Od svih slika umetnika Majstor Mateo, The disappeared façade at the end of the Camino (1211) je najpoznatija; nalazi se u muzeju The Catedral de Santiago Foundation, Sijan de Kompostela. Odmah za njima su Base of the mullion of the Portico of Glory (1188) i Trinity of the Portico of Glory (1188). Od 44 dela umetnika Majstor Mateo u našem katalogu, ovih 44 su najpoznatija, a svako od njih prikazano je sa datumom nastanka, muzejom i pričom.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
The disappeared façade at the end of the Camino is a square format work by the sculptor Master Mateo. Created about 1211, this piece originates from the period when the artist was actively shaping the architectural identity of the Santiago de Compostela Cathedral in Spain.
To stand before the Portico of Glory is to witness a profound shift in the language of stone. This specific base of the mullion, carved around 1188, offers a glimpse into the transition from the rigid forms of the Romanesque to a more fluid, naturalistic sensibility. Here, the stone does not merely exist; it breathes. The sculptor, Master Mateo, utilized a technique known as trabajo vivo, layering limestone to create…
Divine Presence in Stone The capital features God the Father holding the Christ child upon his lap. Above them, the Holy Spirit takes form as a dove at the peak of the composition. Angels surround these central figures, carrying incense burners to complete the celestial scene. This sculptural arrangement uses the trabajo vivo technique, layering stone slabs to create textures that mimic flesh and fabric. The result is a sense…
In the hallowed atmosphere of the Santiago Cathedral, where history and spirituality converge, stands a figure of profound majesty: the Statue-column of King David. Carved by the legendary Master Mateo around 1188, this Romanesque masterpiece is far more than a mere architectural ornament; it is a window into the soul of the twelfth century. The sculpture captures the biblical monarch in a moment of eternal resonance, seated upon a cross-frame…
The Glory, Central Arch, Portico of Glory is a sculptural work by Master Mateo. It forms a primary component of the Portico of Glory, located at the Cathedral of Santiago de Compostela in Spain. This specific section of the portal was part of a complete three-piece set that reached its conclusion in 1211. The work is currently held at The Catedral de Santiago Foundation in Santiago de Compostela.
Within the sacred shadows of the Portico of Glory, a profound scene unfolds in stone. The Elders holding instruments, Central Arch, Portico of Glory emerges from the limestone, appearing as if caught in a moment of eternal preparation. This work, created by the hands of Master Mateo, brings the figures of the Apocalypse into a tangible, breathing presence. They sit amidst the radial archivolts, their bodies leaning toward one another…
These two stone voussoirs, titled Voussoirs with the punishment of lust, were executed by the sculptor Master Mateo. The carvings date to about 1188. They represent a specific sculptural program intended for the architectural framework of the cathedral's entrance.
The stone breathes under the soft, diffuse light of the cathedral, revealing a figure caught in a moment of eternal devotion. Here, within the central arch of the Portico of Glory, Saint Matthew sits with a quiet, heavy presence. He is a winged presence, his form emerging from the granite with a startling sense of life. He leans over a desk, his knees supporting the weight of his task, as…
The limestone relief of Saint Luke, carved around 1211, occupies a central position within the Portico of Glory at the Cathedral of Santiago de Compostela in Spain. The figure is depicted reclining on his right side, a posture that suggests both physical repose and deep introspection. In his left hand, he holds a book, while his head rests upon a lamb, a direct reference to his role as an Evangelist…
The relief known as Arma Christi, Central Arch, Portico of Glory is a sculptural work by the artist Master Mateo. This specific piece is situated within the Central Arch of the Portico of Glory. It was created in 1211. The work is part of a larger architectural and sculptural program located at the Santiago de Compostela Cathedral in Galicia, Spain.
Santo dos Croques of the Portico of Glory is a sculptural portrait by the artist Master Mateo. This kneeling figure represents the sculptor himself, positioned at the foot…
Saint Matthew is a marble statue created by Master Mateo. The work is dated about 1200. This figure represents the evangelist in a moment of quiet study, seated…
The Statues of David and Solomon by Master Mateo emerge from the stone of the northern portal arch. These figures, carved around 1188, occupy the space to the…
To stand before the Portico de la Gloria is to encounter a profound transition between the earthly and the divine. Located at the entrance of the Santiago de…
Portico de la Gloria (detail) is a sculptural work by Master Mateo. The artist, born in Spain around 1161, directed the creation of this ensemble until his death…
The Portico de la Gloria emerges from the stone of the Cathedral of Santiago de Compostela in Spain, a grand Romanesque portico that marks the artistic high-point of…
Portico de la Gloria (detail) is a sculptural work by Master Mateo. The artist, born in Spain around 1161, died in 1217. This specific detail is part of…
The Right arch of the Portico of Glory. Iconography of the condemned is a significant sculptural work created by Master Mateo and his workshop. This piece is part…
The Right arch of the Portico of Glory is a sculptural work by Master Mateo. It forms part of the Portico de la Gloria, the western entrance of…
The Left arch of the Portico of Glory is a significant work by the sculptor Master Mateo. Created around 1188, this relief carving represents a high point of…
The Right columns of the central arch of the Portico of Gloryh emerges from the stone of the Cathedral of Santiago de Compostela in Spain. This sculptural work,…
Saint Marcus, Central Arch, Portico of Glory is a sculptural work by Master Mateo. Created about 1211, the piece is situated within the Portico of Glory. It forms…
Saint John, Central Arch, Portico of Glory is a sculptural work by the artist Master Mateo. The figure emerges from the stone, carved with a precision that suggests…
The counter facade of the Portico of Glory presents a complex theological narrative carved into the very bones of the Santiago de Compostela Cathedral. These column-statues, identified through…
The Sybil, The counter facade, Portico of Glory is a sculpture by Master Mateo. Created ca. 1188-1211, the work is situated in Santiago de Compostela, Spain. It forms…
Right arch of the Portico of Glory. Iconography of the blessed is a sculptural work by Master Mateo. Located at the Catedral de Santiago de Compostela in Spain,…
The Detail of the Elders, Central Arch, Portico of Glory is a sculptural fragment carved by the hands of Master Mateo. It emerged from the limestone of the…
The Tribune of Portico of Glory is an artwork by the sculptor and architect Master Mateo. Created in 1211, this work is part of the architectural ensemble of…
The Portico of Glory, specifically the tribune and its angelic figures, represents a transition from the rigid Romanesque tradition toward the burgeoning elegance of the Gothic. Carved around…
The Portico of Glory is a Romanesque portico that functions as the main gate of the Santiago de Compostela Cathedral in Spain. This sculptural and architectural work was…
Keystones from Portico of the Glory is a sculptural work by Master Mateo. Created in 1211, these stone carvings belong to the larger Portico de la Gloria. The…
To stand before this detail is to witness a quiet shift in the language of sculpture. Carved around 1211, these figures emerge from the granite with a presence…
Arma Christi, Central Arch, Portico of Glory is a sculptural relief by the artist Master Mateo. Dated 1211, the work is situated within the tympanum of the central…
The Just, Central Arch, Portico of Glory is a sculptural work by the artist Master Mateo. This stone relief is situated within the Portico of Glory, which is…
Within the sacred shadows of the Portico of Glory, a profound scene unfolds in limestone. The Detail of the Elders, Central Arch, Portico of Glory emerges from the…
The work before us is the Detail of the Blessed, Central Arch, Portico of Glory. It was sculpted by Master Mateo, a figure whose influence shaped the Romanesque…
The Central Arch of The Portico of Glory is a sculptural work by Master Mateo. It forms the heart of the Portico of Glory at the Cathedral of…
The Organistrum, Central Arch, Portico of Glory emerges from the stone as a lively scene of musical devotion. Created by the sculptor Master Mateo, this work captures a…
The monochromatic strokes of this drawing capture a vanished era of architectural grandeur and daily life. Executed in black and white ink or graphite, the work provides a…
Unesite ovu svetlost u svoj dom od $178 →
This last scene, commonly from Byzantine art, does not come from the Bible but from one of the apocryphal gospels, the Nicodemus. It is told that when Christ…
Unesite ovu svetlost u svoj dom od $178 →
The work to the cathedral facade between 1519 and 1521 involved its 3 doors, and it was necessary to take down the column statues and reliefs added by…
Unesite ovu svetlost u svoj dom od $178 →
Items made by Master Mateo in the cathedral collections include significant pieces from the great western facade that completed the Portico of Glory. This facade was first modified…
Naručite ručno oslikano od $178 →
Master Mateo and his team also worked on the construction of the choir. It was closely related to the Portico of Glory as both focus on sharing the…
Naručite ručno oslikano od $178 →
In the lintels where the Portico of Glory settles can be found Master Mateo’s commemorative inscription of its placement the 1st of April of 1188. This epigraph, one…
Naručite ručno oslikano od $178 →Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Majstor Mateo | Slike iz ovog spiska |
|---|---|---|---|
 The Catedral de Santiago Foundation |
Sijan de Kompostela | 40 | The disappeared façade at the end of the Camino, Base of the mullion of the Portico of Glory, Trinity of the Portico of Glory |
 Katedrala u Santiagu de Komposteli |
Santiago de Compostela | 4 | Portico de la Gloria, Portico de la Gloria (detail), Portico de la Gloria |
To stand before the Portico of Glory is to witness a profound shift in the language of stone. This specific base of the mullion, carved around 1188, offers…
Santo dos Croques of the Portico of Glory is a sculptural portrait by the artist Master Mateo. This kneeling figure represents the sculptor himself, positioned at the foot…
The disappeared façade at the end of the Camino is a square format work by the sculptor Master Mateo. Created about 1211, this piece originates from the period…
The disappeared façade at the end of the Camino (1211), The Catedral de Santiago Foundation, Sijan de Kompostela. Prate ih Base of the mullion of the Portico of Glory (1188) i Trinity of the Portico of Glory (1188).
Majstor Mateo, rođen/a 1161, imao/la je 50 godina: The disappeared façade at the end of the Camino datira iz 1211.
The disappeared façade at the end of the Camino, Base of the mullion of the Portico of Glory, Trinity of the Portico of Glory, Statue-column of king David, The Glory, Central Arch, Portico of Glory, The Elders holding instruments, Central Arch, Portico of Glory, Voussoirs with the punishment of lust, Saint Matthew, Central Arch, Portico of Glory, Saint Luke, Central Arch, Portico of Glory i Arma Christi, Central Arch, Portico of Glory. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu se nalazi 44 dela umetnika Majstor Mateo, datiranih od 1188 do 1211.
Većinom u The Catedral de Santiago Foundation (Sijan de Kompostela) i Katedrala u Santiagu de Komposteli (Santiago de Compostela); gornja lista navodi svaki muzej i njegova platna.
U 1210s, koji obuhvata 24 od 44 dela na ovoj stranici, među njima je i The disappeared façade at the end of the Camino.
Najstarije platno ovde je iz Base of the mullion of the Portico of Glory (1188) godine; najnovije je iz The disappeared façade at the end of the Camino (1211) godine.
Stone (19), Sculpture (15) i Figures (15), kroz svih 44 dela na ovoj stranici.
Stone, korišćeno u 36 od 44 dela na ovoj stranici.
Romanesque, kao što pokazuju platna na ovoj stranici.
Muzej The Catedral de Santiago Foundation, Sijan de Kompostela čuva 40 dela sa ove stranice, među kojima su i The disappeared façade at the end of the Camino, Base of the mullion of the Portico of Glory i Trinity of the Portico of Glory.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Majstor Mateo, skulptor čije ime ostaje obavijeno misterijom uprkos njegovom monumentalnom doprinosu Katedrali Santjaga de Kompostele, stoji kao jedna od najcenjenijih figura romaničke umetnosti u Španiji. Rođen oko 1161. godine u Galiciji, mada su precizni detalji o njegovom životu retki, Mateov nasleđe počiva prvenstveno na njegovom neprevaziđenom dostojanstvenom delu: Portico de la Gloria. Ovo zadivljujuće arhitektonsko čudo dominira fasadom katedrale i otelovljuje duhovni žar dvanaestog veka. On se pojavio kao skulptor u periodu koji je obeležila snažna religijska odanost i umetnička inovacija, zakoračivši u svet u kojem je put hodočaja u Santjago već bio transformativno putovanje za hiljade duša.
Genesis njegovog najvećeg dela počeo je oko 1188. godine, kada mu je povereno da nadgleda izradu trostrukog portala koji će postati njegovo remek-delo. Sam projekat Katedrale osmišljen je decenijama ranije, pod pokretom kralja Alfonza VIII i podstaknut ogromnim religijskim značajem ovog mesta. U tom svetom kontekstu, Mateo nije samo klesao kamen; on mu je odisao život. Njegov udeo u Portico de la Adamant bio je božanski poduhvat, pretvarajući strukturnu neophodnost u teološku naraciju koja i danas očarava hodočasnike i istoričare umetnosti.
Mateov skulptorski stil karakteriše izuzetan realizam koji je predstavljao duboki odmak od ranijih, rigidnijih romaničkih konvencija. Dok su se njegovi savremenici često oslanjali na stilizovane, pljosnate figure, Mateo je pedantno proučavao ljudsku anatomiju i složeno ponašanje draperija, postigavši zapanjujuću preciznost u svojim prikazima. Njegovo majstorstvo u klesanju krečnjaka bilo je neprevaziđeno, posebno kroz upotrebu tehnike poznate kao trabajo vivo. Ova metoda uključivala je slojevitost kamenih ploča kako bi se stvorile teksturirane površine koje su oponašale izgled mesa i tkanine, pružajući osećaj pokreta i vitalnosti statičkom medijumu.
Ovaj inovativni pristup omogućio mu je da premosti jaz između zemaljskog i božanskog. Posmatrajući njegovo delo, može se videti kako je vešto koristio svetlost i senku kako bi naglasio dubinu svojih reljefa. Njegova sposobnost da manipuliše kamenom kako bi sugerisao mekoću svetilovnog odela ili mišićnu napetost biblijskog lika podigla je njegovo umeće na nivo sofisticiranosti koji se retko viđao u srednjem veku. Ova tehnička briljantnost osigurala je da njegove figure ne budu samo simboli, već opipljiva prisustva na samom ulazu u katedralu.
Portico de la Gloria služi kao vrhunski dokaz Mateove umetničke i duhovne vizije. Njegovi centralni paneli prikazuju duboke scene iz Jevanđelja—uključujući Rođenje, Objavu i Raspeće—uređene na način koji vodi posmatrača kroz svetu istoriju. Ikonografija je ogromna i složena, a odlikuju je:
Kroz ova dela, Majstor Mateo je postigao nivo istorijskog značaja koji prevazilazi eru njegovog rođenja. On je prešao iz romaničkog stila ka uzlazajućoj eleganciji gotike, ostavljajući za sobom nasleđe koje ostaje otkucaji srca Santjaga de Kompostele. Njegovo delo stoji kao trajni most između srednjovekovnog uma i večnosti, osiguravajući da čak i vekovima nakon njegove smrti 1217. godine, slava njegove kamene simfonije nastavlja da inspiriše strahopoštovanje.
