Najomiljenije delo umetnika Anna Petersen je Breton Girl Looking After Plants in the Hothouse (1884), koje se nalazi u muzeju Statens Museum For Kunst, Kopenhagen. Naš katalog sadrži 3 dela umetnika Anna Petersen: evo 2 najpoznatijih, od kojih svako nosi godinu nastanka, naziv muzeja i opis onoga što ga čini nezaborotljivim.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Anna Petersen | Slike iz ovog spiska |
|---|---|---|---|
| Kopenhagen | 1 | Breton Girl Looking After Plants in the Hothouse | |
| Kopenhagen | 1 | An evening with a friend. By lamplight |
Deset godina slikarstva, od 1884 do 1891, čuvaju datovane platna Anna Petersen na ovoj stranici: prošetajte kroz njih godinu po godinu.
Breton Girl Looking After Plants in the Hothouse (1884)
Anna Petersen, rođen/a 1845, imao/la je 39 godina: Breton Girl Looking After Plants in the Hothouse datira iz 1884.
U našem katalogu se nalazi 3 dela umetnika Anna Petersen, datiranih od 1884 do 1891.
Većinom u Statens Museum For Kunst (Kopenhagen) i Hirschsprung Collection (Kopenhagen); gornja lista navodi svaki muzej i njegova platna.
Najstarije platno ovde je iz Breton Girl Looking After Plants in the Hothouse (1884) godine; najnovije je iz An evening with a friend. By lamplight (1891) godine.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Born in Copenhagen, Denmark, Anna Petersen was a painter who navigated the complexities of the late 19th and early 20th-century art world. She received her training at the Tegneskolen for Kvinder in Copenhagen and later moved to France, where she apprenticed under Jean-Jacques Henner in Paris. Her artistic journey included studying at the Kunstskole for Kvinder and exhibiting her work at the Charlottenborg Spring Exhibition. Petersen also showcased her talent on an international stage, exhibiting at the 1889 Exposition Universelle in Paris and the 1893 World's Columbian Exposition in Chicago. Throughout her career, she traveled to Spain, Skagen, and Italy.
Petersen was recognized for her strong sense of realism, particularly in her genre paintings that depicted common people in domestic or religious settings. Her work often focused on figure painting and portraiture. Some of her notable works include:
In her painting En Aften Hos Veninde. Ved Lampelys, she depicted contemporary artists Marie Krøyer, Bertha Wegmann, and Jeanna Bauck listening to the violinist Frida Schytte. While she primarily worked in painting, she also produced a single known sculpture, a monument for her parents' grave in Assistens Cemetery.