radcliffe Hospital and participating in major events like the Braunston Boat Show. Her presence was so impactful that her paintings were frequently featured on official Christmas cards, weaving her vision into the seasonal traditions of the region. Though her life was tragically cut short in 2014, her legacy endures through a body of work that remains vibrantly alive—a testament to a life lived with an open heart and an eye for the extraordinary beauty found in the everyday.

    Gde možete pročitati više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Thistles

    topimpressionists.com/sr/art/download/michele-elizabeth-field-thistles-AQUPVM-en/

    Citiranje ovog umetničkog dela

    MLA
    Field, Michele Elizabeth. Thistles. 2004, https://topimpressionists.com/sr/art/michele-elizabeth-field-thistles-AQUPVM-en/
    APA
    Field, Michele Elizabeth (2004). Thistles [Painting]. https://topimpressionists.com/sr/art/michele-elizabeth-field-thistles-AQUPVM-en/
    Chicago
    Michele Elizabeth Field. Thistles. 2004. https://topimpressionists.com/sr/art/michele-elizabeth-field-thistles-AQUPVM-en/
    Harvard
    Field, Michele Elizabeth (2004) Thistles. Available at: https://topimpressionists.com/sr/art/michele-elizabeth-field-thistles-AQUPVM-en/

    Pogledajte pažljivije

    Thistles — Michele Elizabeth Field

    Pogledajte pažljivije

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Poppies, Buttercups and Daisies (2007), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    4. Michele Elizabeth Field je imao oko 51 godina kada je ovo delo nastalo. Šta u njemu podseća na rad umetnika u toj životnoj fazi?
    5. Šta je umetnik možda želeo da osetite?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Kako mogu da nabavim digitalni prikaz dela „Thistles”, autor Michele Elizabeth Field?

    „Thistles“ je dostupan kao preuzimanje digitalne slike visoke rezolucije, a možete ga kupiti direktno na njegovoj Digitalna slika u visokoj rezoluciji stranici.

    Koja je dominantna boja dela „Thistles”, autor Michele Elizabeth Field?

    Boja koja najviše izdvaja se u delu "Thistles" je Phthalo Green (#15191a). Dominantna boja je korisna pri uklapanju umetničkog dela u enterijer.

    Gde mogu kupiti ručno oslikanu reprodukciju dela „Thistles”, autor Michele Elizabeth Field?

    Ručno oslikanu reprodukciju dela „Thistles”, autor Michele Elizabeth Field možete naručiti direktno na njegovoj stranici Ručno oslikana reprodukcija ulja na platnu: ručno oslikana uljana reprodukcija na lanenom platnu, izrađenu po porudžbini.