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      Daniel Saint, 1778 – 1847

      6 najpoznatijih dela umetnika Daniel Saint

      Portrait de Mme Savary, duchesse de Rovigo (1840) je slika po kojoj je Daniel Saint najpoznatiji. Portrait of Lodewijk Napoleon Bonaparte (1810) i Portrait of the duchess of berry upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 7 dela umetnika Daniel Saint. Evo 6 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.

      Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.

      Portret Daniel Saint
      Daniel Saint · 1778 – 1847
      Rođen · umro
      1778 – 1847, Saint-Lô
      Radovi u našem katalogu
      7
      Najpoznatije
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      Najviše dela u
      Nationalmuseum

      Deset najomiljenijih slika umetnika Daniel Saint

      Portrait of Lodewijk Napoleon Bonaparte (1810) čiji je Daniel Saint
      2

      Portrait of Lodewijk Napoleon Bonaparte

      1810 · Wallace Collection, London

      Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the likeness of the King of Holland, rendered with the precision required for such a small scale. The figure is presented with a sense of quiet dignity, emerging from a dark, atmospheric background that focuses all attention on the sitter. Every detail of…

      Rukom oslikana uljana reprodukcija od $178 32 × 32 cm
      Lady with a Greyhound (1842) čiji je Daniel Saint
      6

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      Rukom oslikana uljana reprodukcija od $178 24 × 41 cm

      Gde se nalaze platna umetnika Daniel Saint

      3 muzeja u kojima se nalazi najviše slika sa ove stranice.

      Muzej Grad Radovi umetnika Daniel Saint Slike iz ovog spiska
      Nationalmuseum, СтокхолмNationalmuseum Стокхолм 2 Unknown Man, Charles X, King of France and Navarre
      Wallace Collection, LondonWallace Collection London 1 Portrait of Lodewijk Napoleon Bonaparte
      Château de Chambord, ŠambordChâteau de Chambord Šambord 1 Portrait of the duchess of berry

      Najpoznatija platna umetnika Daniel Saint, jedno za drugim

      33 godina svetlosti i boje umetnika Daniel Saint, od 1810 do 1842: najpoznatija platna svake godine, jedno za drugim.

      1. 1810
        Portrait of Lodewijk Napoleon Bonaparte (1810) čiji je Daniel Saint
        2 od 6

        Portrait of Lodewijk Napoleon Bonaparte

        Godine: 32 · Wallace Collection

        Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the…

      2. 1840
      3. 1842
        Lady with a Greyhound (1842) čiji je Daniel Saint
        Platno 6 od 6

        Lady with a Greyhound

        Godine: 64

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      Platna umetnika Daniel Saint, odgovor po odgovor

      Po kojem platnu je Daniel Saint najpoznatiji?Pročitajte odgovor

      Portrait de Mme Savary, duchesse de Rovigo (1840), a zatim Portrait of Lodewijk Napoleon Bonaparte (1810) i Portrait of the duchess of berry.

      Portrait de Mme Savary, duchesse de Rovigo: koliko je godina imao/la Daniel Saint kada je ovo delo nastalo?Pročitajte odgovor

      Daniel Saint, rođen/a 1778, imao/la je 62 godina: Portrait de Mme Savary, duchesse de Rovigo datira iz 1840.

      Koliko je slika stvorio/la Daniel Saint?Pročitajte odgovor

      U našem katalogu se nalazi 7 dela umetnika Daniel Saint, datiranih od 1810 do 1842.

      Gde se danas nalaze najpoznatija platna umetnika Daniel Saint?Pročitajte odgovor

      Većinom u Nationalmuseum (Стокхолм), Wallace Collection (London) i Château de Chambord (Šambord); gornja lista navodi svaki muzej i njegova platna.

      Koje je čuveno platno umetnika Daniel Saint nastalo prvo, a koje poslednje?Pročitajte odgovor

      Najstarije platno ovde je iz Portrait of Lodewijk Napoleon Bonaparte (1810) godine; najnovije je iz Lady with a Greyhound (1842) godine.

      Koja dela Daniel Saint se nalaze u kolekciji Nationalmuseum?Pročitajte odgovor

      Muzej Nationalmuseum, Стокхолм čuva 2 dela sa ove stranice, među kojima su i Unknown Man i Charles X, King of France and Navarre.

      Gde mogu kupiti reprodukciju slike od Daniel Saint?Pročitajte odgovor

      Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.

      Upoznajte umetnika: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.