Atelje — Besplatna dostava širom sveta — Rok isporuke: 2–6 nedelja
      John Gully, 1819 – 1888

      47 najpoznatijih dela umetnika John Gully

      Scene in West Coast Sounds (1863) je slika po kojoj je John Gully najpoznatiji; nalazi se u The Suter Te Aratoi o Whakatū. Morning Mist (1863) i Pohara Beach (1863) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 47 dela umetnika John Gully. Evo 47 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.

      Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.

      Portret John Gully
      John Gully · 1819 – 1888
      Rođen · umro
      1819 – 1888, Bath
      Radovi u našem katalogu
      47
      Najpoznatije
      Scene in West Coast Sounds (1863)
      Najviše dela u
      The Suter Te Aratoi o Whakatū

      Deset najomiljenijih slika umetnika John Gully

      John Gully: platna od 11 do 47 na rang listi

      Gde se nalaze platna umetnika John Gully

      3 muzeja u kojima se nalazi najviše slika sa ove stranice.

      Muzej Grad Radovi umetnika John Gully Slike iz ovog spiska
      The Suter Te Aratoi o WhakatūThe Suter Te Aratoi o Whakatū 43 Scene in West Coast Sounds, Morning Mist, Pohara Beach
      Te Whare O Rehua Sarjeant GalleryTe Whare O Rehua Sarjeant Gallery 3 Lake Rotomahana 1872, Milford Sound, Arthur's pass
      Museum of New Zealand Te Papa Tongarewa, VelintonMuseum of New Zealand Te Papa Tongarewa Velinton 1 In the Southern Alps

      Najpoznatije platno umetnika John Gully, deceniju za decenijom

      1. 1860s
      2. 1870s
      3. 1880s

      Platna umetnika John Gully, odgovor po odgovor

      Po kojem platnu je John Gully najpoznatiji?Pročitajte odgovor

      Scene in West Coast Sounds (1863), The Suter Te Aratoi o Whakatū. Prate ih Morning Mist (1863) i Pohara Beach (1863).

      Scene in West Coast Sounds: koliko je godina imao/la John Gully kada je ovo delo nastalo?Pročitajte odgovor

      John Gully, rođen/a 1819, imao/la je 44 godina: Scene in West Coast Sounds datira iz 1863.

      Koja su deset najpoznatijih platna umetnika John Gully?Pročitajte odgovor

      Scene in West Coast Sounds, Morning Mist, Pohara Beach, In the Maitai Valley, Lake Rotomahana 1872, Bishopdale in 1874, In the Southern Alps, Milford Sound, Arthur's pass i Swyncombe Kaikoura. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je slika stvorio/la John Gully?Pročitajte odgovor

      U našem katalogu se nalazi 47 dela umetnika John Gully, datiranih od 1863 do 1888.

      Gde se danas nalaze najpoznatija platna umetnika John Gully?Pročitajte odgovor

      Većinom u The Suter Te Aratoi o Whakatū, Te Whare O Rehua Sarjeant Gallery i Museum of New Zealand Te Papa Tongarewa (Velinton); gornja lista navodi svaki muzej i njegova platna.

      Kada je John Gully naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1880s, koji obuhvata 21 od 47 dela na ovoj stranici, među njima je i In the Southern Alps.

      Koje je čuveno platno umetnika John Gully nastalo prvo, a koje poslednje?Pročitajte odgovor

      Najstarije platno ovde je iz Scene in West Coast Sounds (1863) godine; najnovije je iz Before the Storm - Riwaka (1888) godine.

      Koja dela John Gully se nalaze u kolekciji The Suter Te Aratoi o Whakatū?Pročitajte odgovor

      Muzej The Suter Te Aratoi o Whakatū čuva 43 dela sa ove stranice, među kojima su i Scene in West Coast Sounds, Morning Mist i Pohara Beach.

      Gde mogu kupiti reprodukciju slike od John Gully?Pročitajte odgovor

      Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.

      Upoznajte umetnika: John Gully

      A Journey Through Light and Landscape

      The story of John Gully is one of profound migration and the transformative power of a new horizon. Born in 1819 amidst the historic streets of Bath, England, Gully’s early life was far removed from the ethereal beauty of the landscapes that would later define his legacy. The son of a porter, his path was initially forged in the industrial grit of Stothert's foundry, where a childhood apprenticeship in designing and drafting instilled in him a fundamental understanding of structure and form. While his formal education concluded early, a quiet passion for art began to flicker, nurtured by brief encounters with the delicate techniques of Bristol watercolourists. This period of his life was characterized by the steady rhythms of commerce and clerical work, yet beneath the surface of a banker’s routine, the seeds of a master landscape painter were being sown.

      In 1852, a pivotal shift occurred when Gully, driven by the romanticized accounts of New Zealand's untamed beauty, emigrated with his family to the southern hemisphere. Arriving in Auckland and later settling in New Plymouth, he encountered a world of dramatic topography and luminous atmospheres that nothing in England could have prepared him for. This encounter with the wild, sprawling vistas of the South Pacific became the primary catalyst for his artistic evolution. Though he faced significant financial hardships and even periods of bankruptcy, these struggles seemed to deepen his connection to the land, pushing him to capture the very essence of the New Zealand wilderness through his brush.

      The Art of the Southern Wild

      Gully’s oeuvre is a testament to the breathtaking majesty of the New Zealand landscape, rendered with a sensitivity that transcends mere documentation. His work often focuses on the interplay between light and geological grandeur, particularly within the rugged reaches of the Southern Alps and the serene expanses of glacial lakes. There is a rhythmic quality to his compositions, where the heavy permanence of mountain ranges meets the fleeting, translucent nature of mist and water. Through his eyes, we see the St Arnaud Range or the Awatere Valley not just as geographical locations, but as living, breathing entities shaped by the elements.

      Technically, Gully’s development was marked by a transition from the structured precision of his drafting background to a more fluid, atmospheric approach. His ability to render the subtle gradations of light across a lake surface or the daunting scale of a mountain peak suggests an artist deeply attuned to the nuances of the natural world. His paintings often serve as historical windows, capturing the pristine state of the New Zealand landscape before the heavy hand of colonial development had fully altered its character. In doing so, he achieved a level of historical significance that elevates his work from simple scenery to vital cultural heritage.

      The legacy of John Gully remains etched in the visual memory of the landscapes he loved. His life, moving from the industrial heart of England to the remote beauty of Nelson, mirrors the very movement of light across a mountain pass—a journey from shadow into clarity. Today, his works stand as enduring tributes to a period of discovery and the timeless allure of the natural world.