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      Anton Faistauer, 1887 – 1930

      34 najpoznatijih dela umetnika Anton Faistauer

      The Painter Georg Christian Andersen (1911) je slika po kojoj je Anton Faistauer najpoznatiji. Reclining female nude (1910) i Young Woman on Red Sofa (1913) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 41 dela umetnika Anton Faistauer. Evo 34 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.

      Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.

      Portret Anton Faistauer
      Anton Faistauer · 1887 – 1930
      Rođen · umro
      1887 – 1930, Sankt Martin bei Lofer
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      41
      Najpoznatije dela
      The Painter Georg Christian Andersen (1911)
      Najviše dela u
      Leopold Museum

      Deset najomiljenijih slika umetnika Anton Faistauer

      The Painter Georg Christian Andersen (1911) čiji je autor Anton Faistauer
      1

      The Painter Georg Christian Andersen

      1911 · Oil On Canvas

      In this intimate portrait, titled The Painter Georg Christian Andersen, we encounter a work from approximately 1911. The subject is rendered with a profound sense of presence, capturing a specific moment in the life of the sitter. Anton Faistauer, the artist behind this piece, was a significant figure in the movement of Austrian Expressionism, a style that sought to move beyond mere representation to reach a more visceral, emotional truth.

      Rukom oslikana uljana reprodukcija od $178 28 × 35 cm Isti veličine kao original $286 60 × 76 cm Naručite u originalnim dimenzijama →
      Reclining female nude (1910) čiji je autor Anton Faistauer
      2

      Reclining female nude

      1910 · Oil

      In this 1910 oil painting, we find a reclining female nude captured in a moment of profound stillness. The composition is defined by a strong diagonal movement, as the subject's body stretches from the upper left toward the lower right of the frame. There is a certain dreamlike quality to the scene, where the boundaries between the figure and her surroundings begin to blur. The light does not seem to…

      Rukom oslikana uljana reprodukcija od $178 39 × 26 cm
      Young Woman on Red Sofa (1913) čiji je autor Anton Faistauer
      3

      Young Woman on Red Sofa

      1913 · Oil On Canvas

      In "Young Woman on Red Sofa" by Anton Faistauer, a quiet moment of repose unfolds before us. The composition centers entirely on a young woman who reclines with a sense of relaxed movement, her body positioned diagonally across the canvas. This diagonal placement draws the eye through the intimate space, creating a sense of depth despite the close-up, shallow perspective. She rests against the deep reds of the sofa upholstery,…

      Rukom oslikana uljana reprodukcija od $178 36 × 27 cm Isti veličine kao original $511 125 × 96 cm Naručite u originalnim dimenzijama →
      Lady in White Blouse (First Wife of the Artist) (1913) čiji je autor Anton Faistauer
      4

      Lady in White Blouse (First Wife of the Artist)

      1913 · Oil

      The woman sits in a moment of profound stillness, her gaze steady and unblinking as she meets the viewer's eyes. She is draped in a white blouse that catches the light from the upper left, the fabric rendered with thick, tactile strokes of paint that give the garment a physical weight. This brightness creates a sharp contrast against the deep, earthy shadows of the background, where tones of ochre, dark…

      Rukom oslikana uljana reprodukcija od $178 25 × 40 cm Isti veličine kao original $364 66 × 108 cm Naručite u originalnim dimenzijama →
      Seated Lady in Blue Blouse (1912) čiji je autor Anton Faistauer
      5

      Seated Lady in Blue Blouse

      1912 · Oil

      A seated woman occupies the center of this 1912 oil painting, positioned from the waist up in a medium close-up view. She is turned slightly off-center, her head resting heavily upon her hand in a gesture of fatigue or deep thought. Her blouse is a deep, saturated blue, which contrasts against the warm ochre and tan tones of her skirt and the surrounding background. Small accents of red appear at…

      Rukom oslikana uljana reprodukcija od $178 29 × 35 cm Isti veličine kao original $380 80 × 96 cm Naručite u originalnim dimenzijama →
      Nude (1920) čiji je autor Anton Faistauer
      6

      Nude

      1920 · Oil

      In this 1920 oil painting, titled Nude, we encounter a quiet moment of repose captured by the Austrian artist Anton Faistauer. The work presents a traditional nude study, focusing on the natural form of a reclining female figure. It is a piece that reflects the artist's specific engagement with the human figure during a period of significant transition in his career.

      Rukom oslikana uljana reprodukcija od $178 39 × 26 cm
      Mother with Two Children (1925) čiji je autor Anton Faistauer
      7

      Mother with Two Children

      1925 · Oil On Canvas · Bavarske državne slikopisne kolekcije, Minhen

      In "Mother with Two Children" by Anton Faistauer, a vertical arrangement anchors the three figures against a plain, textured backdrop. The composition is centered, drawing the eye immediately to the intimate grouping. The mother occupies the background, her form slightly turned as she holds a young child in her arms. Below them, a second child stands in the foreground, positioned lower in the frame to complete the triangular weight of…

      Rukom oslikana uljana reprodukcija od $228 19 × 52 cm Isti veličine kao original $541 64 × 179 cm Naručite u originalnim dimenzijama →
      Temple Walk of Mary (1923) čiji je autor Anton Faistauer
      8

      Temple Walk of Mary

      1923 · Oil

      In this 1923 oil painting, we find ourselves observing a solitary female figure moving through an architectural space. She walks with a steady, profile grace across a paved terrace, her presence defined by bold, gestural brushstrokes that favor texture over fine detail. To her left, a dark, rounded structure sits in the mid-ground, while the background reveals a dense cityscape rising toward a pale sky and a blue-toned mountain. The…

      Rukom oslikana uljana reprodukcija od $178 29 × 35 cm Isti veličine kao original $946 148 × 180 cm Naručite u originalnim dimenzijama →
      Young Woman in Pink Dress (1926) čiji je autor Anton Faistauer
      9

      Young Woman in Pink Dress

      1926 · Oil On Canvas

      A young woman sits in the center of the frame, her body turned slightly away while her eyes drift toward an unseen point beyond the canvas. She wears a garment of pink and coral, a splash of warmth against a background of deep blues and earthy ochre. The light enters from the upper left, carving the contours of her face and neck with soft, heavy shadows. There is a stillness…

      Rukom oslikana uljana reprodukcija od $178 28 × 36 cm
      Richard Mayr in the Costume of the Ox on Lerchenau (1927) čiji je autor Anton Faistauer
      10

      Richard Mayr in the Costume of the Ox on Lerchenau

      1927 · Oil

      The painting titled Richard Mayr in the Costume of the Ox on Lerchenau is a work by the Austrian Expressionist Anton Faistauer. Created about 1927, the portrait captures a specific moment of theatrical transformation. The subject is Richard Mayr, an Austrian operatic bass-baritone. He is rendered here in the character of Baron Ochs.

      Rukom oslikana uljana reprodukcija od $178 25 × 40 cm

      Anton Faistauer: platna od 11 do 34 na rang listi

      Platna umetnika Anton Faistauer po periodima

      Šta je Anton Faistauer najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.

      Gde se nalaze platna umetnika Anton Faistauer

      3 muzeja u kojima se nalazi najviše slika sa ove stranice.

      Muzeji Grad Radovi umetnika Anton Faistauer Slike iz ovog spiska
      Leopold Museum, BečLeopold Museum Beč 5 Street towards Dürnstein, Still Life with Coffee Cups, German Blumenstilleben mit Rittersporn
      Bavarske državne slikopisne kolekcije, MinhenBavarske državne slikopisne kolekcije Minhen 1 Mother with Two Children
      Salzburg Museum, SalzburgSalzburg Museum Salzburg 1 The Red House

      Najpoznatije platno umetnika Anton Faistauer, deceniju za decenijom

      1. 1910s
        The Painter Georg Christian Andersen (1911) čiji je autor Anton Faistauer
        Rangiran/a 1 od 34

        The Painter Georg Christian Andersen

        Godine 23 – 32

        In this intimate portrait, titled The Painter Georg Christian Andersen, we encounter a work from approximately 1911. The subject is rendered with a profound sense of presence, capturing…

      2. 1920s
        Nude (1920) čiji je autor Anton Faistauer
        6 od 34

        Nude

        Godine 33 – 42

        In this 1920 oil painting, titled Nude, we encounter a quiet moment of repose captured by the Austrian artist Anton Faistauer. The work presents a traditional nude study,…

      3. 1930s

      Platna umetnika Anton Faistauer, odgovor po odgovor

      Po kojem platnu je Anton Faistauer najpoznatiji?Pročitajte odgovor

      The Painter Georg Christian Andersen (1911), a zatim Reclining female nude (1910) i Young Woman on Red Sofa (1913).

      The Painter Georg Christian Andersen: koliko je godina imao/la Anton Faistauer kada je ovo delo nastalo?Pročitajte odgovor

      Anton Faistauer, rođen/a 1887, imao/la je 24 godina: The Painter Georg Christian Andersen datira iz 1911.

      Koja su deset najpoznatijih platna umetnika Anton Faistauer?Pročitajte odgovor

      The Painter Georg Christian Andersen, Reclining female nude, Young Woman on Red Sofa, Lady in White Blouse (First Wife of the Artist), Seated Lady in Blue Blouse, Nude, Mother with Two Children, Temple Walk of Mary, Young Woman in Pink Dress i Richard Mayr in the Costume of the Ox on Lerchenau. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je slika stvorio/la Anton Faistauer?Pročitajte odgovor

      U našem katalogu se nalazi 41 dela umetnika Anton Faistauer, datiranih od 1910 do 1930.

      Gde se danas nalaze najpoznatija platna umetnika Anton Faistauer?Pročitajte odgovor

      Većinom u Leopold Museum (Beč), Bavarske državne slikopisne kolekcije (Minhen) i Salzburg Museum (Salzburg); gornja lista navodi svaki muzej i njegova platna.

      Kada je Anton Faistauer naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1910s, koji obuhvata 21 od 34 dela na ovoj stranici, među njima je i The Painter Georg Christian Andersen.

      Koje je čuveno platno umetnika Anton Faistauer nastalo prvo, a koje poslednje?Pročitajte odgovor

      Najstarije platno ovde je iz Reclining female nude (1910) godine; najnovije je iz Flower Still-life (1930) godine.

      Koje je motive Anton Faistauer najčešće slikao?Pročitajte odgovor

      Woman (7), Portrait (5) i Table (3), kroz svih 34 dela na ovoj stranici.

      Koji se medij najčešće pojavljuje u delima umetnika Anton Faistauer?Pročitajte odgovor

      Oil, korišćeno u 6 od 34 dela na ovoj stranici.

      Koja dela Anton Faistauer se nalaze u kolekciji Leopold Museum?Pročitajte odgovor

      Muzej Leopold Museum, Beč čuva 5 dela sa ove stranice, među kojima su i Street towards Dürnstein, Still Life with Coffee Cups i German Blumenstilleben mit Rittersporn.

      Gde mogu kupiti reprodukciju slike od Anton Faistauer?Pročitajte odgovor

      Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.

      Upoznajte umetnika: Anton Faistauer

      The Soul of Austrian Expressionism: The Life and Legacy of Anton Faistauer

      In the turbulent landscape of early 20th-century Europe, few artists captured the profound psychological shifts of the era as poignantly as Anton Faistauer. Born in 1887 to a farming family near Maishofen, his path was not originally destined for the canvas; he initially harbored ambitions of entering the priesthood. However, fate intervened through a transformative encounter with Albert Paris Gütersloh at the gymnasium in Bolzano. This meeting ignited a passion for painting that would eventually lead him away from theology and toward the radical frontiers of the avant-garde. His formal training, which took him from the private Robert Scheffer Akademie to the prestigious Academy of Fine Arts in Vienna under masters like Alois Delug and Christian Griepenkerl, provided him with a technical foundation that he would later use to dismantle academic tradition.

      Faistauer’s artistic identity was forged in rebellion. In 1909, he famously resigned from the Academy, a move that signaled his refusal to adhere to conservative, stagnant dogmas. Alongside luminaries such as Egon Schiele and Anton Kolig, he became a founding member of the Neukunstgruppe, a collective dedicated to protesting academic conventions and advocating for a more visceral, expressive mode of creation. This period of wandering and exploration—stretching through Ticino, Northern Italy, and Berlin—allowed him to absorb diverse influences, refining a style that blended the raw emotion of Expressionism with a unique, symbolic depth. His work began to move beyond mere representation, seeking instead to capture the spiritual and emotional essence of his subjects.

      A Journey Through Light, Shadow, and War

      The trajectory of Faistauer’s life was irrevocably altered by the shadows of World War I. Forced back to Maishofen and eventually drafted into the Austro-Hungarian army, he served in a capacity deemed "unsuitable" for combat, yet even amidst the upheaval of war, his creative spirit remained unextinguished. During this period, he maintained a profound connection to the art world, collaborating with Schiele on war art exhibitions and contributing to the reorganization of the Heeresgeschichtliches Museum. These years of forced stillness and military duty paradoxically provided a space for him to deepen his engagement with the symbolic power of art, using the era's collective trauma as a backdrop for his evolving visual language.

      The post-war years brought both new beginnings and profound personal tragedy. Settling in Salzburg, Faistauer co-founded the radical group Der Wassermann, continuing his pursuit of experimental aesthetics. Yet, the triumphs of his professional life were often shadowed by loss; the death of his first wife on the eve of their inaugural exhibition cast a long gloom over his later years. Despite facing debilitating lung and stomach disorders that necessitated frequent therapeutic retreats to Bolzano, Faistauer’s productivity remained remarkable. He achieved significant recognition through major commissions, including breathtaking frescoes for the Kleines Festspielhaus in Salzburg and works for religious and aristocratic settings in Bamberg and Vienna.

      Technique and the Expressionist Vision

      To look upon a Faistauer painting is to witness a masterclass in texture and emotional resonance. His technique often utilized a rich, textured impasto that gave his surfaces a tactile, living quality. Whether he was rendering a somber portrait or a quiet still life, his use of color was never merely decorative; it was deeply symbolic. In works such as German Gedeckter Tisch, one can observe a post-impressionistic approach where flattened perspectives and vibrant hues create a sense of structured intimacy. Conversely, his watercolors, like the poignant German Anbetung, demonstrate an ability to use transparency and light to evoke religious and spiritual fervor.

      The enduring significance of Anton Faistauer lies in his ability to bridge the gap between the traditional and the radical. He did not simply reject the past; he reinterpreted it through a modern lens, infusing classical themes with the anxieties and intensities of the modern age. His legacy remains etched in the history of Austrian Expressionism, serving as a testament to an artist who, despite personal hardship and historical upheaval, remained steadfast in his quest to reveal the hidden truths of the human condition through the transformative power of paint.