Najomiljenije delo umetnika Hermann Bever je Slicing Bread (1870), koje se nalazi u muzeju Slovačka nacionalna galerija, Bratislava. Under the Gate (1900) i Still Life (1870) su sledeći na listi najpoznatijih platana koje čitaoci najbolje poznaju. Naš katalog sadrži 3 dela umetnika Hermann Bever: evo 3 najpoznatijih, od kojih svako nosi godinu nastanka, naziv muzeja i opis onoga što ga čini nezaborotljivim.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Hermann Bever | Slike iz ovog spiska |
|---|---|---|---|
| Minhen | 2 | Under the Gate, Still Life | |
| Bratislava | 1 | Slicing Bread |
Hermann Bever za slikarskim platnom tokom 31 godina, od 1870 do 1900: najomiljenija platna svake godine, hronološki.
Slicing Bread (1870), Slovačka nacionalna galerija, Bratislava. Prate ih Under the Gate (1900) i Still Life (1870).
Hermann Bever, rođen/a 1845, imao/la je 25 godina: Slicing Bread datira iz 1870.
U našem katalogu se nalazi 3 dela umetnika Hermann Bever, datiranih od 1870 do 1900.
Većinom u Bavarske državne slikopisne kolekcije (Minhen) i Slovačka nacionalna galerija (Bratislava); gornja lista navodi svaki muzej i njegova platna.
U 1870, koji obuhvata 2 od 3 dela na ovoj stranici, među njima je i Slicing Bread.
Najstarije platno ovde je iz Slicing Bread (1870) godine; najnovije je iz Under the Gate (1900) godine.
Muzej Bavarske državne slikopisne kolekcije, Minhen čuva 2 dela sa ove stranice, među kojima su i Under the Gate i Still Life.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Hermann Bever was born in Würzburg, Germany. He began his academic journey by studying law at the universities of Munich and Berlin, eventually passing his state examination. However, his true calling led him to the Munich Academy of Fine Arts, where he enrolled in the antiquity class in 1871. He studied under instructors such as Johann Leonhard Raab and Otto Seitz, and later entered the master class of Karl Theodor von Piloty, where he studied painting until 1879.
Beyond his studio work, Bever held significant roles within the art world. He served as a conservator for the Bavarian State Painting Collections, including a position at the royal branch gallery in Schleißheim. His professional life also included roles as a painter, art collector, and gallery director.
As a painter, Bever focused his compositions on Upper Bavarian landscapes and still lifes. He was particularly known for depicting scenes from rural life, frequently featuring subjects such as hunters, dairymaids, and children. His notable works include:
His paintings were featured in various exhibitions, including the International Art Exhibition in Munich and the annual exhibitions at the royal Glaspalast. Many of his works were reproduced as wood engravings in popular magazines such as Die Gartenlaube, Daheim, and Jugendlust.