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La Poule au Gibier

Ime Razred Datum

Robert Doisneau, La Poule au Gibier (1945). Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
Robert Doisneau topimpressionists.com/sr/artists/robert-doisneau/
Podaci o umetniku
1922 – 1994
Slikano
1945
Originalne dimenzije
41 x 30 cm

U kontekstu

La Poule au Gibier — Robert Doisneau

Dimenzije

Originalne dimenzije su 41 × 30 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990

Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 72 u smrti.

Naslikano kada je umetnik imao 23 godina. Umetnik je doživeo 72. 1 od 11 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Robert Doisneau (1922–1994) ▲ ovo delo, 1945 svaka datirana slika, deceniju po deceniju

Prva dela: do 1945 Glavne radne godine: 1945–1955 Kasna dela: od 1955

Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: topimpressionists.com/sr/art/similar/robert-doisneau-la-poule-au-gibier-AS7VAB-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Gray #807f7d

    Katalogizovana paleta

    • #807F7D
    • #191816
    • #C9C9C8
    • #484745

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Gray
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Deep_shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Robert Doisneau tokom poslednjih dvanaest meseci — ukupno u 5 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Пољска 52,2%
    2. 2 Холандија 21,7%
    3. 3 Кина 13,0%
    4. 4 Украјина 8,7%
    5. 5 Француска 4,3%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    3 najposećenijih dela umetnika Robert Doisneau

    1. 1 Le Baiser de Ville, 1950 96,2%
    2. 2 Boulangerie, Rue de Poitou, 1971 3,8%
    3. — La Poule au Gibier, 1945 ova slika 0,0%

    Zajedno, ova dela privlače 100,0% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 11 dela ovog umetnika, od kojih je 2 pregledano barem jednom. Ova slika još uvek nije pregledana u tom periodu — ona zatvara listu bez rangiranja. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    Umetnik i muzej

    Umetnik

    Robert Doisneau

    Mesto rođenja Gennevilliers, France

    A Parisian Chronicler: The Life and Legacy of Robert Doisneau

    Robert Doisneau, born in Gentilly, France, in 1912, wasn’t merely a photographer; he was a visual poet of the streets, a chronicler of everyday life who captured the heart and soul of post-war Paris with an unparalleled blend of humanism, irony, and playful observation. His journey began amidst personal hardship – orphaned at a young age, raised by an unloving aunt – yet it blossomed into a career that celebrated the resilience and charm of the human spirit. Initially drawn to the technical arts, Doisneau trained in engraving and lithography at the École Estienne, skills that would later inform his compositional eye. However, it was the allure of the streets, the spontaneous narratives unfolding before him, that truly ignited his artistic passion. He began tentatively, reportedly photographing cobblestones to overcome initial shyness, gradually building confidence to capture the lives of children and adults in their natural environment.

    From Advertising to Artistic Vision

    Doisneau’s early career was a pragmatic blend of necessity and opportunity. He navigated the world of advertising, working first as a draughtsman at Atelier Ullmann and later as a photographer for Renault. While these roles provided financial stability, they also fueled his growing interest in people and their interactions. His time at Renault, though ultimately cut short by his habitual tardiness, proved formative, exposing him to the possibilities of photography beyond mere commercial application. The late 1930s saw him join the Rapho photographic agency, a pivotal moment that allowed him to pursue street photography more seriously. This period coincided with the looming shadow of World War II, and Doisneau’s life took on another layer of complexity as he served in the French army and actively participated in the Resistance, utilizing his skills to forge documents for those fleeing persecution. It was a time of immense risk and moral responsibility, shaping his commitment to documenting the lives of ordinary people with dignity and respect.

    The Humanist Lens: Style and Influences

    Doisneau’s photographic style is instantly recognizable – a masterful blend of candid observation, carefully composed framing, and a gentle, often ironic, perspective. He wasn't interested in grand narratives or dramatic events; instead, he found beauty and meaning in the mundane, the fleeting moments of everyday life. Influenced by masters like André Kertész, Eugène Atget, and Henri Cartier-Bresson, Doisneau developed his own unique voice, one that prioritized human connection over technical perfection. He possessed an extraordinary ability to anticipate and capture decisive moments, often with a touch of humor or whimsy. His work frequently features amusing juxtapositions, contrasting social classes, and eccentric characters, all set against the backdrop of bustling Parisian streets and cafes. Le Baiser de l'Hôtel de Ville (The Kiss by the Town Hall), his most iconic image from 1950, perfectly encapsulates this approach – a spontaneous moment of intimacy amidst the chaos of city life, an enduring symbol of love and freedom. He famously stated, “The marvels of daily life are so exciting; no movie director can arrange the unexpected that you find in the street.”

    A Legacy of Empathy and Observation

    Throughout his career, Doisneau consistently championed the overlooked and marginalized. He had a particular fondness for children, portraying their play with seriousness and respect, recognizing their inherent dignity and freedom from adult constraints. His photographs offer a poignant glimpse into a post-war Paris rebuilding itself, grappling with social change, yet retaining its unique charm and spirit. While he briefly experimented with fashion photography for Vogue, his heart remained on the streets, capturing the authentic pulse of Parisian life. Despite receiving an invitation to join Magnum Photos from Henri Cartier-Bresson, Doisneau chose to remain with Rapho, valuing the agency’s independence and allowing him greater creative freedom. He was appointed a Chevalier (Knight) of the Legion of Honour in 1984, a testament to his significant contribution to French culture. Robert Doisneau passed away in 1994, leaving behind a vast body of work that continues to inspire and captivate audiences worldwide. His photographs are not simply records of a time and place; they are enduring celebrations of the human condition, reminding us to find beauty and meaning in the everyday moments that shape our lives.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje La Poule au Gibier

    topimpressionists.com/sr/art/download/robert-doisneau-la-poule-au-gibier-AS7VAB-en/

    Citiranje ovog umetničkog dela

    MLA
    Doisneau, Robert. La Poule au Gibier. 1945, https://topimpressionists.com/sr/art/robert-doisneau-la-poule-au-gibier-AS7VAB-en/
    APA
    Doisneau, Robert (1945). La Poule au Gibier [Painting]. https://topimpressionists.com/sr/art/robert-doisneau-la-poule-au-gibier-AS7VAB-en/
    Chicago
    Robert Doisneau. La Poule au Gibier. 1945. https://topimpressionists.com/sr/art/robert-doisneau-la-poule-au-gibier-AS7VAB-en/
    Harvard
    Doisneau, Robert (1945) La Poule au Gibier. Available at: https://topimpressionists.com/sr/art/robert-doisneau-la-poule-au-gibier-AS7VAB-en/

    Pogledajte pažljivije

    La Poule au Gibier — Robert Doisneau

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (u našem katalogu ih je izbrojano 10 — slažete li se?)
    4. Vratite se na Les Amoureux de l (1950), koji ste ranije videli u ovom vodiču. Navedite dve zajedničke karakteristike ovog i prethodnog dela, kao i jednu koja ih razlikuje.
    5. Robert Doisneau je imao oko 23 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koliko je "La Poule au Gibier" ukupno svetla?

    Percepcija osvetljenosti dela „La Poule au Gibier”, Robert Doisneau iznosi deep_shadow. Može se prilagoditi svetlosti predviđenog prostora.

    Da li je „La Poule au Gibier”, Robert Doisneau u javnom vlasništvu?

    „La Poule au Gibier”, Robert Doisneau je u još uvek je zaštićeno autorskim pravima. Ovaj status određuje način na koji se slika dela može reprodukovati.

    Postoji li prezentacija u obliku slajdova za „La Poule au Gibier”, Robert Doisneau?

    Delo „La Poule au Gibier”, Robert Doisneau možete pogledati u obliku prezentacije na stranici Diaporama za ovo umetničko delo.