The Intersection of Light and Lens Nuremberg, 1821. A child is born into a world where the boundaries of visual representation are shifting. Georg Fleischmann grows up in an era where the hand-drawn line begins to contend with the chemical reality of the camera. He does not merely choose one medium; he inhabits both. As a painter and a photographer, he navigates the tension between the deliberate stroke of a brush and the sudden, unyielding capture of a lens. His life moves between the precision of the studio and the technical demands of early photography. He is a man of the transition, worki…