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Self-portrait
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Birgitte Levison, 1832 – 1916
1 najpoznatijih dela umetnika Birgitte Levison prema popularnosti
Najomiljenije delo umetnika Birgitte Levison je Self-portrait (1858), koje se nalazi u muzeju Statens Museum For Kunst, Kopenhagen. Naš katalog sadrži 1 dela umetnika Birgitte Levison: evo 1 najpoznatijih, od kojih svako nosi godinu nastanka, naziv muzeja i opis onoga što ga čini nezaborotljivim.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
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- 1832 – 1916, Copenhagen
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- Self-portrait (1858)
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Top 10 slika umetnika Birgitte Levison: platna koja svi poznaju
Gde se nalaze platna umetnika Birgitte Levison
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzeji | Grad | Radovi umetnika Birgitte Levison | Slike iz ovog spiska |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 1 | Self-portrait |
Najomiljenija platna umetnika Birgitte Levison, godinu po godinu
Svako platno sa Birgitte Levison na ovoj stranici je nastalo 1858 godine; evo ih, počevši od najpoznatijih.
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O platnima Birgitte Levison: odgovori na vaša pitanja
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Self-portrait (1858)
Koliko je godina imao/la Birgitte Levison kada je slika Self-portrait nastala?Pročitajte odgovor
Birgitte Levison, rođen/a 1832, imao/la je 26 godina: Self-portrait datira iz 1858.
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U našem katalogu se nalazi 1 dela umetnika Birgitte Levison.
Gde mogu da vidim najpoznatija platna umetnika Birgitte Levison?Pročitajte odgovor
Većinom u Statens Museum For Kunst (Kopenhagen); gornja lista navodi svaki muzej i njegova platna.
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Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Birgitte Levison: život u bojama
A Life in Color and Line
Birgitte Levison lived her life within the quiet, creative rhythms of Denmark. Born in København in 1832, she was a woman who found her voice through the tip of a brush and the careful application of oil on canvas. Her early years were shaped by the guidance of respected teachers, including Wilhelm Marstrand, C F Hetsch, and Heinrich Hansen. These mentors provided her with the technical foundation needed to navigate the demanding world of nineteenth-century painting.
In 1864, her personal life underwent a significant change when she married Herman Hertz Levison, a master carpenter. This union brought about a shift in how she presented herself to the public; while her earlier works were signed with her birth name, Birgitte Neumann, she adopted the name Levison for her later compositions. It was a period of transition that mirrored the evolution of her own hand as an artist.
The Subjects of Her Brush
Levison’s repertoire was diverse, ranging from the intimate to the expansive. She possessed a particular talent for genre paintings, capturing small, meaningful moments of daily life. One might find herself looking at a quiet scene of a sitting dog or the soft light of a sunset reflecting on a lake where two children play. These works suggest a deep appreciation for the stillness found in nature and the simple presence of living things.
Beyond landscapes and animals, she was also a skilled portraitist. Her ability to capture the likeness and character of her subjects allowed her to participate in the broader artistic conversations of her time. Her work has been recognized by institutions such as Charlottenborg and the Women's Exhibition, places where her skill could be seen by her peers and the public alike.
A Lasting Presence
Though she passed away in Frederiksberg in 1916, Levison’s presence remains felt through the works held in permanent collections. Her self-portrait, a piece that offers a direct look at the artist herself, is part of the collection at the Statens Museum for Kunst. This preservation ensures that her perspective on the world—and her place within it—is not lost to time.
Her legacy is found in the quiet strength of her oil paintings. Through her dedication to her craft, she left behind a record of Danish life and a personal history written in pigment and light.