Bush landscape with rocks (1952) je slika po kojoj je Jean Appleton najpoznatiji; nalazi se u muzeju Art Gallery of New South Wales, Sidnej. Landscape i Red house, Cowan (1945) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 7 dela umetnika Jean Appleton. Evo 6 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
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1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Jean Appleton | Slike iz ovog spiska |
|---|---|---|---|
| Sidnej | 6 | Bush landscape with rocks, Landscape, Red house, Cowan |
Oko decenije za platnom, od 1945 do 1953: datirana platna umetnika Jean Appleton, godinu za godinom.
Bush landscape with rocks (1952), Art Gallery of New South Wales, Sidnej. Prate ih Landscape i Red house, Cowan (1945).
Jean Appleton, rođen/a 1911, imao/la je 41 godina: Bush landscape with rocks datira iz 1952.
U našem katalogu se nalazi 7 dela umetnika Jean Appleton, datiranih od 1945 do 1953.
Većinom u Art Gallery of New South Wales (Sidnej); gornja lista navodi svaki muzej i njegova platna.
Najstarije platno ovde je iz Red house, Cowan (1945) godine; najnovije je iz Hillside (1953) godine.
Muzej Art Gallery of New South Wales, Sidnej čuva 6 dela sa ove stranice, među kojima su i Bush landscape with rocks, Landscape i Red house, Cowan.
Born in the Sydney suburb of Ashfield, Jean Appleton was a painter, art teacher, and printmaker who demonstrated a lifelong passion for the arts. After earning an intermediate certificate in arts in 1928, she enrolled in a five-year diploma course in drawing and illustration at the East Sydney Technical College. Her formal education continued in England at the Westminster School of Art, where she studied under Bernard Meninsky and Mark Gertler. During her time in London, she produced Australia's two earliest cubist paintings, titled Still Life 1937 and Painting IX 1937.
Appleton's technical repertoire was diverse, as she worked with a variety of media including:
Throughout her career, Appleton's work evolved from the rounded geometric forms she learned in London toward an increasingly decorative and schematic cubist style characterized by a lighter colour scheme. She often found inspiration in subjects such as bottles, describing painting as a "love affair." Her professional achievements were marked by several prestigious accolades, including:
In addition to her painting, she became interested in printmaking, which she practiced until 1980. Her life and work were celebrated through various solo exhibitions and a retrospective held at the Campbelltown City Bicentennial Art Gallery.