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Portrait of baron Francis Delbeke
Rukom oslikana uljana reprodukcija od $178 37 × 27 cm
Isti veličine kao original $488 126 × 90 cm Naručite u originalnim dimenzijama →
Jules Schmalzigaug, 1882 – 1917
6 najpoznatijih dela umetnika Jules Schmalzigaug
Portrait of baron Francis Delbeke (1917) je slika po kojoj je Jules Schmalzigaug najpoznatiji; nalazi se u muzeju Kraljevski muzeji fine umetnosti Belgije, Brisel. San Marco from the Piazetta (1913) i The Rialto Bridge in Venice (1913) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 6 dela umetnika Jules Schmalzigaug. Evo 6 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
- Rođen · umro
- 1882 – 1917, Antwerp
- Radovi u našem katalogu
- 6
- Najpoznatije dela
- Portrait of baron Francis Delbeke (1917)
- Najviše dela u
- Kraljevski muzej lepih umetnosti u Antverpenu
Deset najomiljenijih slika umetnika Jules Schmalzigaug
2
San Marco from the Piazetta
Rukom oslikana uljana reprodukcija od $178 35 × 29 cm
Isti veličine kao original $249 64 × 53 cm Naručite u originalnim dimenzijama →
3
The Rialto Bridge in Venice
Rukom oslikana uljana reprodukcija od $178 34 × 29 cm
Isti veličine kao original $373 94 × 79 cm Naručite u originalnim dimenzijama →
4
Impression in a Dance Hall
Rukom oslikana uljana reprodukcija od $178 34 × 29 cm
Isti veličine kao original $250 64 × 53 cm Naručite u originalnim dimenzijama →
5
Speed
Rukom oslikana uljana reprodukcija od $178 38 × 26 cm
Isti veličine kao original $391 108 × 74 cm Naručite u originalnim dimenzijama →
6
Light
Rukom oslikana uljana reprodukcija od $178 36 × 28 cm
Isti veličine kao original $525 127 × 98 cm Naručite u originalnim dimenzijama →
Gde se nalaze platna umetnika Jules Schmalzigaug
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzeji | Grad | Radovi umetnika Jules Schmalzigaug | Slike iz ovog spiska |
|---|---|---|---|
 Kraljevski muzej lepih umetnosti u Antverpenu |
Antverpen | 5 | San Marco from the Piazetta, The Rialto Bridge in Venice, Impression in a Dance Hall |
 Kraljevski muzeji fine umetnosti Belgije |
Brisel | 1 | Portrait of baron Francis Delbeke |
Najpoznatija platna umetnika Jules Schmalzigaug, jedno za drugim
Platna Jules Schmalzigaug na ovoj stranici datiraju od 1913 do 1917 godine, što je svega 5 godina: evo ih, godinu za godinom.
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1913
2 od 6San Marco from the Piazetta
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1913
3 od 6The Rialto Bridge in Venice
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1914
Rangiran/a 4 od 6Impression in a Dance Hall
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1914
Rangiran/a 5 od 6Speed
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1914
Rangiran/a 6 od 6Light
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1917
Rangiran/a 1 od 6Portrait of baron Francis Delbeke
Platna umetnika Jules Schmalzigaug, odgovor po odgovor
Po kojem platnu je Jules Schmalzigaug najpoznatiji?Pročitajte odgovor
Portrait of baron Francis Delbeke (1917), Kraljevski muzeji fine umetnosti Belgije, Brisel. Prate ih San Marco from the Piazetta (1913) i The Rialto Bridge in Venice (1913).
Portrait of baron Francis Delbeke: koliko je godina imao/la Jules Schmalzigaug kada je ovo delo nastalo?Pročitajte odgovor
Jules Schmalzigaug, rođen/a 1882, imao/la je 35 godina: Portrait of baron Francis Delbeke datira iz 1917.
Koliko je slika stvorio/la Jules Schmalzigaug?Pročitajte odgovor
U našem katalogu se nalazi 6 dela umetnika Jules Schmalzigaug, datiranih od 1913 do 1917.
Gde se danas nalaze najpoznatija platna umetnika Jules Schmalzigaug?Pročitajte odgovor
Većinom u Kraljevski muzej lepih umetnosti u Antverpenu (Antverpen) i Kraljevski muzeji fine umetnosti Belgije (Brisel); gornja lista navodi svaki muzej i njegova platna.
Kada je Jules Schmalzigaug naslikao svoje najpoznatije platna?Pročitajte odgovor
U 1914, koji obuhvata 3 od 6 dela na ovoj stranici, među njima je i Impression in a Dance Hall.
Koje je čuveno platno umetnika Jules Schmalzigaug nastalo prvo, a koje poslednje?Pročitajte odgovor
Najstarije platno ovde je iz San Marco from the Piazetta (1913) godine; najnovije je iz Portrait of baron Francis Delbeke (1917) godine.
Koja dela Jules Schmalzigaug se nalaze u kolekciji Kraljevski muzej lepih umetnosti u Antverpenu?Pročitajte odgovor
Muzej Kraljevski muzej lepih umetnosti u Antverpenu, Antverpen čuva 5 dela sa ove stranice, među kojima su i San Marco from the Piazetta, The Rialto Bridge in Venice i Impression in a Dance Hall.
Gde mogu kupiti reprodukciju slike od Jules Schmalzigaug?Pročitajte odgovor
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Upoznajte umetnika: Jules Schmalzigaug
The Light of Venice
Antwerp, 1882. A child is born into a well-to-do family with German roots. The early years are marked by physical struggle; a malformation in the vertebrae leads to a retreat in Dessau, Germany. It is here, amidst medical treatment, that a teacher named Paul Riess notices a specific talent for drawing. This recognition sets a path toward the Kunstakademie Karlsruhe, where the young artist studies under Hans Thoma.
The canvas begins to change during a tour of Italy in 1905. Venice enters the frame. The atmosphere of the canals and the particular quality of the Adriatic light pull him away from his more conventional, darker beginnings. He moves through Paris, absorbing the energy of the era, but it is the Italian influence that provides the spark for a radical shift.
The Futurist Transformation
1912 arrives with a sudden acceleration. At the Bernheim-Jeune gallery in Paris, he encounters the exhibition of the Italian Futurists. The impact is immediate. He finds himself drawn to the works of Giacomo Balla and Umberto Boccioni. He does not merely observe this movement; he enters it. He moves to Venice, establishing a studio where light and shadow interact with cloth-covered surfaces, much like the methods of Jakob Smits.
His work begins to capture the pulse of modernity—the whirring of technology, the energy of crowds, and the speed of transport. He develops his own chromatic theories under the concept of La Panchromie, an unpublished treatise exploring the tension between colour-light and colour-muffled contrasts. In 1914, he reaches a peak in Rome, exhibiting six works at the Esposizione Libera Futurista Internazionale. One piece, Development of a Theme in Red: Carnival, emerges as the first fully abstract oil painting by a Belgian artist.
Isolation and the Final Act
The outbreak of World War I shatters the international rhythm of his life. Forced to flee the conflict, he moves to The Hague in the neutral Netherlands. The isolation is heavy. The vibrant, crowded energy of Venice feels distant. In this period of exile, his brush returns to more figurative subjects, but the previous momentum has stalled. He struggles with a sense of loneliness and a perceived disconnection from the artistic life he once inhabited.
The end comes abruptly in May 1917. At only thirty-four years old, Jules Schmalzigaug commits suicide in The Hague. His career, though short, leaves behind a specific mark on Belgian modern art through his ability to link the traditions of the Old Masters, such as Rubens, with the radical, kinetic experiments of the avant-garde.
- Movement: Futurism, Belgian modernism
- Key Influences: Giacomo Balla, Umberto Boccioni, James Ensor, Paul Riess
- Notable Works: Development of a Theme in Red: Carnival, The Dynamics of the Dance