Adolf Büger, 1885 – 1966
Adolf Büger: 4 najpoznatijih dela
Od svih slika umetnika Adolf Büger, Still Life (1935) je najpoznatija; nalazi se u muzeju Bavarske državne slikopisne kolekcije, Minhen. Odmah za njima su Mountain Landscape (1951) i The Tomcat (1952). Od 4 dela umetnika Adolf Büger u našem katalogu, ovih 4 su najpoznatija, a svako od njih prikazano je sa datumom nastanka, muzejom i pričom.
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- Rođen · umro
- 1885 – 1966, Munich
- Radovi u našem katalogu
- 4
- Najpoznatije
- Still Life (1935)
- Najviše dela u
- Bavarske državne slikopisne kolekcije
10 najpoznatijih dela umetnika Adolf Büger
Gde se nalaze platna umetnika Adolf Büger
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Adolf Büger | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 4 | Still Life, Mountain Landscape, The Tomcat |
Godina za godinom: najpoznatija platna umetnika Adolf Büger
Dugotrajna karijera u bojama: 18 godina, od 1935 do 1952, i najpoznatija platna umetnika Adolf Büger za svaku godinu.
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1935
Platno 1 od 4Still Life
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1935
Rangiran/a 4 od 4Still Life
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1951
Platno 2 od 4
Mountain Landscape
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1952
Platno 3 od 4The Tomcat
Vaša pitanja o slikama umetnika Adolf Büger, odgovorena
Koje je najpoznatije delo umetnika Adolf Büger?Pročitajte odgovor
Still Life (1935), Bavarske državne slikopisne kolekcije, Minhen. Prate ih Mountain Landscape (1951) i The Tomcat (1952).
Koliko je godina imao/la Adolf Büger u vreme nastanka dela Still Life?Pročitajte odgovor
Adolf Büger, rođen/a 1885, imao/la je 50 godina: Still Life datira iz 1935.
Koliko je poznato slika umetnika Adolf Büger?Pročitajte odgovor
U našem katalogu se nalazi 4 dela umetnika Adolf Büger, datiranih od 1935 do 1952.
U kojim muzejima se čuvaju najpoznatija platna umetnika Adolf Büger?Pročitajte odgovor
Većinom u Bavarske državne slikopisne kolekcije (Minhen); gornja lista navodi svaki muzej i njegova platna.
U kojim godinama je Adolf Büger naslikao svoje najpoznatije platna?Pročitajte odgovor
U 1935, koji obuhvata 2 od 4 dela na ovoj stranici, među njima je i Still Life.
Koja su prva i poslednja poznata platna umetnika Adolf Büger?Pročitajte odgovor
Najstarije platno ovde je iz Still Life (1935) godine; najnovije je iz The Tomcat (1952) godine.
Šta mogu da vidim od dela Adolf Büger u muzeju Bavarske državne slikopisne kolekcije?Pročitajte odgovor
Muzej Bavarske državne slikopisne kolekcije, Minhen čuva 4 dela sa ove stranice, među kojima su i Still Life, Mountain Landscape i The Tomcat.
Adolf Büger: priča o umetniku
The Life and Artistic Journey of Adolf Büger
Born in Munich, Germany, Adolf Büger studied at the Munich Academy of Fine Arts starting in 1906, training in the classes of Peter Halm and Angelo Jank. His early career was marked by exhibitions in significant galleries, including those of Heinrich Thannhauser, Adolf Weinmüller, and the Brackl art dealership in the Munich Glaspalast. His work reached international shores in 1910, when he exhibited at the Neue Galerie in New York alongside Erich Heckel and Max Pechstein. Throughout his life, he maintained friendships with fellow artists such as Wilhelm Heinrich Nagel and Willi Geiger.
The hardships of the world wars left profound marks on his life and work. His studio in Munich was destroyed during the Second World War, resulting in the loss of nearly his entire early body of work, including approximately 150 paintings. One of the few surviving pieces from his pre-war period is a depiction of two skiers, which includes a self-portrait of the artist. His 1947 work, Selbstbildnis mit Stirnverband, reflects the deep traces left by the two global conflicts.
Style and Subject Matter
Adolf Büger was recognized as a master of color, particularly in his later interpretations of urban views. While in Salzburg, he captured artistic renditions of the city, such as the Festung Hohensalzburg in 1955 and a section of the Salzburg Old Town in 1963. His creative life was further enriched by his marriage in 1957 to the graphic artist and painter Ika, a relationship that served to fertilize their mutual creativity.
His artistic repertoire evolved over time, encompassing various themes:
In his later years, Büger was an active participant in the Munich art scene, exhibiting regularly with the Neue Münchner Künstlergenossenschaft at the Große Kunstausstellung München and participating in exhibitions with the artist group Der Rote Reiter.