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The Student

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Mykola Yaroshenko, The Student (1881). Javno dobro. Pogledajte ovo platno pod promenljivim svetlom: crtež, pravu boju ispod vernica, čisti pigment

Činjenice

Umetnik
Mykola Yaroshenko topimpressionists.com/sr/artists/mykola-yaroshenko/
Datumi umetnika
1846 – 1898
Slikano
1881
Prvobitne dimenzije
87 x 60 cm
Pokret
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

U kontekstu

The Student — Mykola Yaroshenko

Koje su dimenzije?

Originalne dimenzije su 87 × 60 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Kada je ovo naslikano?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890

Gornji red: godine. Donji red: starost umetnika na početku i na kraju svakog perioda — 0 u rođenju, 52 u smrti.

Naslikano kada je umetnik imao 35 godina. Umetnik je doživeo 52. 3 od ukupno 23 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Mykola Yaroshenko (1846–1898) ▲ ovo delo, 1881 svaka datirana slika, deceniju po deceniju

Prva dela: do 1882 Glavne radne godine: 1882–1892 Kasna dela: od 1892

Ova tri segmenta dele dela koja u ovom katalogu imaju navedenu datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

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Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/mykola-yaroshenko-the-student-8XYKX4-en/

Boje

Izmereno na osnovu slike

    Glavna boja

    Black #141414

    Katalogizovana paleta

    • #141414
    • #534437
    • #3D3027
    • #715F4C

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv primarne boje
    Black
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od dubokih senki do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Mykola Yaroshenko tokom poslednjih dvanaest meseci — ukupno u 2 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Кина 75,0%300 poseta
    2. 2 Сједињене Америчке Државе 25,0%100 poseta

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    5 najposećenijih dela umetnika Mykola Yaroshenko

    1. 1 Girl student, 1883 33,3%200 poseta
    2. 2 The Student, 1881 ova slika 16,7%100 poseta
    3. 3 Portrait of P.Strepetova, 1886 16,7%100 poseta
    4. 4 The Prisoner, 1878 16,7%100 poseta
    5. 5 Portrait of S.V. Panina, 1892 16,7%100 poseta

    Zajedno, ova dela zauzimaju 100,0% ukupne pažnje koju su slike ovog umetnika privukle tokom poslednjih dvanaest meseci. Katalog sadrži 26 dela ovog umetnika, od kojih je 5 pregledano barem jednom. Ova slika zauzima 2 mesto na listi, sa 16,7% te pažnje (100 poseta). Isto važi i za pojedinačne mesece

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Mykola Yaroshenko

    Rođen/a u Poltava, Ukraine

    Mykola Yaroshenko: A Soulful Chronicle of the Russian Empire

    Born in Poltava, Ukraine, in 1846, Mykola Yaroshenko’s life and artistic journey were inextricably linked to the tumultuous shifts of the 19th century. His early years, steeped in the traditions of Ukrainian rural life, provided a fertile ground for his later work – a poignant exploration of the hardships, dignity, and quiet beauty of everyday existence within the waning grandeur of the Russian Empire. Yaroshenko’s artistic development wasn't a straightforward ascent; it was shaped by a complex interplay of formal training, personal experiences, and a deep-seated desire to capture the essence of his subjects with unflinching honesty.

    Initially, he received instruction from Ivan Kondratyevich Zaitsev, a local artist who instilled in him a foundational understanding of drawing. This early mentorship laid the groundwork for his later focus on realism, but it was his time at the Poltava Cadet Corps and subsequently the Mikhailovsky Artillery School in Saint Petersburg that truly shaped his artistic trajectory. These institutions provided access to formal training and exposure to the prevailing artistic trends of the era – particularly the influence of academic painting. However, Yaroshenko’s spirit resisted rigid adherence to convention; he sought a more direct connection with reality, a desire that would ultimately define his unique style.

    Yaroshenko's artistic career gained momentum through his association with the Peredvizhniki – “the Wanderers” – a group of Russian realist artists who rejected the opulent salons and academic standards of the Imperial Academy of Arts. Founded in 1870, the Peredvizhniki championed social realism, depicting scenes from the lives of ordinary people, often focusing on the struggles of the working class and peasantry. This movement offered Yaroshenko a vital platform to showcase his work and connect with fellow artists who shared his commitment to portraying the realities of Russian society. He quickly became recognized for his ability to imbue his subjects with empathy and dignity, capturing not just their physical appearance but also their inner lives.

    The Palette of Hardship: Themes and Techniques

    Yaroshenko’s oeuvre is dominated by a profound exploration of hardship – the relentless toil of agricultural labor, the poverty and vulnerability of rural communities, and the quiet dignity of those enduring difficult circumstances. His paintings are rarely celebratory; instead, they offer a starkly honest portrayal of life's challenges, often rendered in somber tones that reflect the gravity of his subjects’ experiences. He frequently depicted scenes of peasant life – harvesting, threshing, tending livestock – but always with an eye toward capturing the emotional weight of these activities.

    Technically, Yaroshenko was a master of observation and detail. He meticulously studied his subjects, paying close attention to their clothing, posture, and expressions. His brushwork is generally smooth and controlled, yet imbued with a subtle sense of texture that adds depth and realism to his compositions. He employed a muted color palette – browns, grays, ochres, and blues – to create a mood of quiet melancholy and reinforce the somber themes of his work. The use of light is particularly effective, often casting long shadows that emphasize the hardships faced by his subjects.

    Notable examples include ‘Girl student,’ a poignant portrait capturing the weariness and resilience of a young woman navigating the challenges of education; ‘Sunset,’ an evocative seascape that utilizes atmospheric perspective to convey both beauty and solitude; and ‘Portrait of the sculptor L.V. Posen’, a meticulously rendered depiction of a prominent figure in the artistic community, demonstrating his ability to capture personality and character with remarkable precision.

    A Legacy Within the Peredvizhniki

    Yaroshenko’s contribution to the Peredvizhniki movement extended beyond simply producing compelling works of art. He was actively involved in shaping the group's artistic direction, advocating for a more direct and accessible style of realism that resonated with a wider audience. His paintings were frequently exhibited alongside those of other prominent Peredvizhniki artists such as Ilya Repin and Vasily Perov, contributing to the movement’s growing visibility and influence.

    His work was not without controversy during his lifetime. Some critics found his depictions of poverty and hardship overly bleak or sentimental, while others questioned his commitment to purely realist representation. However, Yaroshenko remained steadfast in his artistic vision, continuing to produce powerful and emotionally resonant works that offered a valuable counterpoint to the idealized portrayals often favored by academic art circles.

    The Enduring Significance

    Mykola Yaroshenko’s legacy lies not only in his impressive body of work but also in his unwavering commitment to portraying the realities of Russian society with honesty and empathy. His paintings provide a valuable window into the lives of ordinary people during a period of profound social and political change, offering insights into the challenges they faced and the dignity they maintained. His influence can be seen in subsequent generations of realist artists who followed in his footsteps, and his work continues to resonate today as a testament to the power of art to illuminate the human condition.

    Today, his paintings are housed primarily in museums such as the Poltava Art Museum and the Kislovodsk Museum, ensuring that his artistic legacy will continue to be appreciated for generations to come. Further research can be found on platforms like WikiArt and Wikipedia, offering a more comprehensive understanding of his life and work.

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    QR kod koji vodi na stranicu za preuzimanje The Student

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    Citiranje ovog umetničkog dela

    MLA
    Yaroshenko, Mykola. The Student. 1881, https://topimpressionists.com/sr/art/mykola-yaroshenko-the-student-8XYKX4-en/
    APA
    Yaroshenko, Mykola (1881). The Student [Painting]. https://topimpressionists.com/sr/art/mykola-yaroshenko-the-student-8XYKX4-en/
    Chicago
    Mykola Yaroshenko. The Student. 1881. https://topimpressionists.com/sr/art/mykola-yaroshenko-the-student-8XYKX4-en/
    Harvard
    Yaroshenko, Mykola (1881) The Student. Available at: https://topimpressionists.com/sr/art/mykola-yaroshenko-the-student-8XYKX4-en/

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    The Student — Mykola Yaroshenko

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    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: teachers, men. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na Portrait of Vladimir Solovyov (1892), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Pod kojim drugim imenima ili pseudonimima je poznat/a Mykola Yaroshenko?

    Ostala imena zabeležena za Mykola Yaroshenko, autora dela "The Student", uključuju Nikolai Yaroshenko, Mikola Yaroshenko.

    Koliko su intenzivne boje u delu „The Student”, autor Mykola Yaroshenko?

    Intenzitet boja dela "The Student" je Monochromatic. Intenzitet opisuje koliko boje deluju snažno.

    Kolikih je dimenzija originalnog dela "The Student"?

    „The Student“ u svom izvornom obliku ima dimenzije 87 x 60 cm. Originalne dimenzije su koristan pokazatelj pri odabiru veličine reprodukcije.