Horses and Hunters by the Sea je slika po kojoj je John Amory Codman najpoznatiji; nalazi se u muzeju Muzej finih umetnosti u Bostonu, Boston. View of a Bay i Harbor Overlooked by a Mansion upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 6 dela umetnika John Amory Codman. Evo 6 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika John Amory Codman | Slike iz ovog spiska |
|---|---|---|---|
| Boston | 6 | Horses and Hunters by the Sea, View of a Bay, Harbor Overlooked by a Mansion |
Horses and Hunters by the Sea, Muzej finih umetnosti u Bostonu, Boston. Prate ih View of a Bay i Harbor Overlooked by a Mansion.
U našem katalogu se nalazi 6 dela umetnika John Amory Codman.
Većinom u Muzej finih umetnosti u Bostonu (Boston); gornja lista navodi svaki muzej i njegova platna.
Muzej Muzej finih umetnosti u Bostonu, Boston čuva 6 dela sa ove stranice, među kojima su i Horses and Hunters by the Sea, View of a Bay i Harbor Overlooked by a Mansion.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Born in 1824, John Amory Codman lived a life shaped by the shifting tides of 19th-century commerce and the quiet rhythms of coastal Massachusetts. While he is remembered for his brushwork, his personal stability was tied to the lucrative Russian and China clipper trade, which provided the wealth necessary to support his lifestyle and his creative pursuits. He spent much of his time in Boston, establishing himself within the city's social and artistic circles during a period of significant growth.
His domestic life was centered around his marriage to Martha Pickman Rogers, who lived until 1905. Together, they had one surviving child, Martha Codman Karolik. The family's connection to the arts would continue through her, as she became a major benefactor to the arts, ensuring that the cultural landscape of her time remained supported. The legacy of the family was marked by both significant social standing and the complexities of private life, including legal disputes regarding his will and the distribution of his estate after his death in 1886.
Codman’s professional life was deeply rooted in the creative circles of Boston. He resided and worked in the city from 1849 through the 1860s, establishing himself within the local art community. During the 1850s, he maintained a studio in Amory Hall, a space that likely served as a central hub for his daily practice. His presence in the city was officially recognized in the Boston City Directory, which listed him as an artist from 1849 to 1855. He was also affiliated with the New England Art Union, connecting him to the broader artistic movements of the time.
His exhibitions began early in his career. In 1839, he showed his work with the Apollo Association, and by 1849, he was exhibiting with the American Art-Union. As his reputation grew, he became a regular participant in significant local venues. He exhibited with the Boston Athenaeum in 1856, contributing to the cultural life of the city during a period of significant growth. Later in his life, in 1873, he displayed two oil paintings at the Boston Art Club, continuing to share his vision with the public.