Anna Waser, 1678 – 1714

1 najpoznatijih dela umetnika Anna Waser

Self-Portrait at the Age of Twelve (1691) je slika po kojoj je Anna Waser najpoznatiji; nalazi se u muzeju Kunsthaus Zürich, Zrich. Naš katalog sadrži 1 dela umetnika Anna Waser. Evo 1 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.

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Anna Waser · 1678 – 1714

Rođen · umro: 1678 – 1714, Zurich
Radovi u našem katalogu: 1
Najpoznatije: Self-Portrait at the Age of Twelve (1691)
Najviše dela u: Kunsthaus Zürich

Deset najomiljenijih slika umetnika Anna Waser

Self-Portrait at the Age of Twelve

1691 · Oil On Canvas · Kunsthaus Zürich, Zrich

Anna Maria Waser's "Self-Portrait at the Age of Twelve," painted in 1691, isn’t merely a depiction of a young girl; it’s a remarkably poignant and surprisingly mature glimpse into the burgeoning talent of a pioneering Swiss artist. This captivating work, now residing within the Kunsthaus Zürich’s collection, transcends its youthful subject matter to reveal a profound understanding of light, composition, and the very essence of self-representation – qualities that would…

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Muzej	Grad	Radovi umetnika Anna Waser	Slike iz ovog spiska
Kunsthaus Zürich	Zrich	1	Self-Portrait at the Age of Twelve

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Self-Portrait at the Age of Twelve
Godine: 13 · Kunsthaus Zürich
Anna Maria Waser's "Self-Portrait at the Age of Twelve," painted in 1691, isn’t merely a depiction of a young girl; it’s a remarkably poignant and surprisingly mature glimpse…

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Self-Portrait at the Age of Twelve (1691)

Self-Portrait at the Age of Twelve: koliko je godina imao/la Anna Waser kada je ovo delo nastalo?Pročitajte odgovor

Anna Waser, rođen/a 1678, imao/la je 13 godina: Self-Portrait at the Age of Twelve datira iz 1691.

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U našem katalogu se nalazi 1 dela umetnika Anna Waser.

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Upoznajte umetnika: Anna Waser

Anna Maria Waser: A Pioneering Swiss Painter

Early Life and Training

Born: October 16, 1678, in Zurich, Switzerland.
Anna Maria Waser came from a family that valued education and the arts, fostering her early interest in painting despite societal norms.
Her initial artistic training began with Johannes Sulzer in Winterthur, laying the foundation for her future development.
At the age of fourteen, she moved to Bern to study under the guidance of Joseph Werner, a leading Swiss painter.

Artistic Development and Career

Waser’s time in Werner's workshop was unique, as she was the only female student among her male peers. This provided invaluable opportunities for honing her skills.
She quickly demonstrated exceptional talent, evident in early works like her Self-Portrait at the Age of Twelve (1691), showcasing confidence and mastery.
In 1699, a significant milestone was reached when she was appointed as court painter to Count Wilhelm Moritz von Solms-Braunfels, marking growing international recognition.
Her career path wasn’t without interruption; family obligations occasionally called her back to Zurich, impacting the consistency of her artistic output.

Notable Works and Style

Self-Portrait at the Age of Twelve (1691): A remarkable early work demonstrating precocious skill and self-assurance.
Waser’s style is characterized by its attention to detail, realism, and a human touch in her portraits. She excelled in miniature painting as well.
Her works often featured portraits of prominent individuals, reflecting her position within aristocratic circles.

Influences and Artistic Context

Waser’s artistic development was influenced by both Johannes Sulzer and Joseph Werner, who provided her with foundational training in painting techniques.
She worked within the Baroque tradition, a style prevalent during the 17th and early 18th centuries, characterized by drama, rich colors, and detailed ornamentation.
The social context of the time presented challenges for female artists; Waser’s success was particularly noteworthy given these constraints.

Legacy and Historical Significance

Anna Maria Waser's career broke societal conventions, paving the way for future generations of female artists in Switzerland.
Her work continues to be appreciated for its technical skill, authenticity, and insightful portrayal of her subjects.
Her paintings are featured in prominent collections such as the Kunsthaus Zürich, ensuring her place in Swiss art history.
Died: September 20, 1714.

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