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      Adèle Romany, 1769 – 1846

      37 najpoznatijih dela umetnika Adèle Romany

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) je slika po kojoj je Adèle Romany najpoznatiji; nalazi se u muzeju National Museum of Women in the Arts, Vašington, D.C.. Madame Coury, Duhamel Widow (1811) i Portrait of a Young Woman (1804) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 39 dela umetnika Adèle Romany. Evo 37 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.

      Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.

      Portret Adèle Romany
      Adèle Romany · 1769 – 1846
      Rođen · umro
      1769 – 1846, Paris
      Pokret
      Neoclassicism
      Radovi u našem katalogu
      39
      Najpoznatije
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
      Najviše dela u
      Library-museum of the Comédie-Française

      Deset najomiljenijih slika umetnika Adèle Romany

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) čiji je Adèle Romany
      1

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

      1795 · Oil · National Museum of Women in the Arts, Vašington, D.C.

      The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

      Rukom oslikana uljana reprodukcija od $178 27 × 36 cm Isti veličine kao original $522 97 × 128 cm Naručite u originalnim dimenzijama →
      Naručite ručno oslikano Priča o slici
      Madame Coury, Duhamel Widow (1811) čiji je Adèle Romany
      2

      Madame Coury, Duhamel Widow

      1811 · Oil On Canvas · Nationalmuseum, Стокхолм

      In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

      Rukom oslikana uljana reprodukcija od $178 28 × 36 cm Isti veličine kao original $467 90 × 117 cm Naručite u originalnim dimenzijama →
      Naručite ručno oslikano Priča o slici
      Portrait of a Young Woman (1804) čiji je Adèle Romany
      3

      Portrait of a Young Woman

      1804 · Oil On Canvas · Musée Marmottan Monet, Pariz

      The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

      Rukom oslikana uljana reprodukcija od $178 29 × 35 cm Isti veličine kao original $242 51 × 61 cm Naručite u originalnim dimenzijama →
      Naručite ovo platno Pročitajte o ovom platnu

      Adèle Romany: platna od 11 do 37 na rang listi

      Šta je Adèle Romany najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.

      Woman 3 dela

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet

      Gde se nalaze platna umetnika Adèle Romany

      8 muzeja u kojima se nalazi najviše slika sa ove stranice.

      Muzej Grad Radovi umetnika Adèle Romany Slike iz ovog spiska
      Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
      Château de Versailles, VersajChâteau de Versailles Versaj 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
      Muzej finih umetnosti u Bostonu, BostonMuzej finih umetnosti u Bostonu Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
      National Museum of Women in the Arts, Vašington, D.C.National Museum of Women in the Arts Vašington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
      Nationalmuseum, СтокхолмNationalmuseum Стокхолм 1 Madame Coury, Duhamel Widow
      Musée Marmottan Monet, ParizMusée Marmottan Monet Pariz 1 Portrait of a Young Woman
      Palais des Beaux-Arts de Lille, LilePalais des Beaux-Arts de Lille Lile 1 Portrait of a Young Harpist
      Musée Jacquemart-André, ParizMusée Jacquemart-André Pariz 1 Portrait of a woman

      Najpoznatije platno umetnika Adèle Romany, deceniju za decenijom

      1. 1790s
      2. 1800s
        Portrait of a Young Woman (1804) čiji je Adèle Romany
        3 od 37

        Portrait of a Young Woman

        Godine 31 – 40 · Musée Marmottan Monet

        The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

      3. 1810s
        Madame Coury, Duhamel Widow (1811) čiji je Adèle Romany
        Platno 2 od 37

        Madame Coury, Duhamel Widow

        Godine 41 – 50 · Nationalmuseum

        In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

      4. 1830s

      Platna umetnika Adèle Romany, odgovor po odgovor

      Po kojem platnu je Adèle Romany najpoznatiji?Pročitajte odgovor

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Vašington, D.C.. Prate ih Madame Coury, Duhamel Widow (1811) i Portrait of a Young Woman (1804).

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou: koliko je godina imao/la Adèle Romany kada je ovo delo nastalo?Pročitajte odgovor

      Adèle Romany, rođen/a 1769, imao/la je 26 godina: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou datira iz 1795.

      Koja su deset najpoznatijih platna umetnika Adèle Romany?Pročitajte odgovor

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois i A young person hesitating to play the piano in front of her family. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je slika stvorio/la Adèle Romany?Pročitajte odgovor

      U našem katalogu se nalazi 39 dela umetnika Adèle Romany, datiranih od 1791 do 1836.

      Gde se danas nalaze najpoznatija platna umetnika Adèle Romany?Pročitajte odgovor

      Većinom u Library-museum of the Comédie-Française (Paris), Château de Versailles (Versaj) i Muzej finih umetnosti u Bostonu (Boston); gornja lista navodi svaki muzej i njegova platna.

      Kada je Adèle Romany naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1800s, koji obuhvata 13 od 37 dela na ovoj stranici, među njima je i Portrait of a Young Woman.

      Koje je čuveno platno umetnika Adèle Romany nastalo prvo, a koje poslednje?Pročitajte odgovor

      Najstarije platno ovde je iz Portrait of Julie Candeille (1791) godine; najnovije je iz Portrait of Voltaire (1836) godine.

      Koji se medij najčešće pojavljuje u delima umetnika Adèle Romany?Pročitajte odgovor

      Oil On Canvas, korišćeno u 2 od 37 dela na ovoj stranici.

      Sa kojim umetničkim pravcem je Adèle Romany povezan/a?Pročitajte odgovor

      Neoclassicism, kao što pokazuju platna na ovoj stranici.

      Koja dela Adèle Romany se nalaze u kolekciji Library-museum of the Comédie-Française?Pročitajte odgovor

      Muzej Library-museum of the Comédie-Française, Paris čuva 5 dela sa ove stranice, među kojima su i Portrait of Emilie Leverd, Mlle Raucourt as Agrippine i Portrait of Fleury.

      Gde mogu kupiti reprodukciju slike od Adèle Romany?Pročitajte odgovor

      Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.

      Upoznajte umetnika: Adèle Romany

      Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

      Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

      Early Life and Artistic Training

      • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
      • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
      • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

      Artistic Style and Notable Works

      • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
      • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
      • Notable Works:
        • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
        • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
        • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
      • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

      Recognition and Historical Significance

      • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
      • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
      • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
      • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

      Legacy and Rediscovery

      Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

      Sva 39 dela umetnika Adèle Romany → Adèle Romany reprodukcije slika, sa cenama →