Atelje — Besplatna dostava širom sveta — Rok isporuke: 2–6 nedelja
      David Martin, 1737 – 1797

      David Martin: 37 najpoznatijih dela

      Od svih slika umetnika David Martin, Self-portrait (1760) je najpoznatija; nalazi se u muzeju Scottish National Gallery, Edinburgh. Odmah za njima su David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) i Alexander Udney, older brother to George (1757). Od 38 dela umetnika David Martin u našem katalogu, ovih 37 su najpoznatija, a svako od njih prikazano je sa datumom nastanka, muzejom i pričom.

      Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.

      Portret David Martin
      David Martin · 1737 – 1797
      Rođen · umro
      1737 – 1797, Anstruther
      Radovi u našem katalogu
      38
      Najpoznatije
      Self-portrait (1760)
      Najviše dela u
      Scottish National Portrait Gallery

      10 najpoznatijih dela umetnika David Martin

      Self-portrait (1760) čiji je David Martin
      1

      Self-portrait

      1760 · Oil On Canvas · Scottish National Gallery, Edinburgh

      The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who would become a prominent figure in Scottish portraiture. The image serves as a direct encounter between the painter and the viewer, fixed in the medium of oil.

      Rukom oslikana uljana reprodukcija od $178 28 × 36 cm Isti veličine kao original $207 39 × 50 cm Naručite u originalnim dimenzijama →

      Slika David Martin rangirane od 11 do 37

      Šta je David Martin najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.

      Gde se nalaze platna umetnika David Martin

      6 muzeja u kojima se nalazi najviše slika sa ove stranice.

      Muzej Grad Radovi umetnika David Martin Slike iz ovog spiska
      Scottish National Portrait Gallery, EdinburgScottish National Portrait Gallery Edinburg 15 David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian
      Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 3 Self-portrait, Lilias Seton, Lady Steuart of Allanton (died 1821), Mary Martin, Mrs Alexander Gowan (1716 - 1795)
      Pennsylvania Academy of Fine Arts, FiladelfijaPennsylvania Academy of Fine Arts Filadelfija 1 Benjamin Franklin
      Balliol College, OksfordBalliol College Oksford 1 Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778)
      Basildon ParkBasildon Park 1 Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813)
      National Portrait Gallery, LondonNational Portrait Gallery London 1 Sir Hector Munro

      Deceniju po deceniju: najpoznatije platno umetnika David Martin

      1. 1750s
      2. 1760s
        Self-portrait (1760) čiji je David Martin
        Rangiran/a 1 od 37

        Self-portrait

        Godine 23 – 32 · Scottish National Gallery

        The oil on canvas titled Self-portrait presents the artist David Martin as his own subject. Painted about 1760, the work captures a youthful version of the man who…

      3. 1770s
      4. 1780s
        Sir Hector Munro (1785) čiji je David Martin
        Platno 11 od 37

        Sir Hector Munro

        Godine 43 – 52 · National Portrait Gallery
      5. 1790s

      Vaša pitanja o slikama umetnika David Martin, odgovorena

      Koje je najpoznatije delo umetnika David Martin?Pročitajte odgovor

      Self-portrait (1760), Scottish National Gallery, Edinburgh. Prate ih David Martin, 1737 - 1797. Portrait painter (Self-portrait) (1760) i Alexander Udney, older brother to George (1757).

      Koliko je godina imao/la David Martin u vreme nastanka dela Self-portrait?Pročitajte odgovor

      David Martin, rođen/a 1737, imao/la je 23 godina: Self-portrait datira iz 1760.

      Po kojim deset slika je David Martin najpoznatiji/a?Pročitajte odgovor

      Self-portrait, David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George, Rev. Robert Henry, 1718 - 1790. Historian, Elizabeth Rannie, Viscountess Melville, 1751 - 1843. Wife of 1st Viscount Melville., Henry Dundas, 1st Viscount Melville, 1742 - 1811. Statesman, James Russell, d. 1773. Professor of Natural Philosophy at Edinburgh) University (With his son James Russell, 1754 - 1836. President of the Royal College of Surgeons of Edinburgh), Benjamin Franklin, Henry Bathurst (1714–1794), 2nd Earl Bathurst, Fellow Commoner (1730), Lord Chancellor (1771–1778) i Charles Dillon-Lee, 12th Viscount Dillon of Costello-Gallin KP, FRS, MP (1745-1813). Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je poznato slika umetnika David Martin?Pročitajte odgovor

      U našem katalogu se nalazi 38 dela umetnika David Martin, datiranih od 1757 do 1794.

      U kojim muzejima se čuvaju najpoznatija platna umetnika David Martin?Pročitajte odgovor

      Većinom u Scottish National Portrait Gallery (Edinburg), Scottish National Gallery (Edinburgh) i Pennsylvania Academy of Fine Arts (Filadelfija); gornja lista navodi svaki muzej i njegova platna.

      U kojim godinama je David Martin naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1770s, koji obuhvata 8 od 37 dela na ovoj stranici, među njima je i Rev. Robert Henry, 1718 - 1790. Historian.

      Koja su prva i poslednja poznata platna umetnika David Martin?Pročitajte odgovor

      Najstarije platno ovde je iz Alexander Udney, older brother to George (1757) godine; najnovije je iz Henry Home, Lord Kames, 1696 - 1782. Scottish judge and author (1794) godine.

      Šta mogu da vidim od dela David Martin u muzeju Scottish National Portrait Gallery?Pročitajte odgovor

      Muzej Scottish National Portrait Gallery, Edinburg čuva 15 dela sa ove stranice, među kojima su i David Martin, 1737 - 1797. Portrait painter (Self-portrait), Alexander Udney, older brother to George i Rev. Robert Henry, 1718 - 1790. Historian.

      Mogu li da naručim ručno oslikanu kopiju slike autora David Martin?Pročitajte odgovor

      Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.

      David Martin: priča o umetniku

      A Life Dedicated to the Winged World

      François Nicolas Martinet, a name perhaps less familiar than those of his contemporaries in 18th-century French art, nevertheless holds a profound and quietly significant place within the history of ornithological illustration. Born in Paris around 1731, Martinet’s journey wasn't one of grand artistic ambition initially; he began his career as an engineer and draftsman, skills honed within the meticulous framework of the Royal Workshops. Yet, it was through his engagement with the burgeoning field of natural history that he discovered his true calling – capturing the exquisite detail and vibrant beauty of birds in a way that transcended mere documentation.

      His early life remains somewhat shrouded in obscurity, details scarce beyond his formal training. However, around 1756, Martinet transitioned into engraving for the King’s cabinet, a position that provided him with access to influential figures and projects within the scientific community. This shift marked a turning point, as he began dedicating himself increasingly to producing illustrations for books – specifically, those focused on the natural world. His son, Alexandre, would later assist him in this endeavor, continuing the legacy of meticulous detail and artistic observation.

      The Art of Observation: Technique and Style

      What distinguishes Martinet’s work is not simply his technical proficiency – though he was undoubtedly a skilled engraver – but rather his remarkable ability to imbue his bird illustrations with a sense of life. Prior to his time, many attempts at depicting birds in books were hampered by the limitations of the printing process and a lack of understanding of avian anatomy. Early engravings often resulted in distorted proportions, awkward poses, and an overall impression of stiffness. Martinet recognized this deficiency and painstakingly developed a method that prioritized accurate observation and realistic representation.

      He meticulously studied birds in their natural habitats, paying close attention to their movements, plumage variations, and subtle behavioral cues. This dedication translated directly into his engravings, which are characterized by an astonishing level of detail – from the intricate patterns on feathers to the delicate structure of beaks and talons. Martinet’s illustrations weren't merely static representations; they conveyed a sense of dynamism and immediacy, as if capturing a fleeting moment in a bird’s life. His use of light and shadow further enhanced this effect, creating depth and volume within each image.

      • Color Techniques: While Martinet primarily worked in monochrome engravings, his illustrations were often hand-colored by skilled artisans, adding layers of vibrant hues that brought the birds to life.
      • Compositional Choices: He favored dynamic compositions, placing birds within their natural settings and capturing them in active poses.
      • Attention to Detail: Martinet’s illustrations are renowned for their meticulous rendering of feathers, scales, and other anatomical features.

      Collaborations and Major Works

      Martinet's most significant contribution to the world of ornithological illustration came through his extensive work with Georges-Louis Leclerc, Comte de Buffon, a leading French naturalist and encyclopedist. For Buffon’s monumental *Histoire Naturelle des Oiseaux* (Natural History of Birds), Martinet produced over 1000 engravings – a staggering number that underscored the scale and ambition of Buffon's project.

      His work extended beyond Buffon’s encyclopedia, contributing illustrations to other important natural history publications, including those by Mathurin Jacques Brisson. These collaborations cemented Martinet’s reputation as a leading ornithological artist and ensured that his images would reach a wide audience of scholars, collectors, and enthusiasts.

      Notable Works:
      • Histoire Naturelle des Oiseaux (Natural History of Birds) by Georges-Louis Leclerc, Comte de Buffon
      • Illustrations for Mathurin Jacques Brisson’s *Ornithologia*
      • Engravings for the Encyclopédie méthodique

      Legacy and Historical Significance

      François Nicolas Martinet's legacy extends far beyond his individual illustrations. He played a crucial role in shaping the visual representation of birds during a period when scientific illustration was still evolving. His commitment to accuracy, combined with his artistic sensibility, set a new standard for ornithological art – one that continues to inspire artists and researchers today.

      His work is particularly significant because it demonstrates how observation, meticulous study, and technical skill can be combined to create images that are both scientifically informative and aesthetically compelling. Martinet’s legacy lies not only in the beauty of his illustrations but also in their contribution to our understanding of the natural world.