Still Life with Green Bowl (1935) je slika po kojoj je Hermann Euler najpoznatiji; nalazi se u muzeju Bavarske državne slikopisne kolekcije, Minhen. Naš katalog sadrži 2 dela umetnika Hermann Euler. Evo 2 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
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1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Hermann Euler | Slike iz ovog spiska |
|---|---|---|---|
| Minhen | 2 | Still Life with Green Bowl, Strauss |
Sva platna Hermann Euler datirana na ovoj stranici pripadaju godini 1935: evo ih, poređanih prema slavi.
Still Life with Green Bowl (1935)
Hermann Euler, rođen/a 1900, imao/la je 35 godina: Still Life with Green Bowl datira iz 1935.
U našem katalogu se nalazi 2 dela umetnika Hermann Euler.
Većinom u Bavarske državne slikopisne kolekcije (Minhen); gornja lista navodi svaki muzej i njegova platna.
U 1935, koji obuhvata 2 od 2 dela na ovoj stranici, među njima je i Still Life with Green Bowl.
Muzej Bavarske državne slikopisne kolekcije, Minhen čuva 2 dela sa ove stranice, među kojima su i Still Life with Green Bowl i Strauss.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.