Forest Landscape with Bathing Children (1867) je slika po kojoj je Carl Ebert najpoznatiji; nalazi se u muzeju Bavarske državne slikopisne kolekcije, Minhen. Evening Landscape (1875) i Landscape society in a park upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 5 dela umetnika Carl Ebert. Evo 5 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Carl Ebert | Slike iz ovog spiska |
|---|---|---|---|
| Minhen | 2 | Forest Landscape with Bathing Children, Evening Landscape | |
| Minhen | 1 | Isar Landscape |
Oko decenije za platnom, od 1867 do 1875: datirana platna umetnika Carl Ebert, godinu za godinom.
Forest Landscape with Bathing Children (1867), Bavarske državne slikopisne kolekcije, Minhen. Prate ih Evening Landscape (1875) i Landscape society in a park.
Carl Ebert, rođen/a 1821, imao/la je 46 godina: Forest Landscape with Bathing Children datira iz 1867.
U našem katalogu se nalazi 5 dela umetnika Carl Ebert, datiranih od 1867 do 1875.
Većinom u Bavarske državne slikopisne kolekcije (Minhen) i Lenbachhaus (Minhen); gornja lista navodi svaki muzej i njegova platna.
Najstarije platno ovde je iz Forest Landscape with Bathing Children (1867) godine; najnovije je iz Evening Landscape (1875) godine.
Muzej Bavarske državne slikopisne kolekcije, Minhen čuva 2 dela sa ove stranice, među kojima su i Forest Landscape with Bathing Children i Evening Landscape.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.