Atelje — Besplatna dostava širom sveta — Rok isporuke: 2–6 nedelja
      Hermann Daur, 1870 – 1925

      2 najpoznatijih dela umetnika Hermann Daur

      Portrait of Esther Kern (1912) je slika po kojoj je Hermann Daur najpoznatiji; nalazi se u muzeju Augustiner Museum, Frajburg. Naš katalog sadrži 2 dela umetnika Hermann Daur. Evo 2 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.

      Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.

      Portret Hermann Daur
      Hermann Daur · 1870 – 1925
      Rođen · umro
      1870 – 1925, Stetten
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      2
      Najpoznatije
      Portrait of Esther Kern (1912)
      Najviše dela u
      Augustiner Museum

      Deset najomiljenijih slika umetnika Hermann Daur

      Gde se nalaze platna umetnika Hermann Daur

      1 muzeja u kojima se nalazi najviše slika sa ove stranice.

      Muzej Grad Radovi umetnika Hermann Daur Slike iz ovog spiska
      Augustiner Museum, FrajburgAugustiner Museum Frajburg 2 Portrait of Esther Kern, Portrait of Bianca Kern-Hunziker

      Najpoznatija platna umetnika Hermann Daur, jedno za drugim

      Sva platna Hermann Daur datirana na ovoj stranici pripadaju godini 1912: evo ih, poređanih prema slavi.

      1. 1912
      2. 1912

      Platna umetnika Hermann Daur, odgovor po odgovor

      Po kojem platnu je Hermann Daur najpoznatiji?Pročitajte odgovor

      Portrait of Esther Kern (1912)

      Portrait of Esther Kern: koliko je godina imao/la Hermann Daur kada je ovo delo nastalo?Pročitajte odgovor

      Hermann Daur, rođen/a 1870, imao/la je 42 godina: Portrait of Esther Kern datira iz 1912.

      Koliko je slika stvorio/la Hermann Daur?Pročitajte odgovor

      U našem katalogu se nalazi 2 dela umetnika Hermann Daur.

      Gde se danas nalaze najpoznatija platna umetnika Hermann Daur?Pročitajte odgovor

      Većinom u Augustiner Museum (Frajburg); gornja lista navodi svaki muzej i njegova platna.

      Kada je Hermann Daur naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1912, koji obuhvata 2 od 2 dela na ovoj stranici, među njima je i Portrait of Esther Kern.

      Koja dela Hermann Daur se nalaze u kolekciji Augustiner Museum?Pročitajte odgovor

      Muzej Augustiner Museum, Frajburg čuva 2 dela sa ove stranice, među kojima su i Portrait of Esther Kern i Portrait of Bianca Kern-Hunziker.

      Gde mogu kupiti reprodukciju slike od Hermann Daur?Pročitajte odgovor

      Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.

      Upoznajte umetnika: Hermann Daur

      The Quiet Presence of Albert Hermann Daur

      The year 1870 marks the beginning of a life that would eventually find its end in Ötlingen in 1925. Born in Stetten, Albert Hermann Daur operated within a specific German tradition, capturing the essence of his subjects and the stillness of the landscape. His brushwork does not shout; it observes. In the quietude of his compositions, one finds a focus on the tangible reality of the era, from the intimate details of a human face to the structural simplicity of a mill nestled in a valley.

      His work often centers on the interplay between light and form. In his 1912 oil on canvas, Vorfrühling, Mühle im Kandertal, the scene captures a moment of seasonal transition. The mill sits within the landscape, a fixed point in a changing environment. There is a deliberate weight to his application of oil, a method that prioritizes the physical presence of the subject over mere decoration.

      A Study in Form and Subject

      Daur’s output reveals a commitment to specific, grounded subjects. He moved between the psychological depth of portraiture and the structural clarity of landscape painting. His technical approach is defined by several key elements:

      • The use of oil on canvas to achieve depth in portraiture.
      • A focus on the specificities of German topography, such as the Kandertal region.
      • A signature style that often included a direct, legible mark on the work itself.

      The 1912 Portrait of Bianca Kern-Hunziker serves as a primary example of his ability to hold a gaze. This work, held in the Augustinermuseum in Freiburg, demonstrates his capacity to translate a person into a permanent visual record. He does not rely on artifice, but on the directness of the likeness.

      The Final Years and Legacy

      By the time of his death in 1925, Daur had established a body of work that remains tied to the specificities of his time and place. His paintings are not abstractions; they are records of a world in transition. The physical remnants of his practice, such as the inscriptions found on the reverse of frames, provide a direct link to his hand. He remains a figure of the German landscape and portrait tradition, a painter who sought to pin down the fleeting light of a spring morning or the steady gaze of a sitter.