Cornelia Scheffer, 1769 – 1839
Cornelia Scheffer: 4 najpoznatijih dela
Od svih slika umetnika Cornelia Scheffer, Self-portrait (1795) je najpoznatija; nalazi se u muzeju Dordrechts Museum, Dordht. Odmah za njima su Woman with Two Children on a Country Road (1811) i The Women of Souli (1833). Od 4 dela umetnika Cornelia Scheffer u našem katalogu, ovih 4 su najpoznatija, a svako od njih prikazano je sa datumom nastanka, muzejom i pričom.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
- Rođen · umro
- 1769 – 1839, Dordrecht
- Radovi u našem katalogu
- 4
- Najpoznatije
- Self-portrait (1795)
- Najviše dela u
- Dordrechts Museum
10 najpoznatijih dela umetnika Cornelia Scheffer
2
Woman with Two Children on a Country Road
Rukom oslikana uljana reprodukcija od $203 29 × 34 cm
Isti veličine kao original $306 60 × 73 cm Naručite u originalnim dimenzijama →
3
The Women of Souli
Rukom oslikana uljana reprodukcija od $453 37 × 27 cm
Isti veličine kao original $745 112 × 95 cm Naručite u originalnim dimenzijama →
4
Portrait of a small child presumably Karel Arnoldus Scheffer at 3 years of age
Rukom oslikana uljana reprodukcija od $178 30 × 33 cm
Gde se nalaze platna umetnika Cornelia Scheffer
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Cornelia Scheffer | Slike iz ovog spiska |
|---|---|---|---|
 Dordrechts Museum |
Dordht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Deceniju po deceniju: najpoznatije platno umetnika Cornelia Scheffer
-
1790s
1 od 4Self-portrait
-
1810s
-
1830s
Platno 3 od 4The Women of Souli
Vaša pitanja o slikama umetnika Cornelia Scheffer, odgovorena
Koje je najpoznatije delo umetnika Cornelia Scheffer?Pročitajte odgovor
Self-portrait (1795), Dordrechts Museum, Dordht. Prate ih Woman with Two Children on a Country Road (1811) i The Women of Souli (1833).
Koliko je godina imao/la Cornelia Scheffer u vreme nastanka dela Self-portrait?Pročitajte odgovor
Cornelia Scheffer, rođen/a 1769, imao/la je 26 godina: Self-portrait datira iz 1795.
Koliko je poznato slika umetnika Cornelia Scheffer?Pročitajte odgovor
U našem katalogu se nalazi 4 dela umetnika Cornelia Scheffer, datiranih od 1795 do 1833.
U kojim muzejima se čuvaju najpoznatija platna umetnika Cornelia Scheffer?Pročitajte odgovor
Većinom u Dordrechts Museum (Dordht); gornja lista navodi svaki muzej i njegova platna.
Koja su prva i poslednja poznata platna umetnika Cornelia Scheffer?Pročitajte odgovor
Najstarije platno ovde je iz Self-portrait (1795) godine; najnovije je iz The Women of Souli (1833) godine.
Šta mogu da vidim od dela Cornelia Scheffer u muzeju Dordrechts Museum?Pročitajte odgovor
Muzej Dordrechts Museum, Dordht čuva 4 dela sa ove stranice, među kojima su i Self-portrait, Woman with Two Children on a Country Road i The Women of Souli.
Mogu li da naručim ručno oslikanu kopiju slike autora Cornelia Scheffer?Pročitajte odgovor
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Cornelia Scheffer: priča o umetniku
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.