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      Moritz Michael Daffinger, 1790 – 1849

      Moritz Michael Daffinger: 20 najpoznatijih dela

      Od svih slika umetnika Moritz Michael Daffinger, The Duke of Reichstadt (1831) je najpoznatija. Odmah za njima su Miniature of Aleksandra Potocka (1818-1892). (1840) i The Young Emperor Franz Joseph I (1849). Od 23 dela umetnika Moritz Michael Daffinger u našem katalogu, ovih 20 su najpoznatija, a svako od njih prikazano je sa datumom nastanka, muzejom i pričom.

      Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.

      Portret Moritz Michael Daffinger
      Moritz Michael Daffinger · 1790 – 1849
      Rođen · umro
      1790 – 1849, Vienna
      Pokret
      Biedermeier
      Radovi u našem katalogu
      23
      Najpoznatije
      The Duke of Reichstadt (1831)
      Najviše dela u
      Nacionalni muzej u Varšavi

      10 najpoznatijih dela umetnika Moritz Michael Daffinger

      The Duke of Reichstadt (1831) čiji je Moritz Michael Daffinger
      1

      The Duke of Reichstadt

      1831 · Oil

      In this intimate portrait, titled The Duke of Reichstadt, we encounter a figure of significant historical weight. The work was executed by the Austrian artist Moritz Michael Daffinger around 1831. Through his careful hand, the subject is presented with a quiet, contemplative dignity that defines the era's approach to portraiture.

      Rukom oslikana uljana reprodukcija od $178 28 × 36 cm
      Miniature of Aleksandra Potocka (1818-1892). (1840) čiji je Moritz Michael Daffinger
      2

      Miniature of Aleksandra Potocka (1818-1892).

      1840 · Watercolor · Nacionalni muzej u Varšavi, Varšava

      A single gaze meets the viewer from a small, intimate plane. The subject, Aleksandra Potocka, sits in a medium close-up, her presence defined by the soft, luminous glow of her skin. She is framed by a deep magenta and crimson drapery that falls behind her like heavy silk. To the left, a small opening reveals a sliver of sky in muted blues and golds, offering a breath of air to…

      Rukom oslikana uljana reprodukcija od $178 28 × 35 cm
      The Young Emperor Franz Joseph I (1849) čiji je Moritz Michael Daffinger
      3

      The Young Emperor Franz Joseph I

      1849 · Oil On Canvas

      The air in the room feels heavy with the weight of a crown, yet the young man before us seems caught in a moment of quiet contemplation. He sits slightly off-center, his gaze drifting toward the right of the frame as if lost in a thought that belongs to a future he cannot yet grasp. The light, soft and luminous, descends from the upper left, brushing against the contours of…

      Rukom oslikana uljana reprodukcija od $178 27 × 37 cm Isti veličine kao original $223 43 × 57 cm Naručite u originalnim dimenzijama →
      portrait of a girl (1850) čiji je Moritz Michael Daffinger
      4

      portrait of a girl

      1850

      In this mid-19th-century portrait, we encounter a young woman captured in a moment of quiet, aristocratic stillness. The composition follows a three-quarter length arrangement, positioning her slightly off-center to create a sense of natural, unforced elegance. There is a certain weight to the image, conveyed through the heavy, dark fabric of her off-the-shoulder gown and the soft, directional light that brushes against the curve of her neck and shoulder. This…

      Rukom oslikana uljana reprodukcija od $178 28 × 36 cm Isti veličine kao original $182 29 × 39 cm Naručite u originalnim dimenzijama →
      Portrait of the Archduchess Maria Theresia (1819) čiji je Moritz Michael Daffinger
      5

      Portrait of the Archduchess Maria Theresia

      1819 · Oil · Residenzgalerie, Salzburg

      In the delicate realm of nineteenth-century portraiture, few works capture the tender vulnerability of childhood as poignantly as Moritz Michael Daffinger’s Portrait of the Archduchess Maria Theresia. Painted in 1819, this exquisite piece serves as a window into the intimate world of the Austrian nobility during the Biedermeier era. The subject, a young child of royal lineage, is depicted not with the stiff, formal grandeur often associated with monarchy, but…

      Rukom oslikana uljana reprodukcija od $178 28 × 35 cm Isti veličine kao original $296 63 × 77 cm Naručite u originalnim dimenzijama →
      Miniature of Elise Wolf (1830) čiji je Moritz Michael Daffinger
      6

      Miniature of Elise Wolf

      1830 · Watercolor · Academy of Fine Arts Vienna, Beč

      In the Miniature of Elise Wolf, Moritz Michael Daffinger presents a profile portrait of a woman facing to the right. Her head is tilted slightly downwards, casting a soft expression across her features. Loose curls frame her face, adding texture to the composition. She is dressed in a white garment characterized by ruffled details at the neckline, accented by a small black ribbon or bow on the left side of…

      Rukom oslikana uljana reprodukcija od $178 29 × 35 cm

      Slika Moritz Michael Daffinger rangirane od 11 do 20

      Šta je Moritz Michael Daffinger najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.

      Gde se nalaze platna umetnika Moritz Michael Daffinger

      6 muzeja u kojima se nalazi najviše slika sa ove stranice.

      Muzej Grad Radovi umetnika Moritz Michael Daffinger Slike iz ovog spiska
      Nacionalni muzej u Varšavi, VaršavaNacionalni muzej u Varšavi Varšava 1 Miniature of Aleksandra Potocka (1818-1892).
      Residenzgalerie, SalzburgResidenzgalerie Salzburg 1 Portrait of the Archduchess Maria Theresia
      Academy of Fine Arts Vienna, BečAcademy of Fine Arts Vienna Beč 1 Miniature of Elise Wolf
      Nationalmuseum, СтокхолмNationalmuseum Стокхолм 1 Unknown woman
      Museo Glauco Lombardi, ParmaMuseo Glauco Lombardi Parma 1 Maria Luigia of Habsburg
      Palazzo Madama, TurinPalazzo Madama Turin 1 Queen Marie Thérèse of Naples

      Deceniju po deceniju: najpoznatije platno umetnika Moritz Michael Daffinger

      1. 1810s
        Portrait of the Archduchess Maria Theresia (1819) čiji je Moritz Michael Daffinger
        Platno 5 od 20

        Portrait of the Archduchess Maria Theresia

        Godine 20 – 29 · Residenzgalerie

        In the delicate realm of nineteenth-century portraiture, few works capture the tender vulnerability of childhood as poignantly as Moritz Michael Daffinger’s Portrait of the Archduchess Maria Theresia. Painted…

      2. 1830s
        The Duke of Reichstadt (1831) čiji je Moritz Michael Daffinger
        Platno 1 od 20

        The Duke of Reichstadt

        Godine 40 – 49

        In this intimate portrait, titled The Duke of Reichstadt, we encounter a figure of significant historical weight. The work was executed by the Austrian artist Moritz Michael Daffinger…

      3. 1840s
        Miniature of Aleksandra Potocka (1818-1892). (1840) čiji je Moritz Michael Daffinger
        Rangiran/a 2 od 20

        Miniature of Aleksandra Potocka (1818-1892).

        Godine 50 – 59 · Nacionalni muzej u Varšavi

        A single gaze meets the viewer from a small, intimate plane. The subject, Aleksandra Potocka, sits in a medium close-up, her presence defined by the soft, luminous glow…

      Vaša pitanja o slikama umetnika Moritz Michael Daffinger, odgovorena

      Koje je najpoznatije delo umetnika Moritz Michael Daffinger?Pročitajte odgovor

      The Duke of Reichstadt (1831), a zatim Miniature of Aleksandra Potocka (1818-1892). (1840) i The Young Emperor Franz Joseph I (1849).

      Koliko je godina imao/la Moritz Michael Daffinger u vreme nastanka dela The Duke of Reichstadt?Pročitajte odgovor

      Moritz Michael Daffinger, rođen/a 1790, imao/la je 41 godina: The Duke of Reichstadt datira iz 1831.

      Po kojim deset slika je Moritz Michael Daffinger najpoznatiji/a?Pročitajte odgovor

      The Duke of Reichstadt, Miniature of Aleksandra Potocka (1818-1892)., The Young Emperor Franz Joseph I, portrait of a girl, Portrait of the Archduchess Maria Theresia, Miniature of Elise Wolf, Portrait of a Gentleman, Unknown woman, Baroness Von Wacquant-geozelles i Comtesse helene esterhazy. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je poznato slika umetnika Moritz Michael Daffinger?Pročitajte odgovor

      U našem katalogu se nalazi 23 dela umetnika Moritz Michael Daffinger, datiranih od 1819 do 1849.

      U kojim muzejima se čuvaju najpoznatija platna umetnika Moritz Michael Daffinger?Pročitajte odgovor

      Većinom u Nacionalni muzej u Varšavi (Varšava), Residenzgalerie (Salzburg) i Academy of Fine Arts Vienna (Beč); gornja lista navodi svaki muzej i njegova platna.

      U kojim godinama je Moritz Michael Daffinger naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1830s, koji obuhvata 2 od 20 dela na ovoj stranici, među njima je i The Duke of Reichstadt.

      Koja su prva i poslednja poznata platna umetnika Moritz Michael Daffinger?Pročitajte odgovor

      Najstarije platno ovde je iz Portrait of the Archduchess Maria Theresia (1819) godine; najnovije je iz The Young Emperor Franz Joseph I (1849) godine.

      Koji se motivi najčešće pojavljuju u slikama umetnika Moritz Michael Daffinger?Pročitajte odgovor

      Portrait (5), Curly hair (3) i Woman (3), kroz svih 20 dela na ovoj stranici.

      Čime je Moritz Michael Daffinger obično slikao?Pročitajte odgovor

      Oil, korišćeno u 2 od 20 dela na ovoj stranici.

      Kojem umetničkom pravcu pripada Moritz Michael Daffinger?Pročitajte odgovor

      Biedermeier, kao što pokazuju platna na ovoj stranici.

      Mogu li da naručim ručno oslikanu kopiju slike autora Moritz Michael Daffinger?Pročitajte odgovor

      Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.

      Moritz Michael Daffinger: priča o umetniku

      A Life Etched in Ivory: The World of Moritz Michael Daffinger

      Moritz Michael Daffinger, a name synonymous with the delicate grace of Biedermeier portraiture, was born into an artistic lineage in Vienna in 1790. His father, Johann Leopold Daffinger, a painter at the esteemed Imperial Porcelain Manufactory, laid the foundation for Moritz’s early immersion in the world of art. Even as a young boy, displaying remarkable talent, he contributed designs to his mother's glove-making business, foreshadowing the meticulous detail that would define his later work. At just eleven years old, Daffinger formally entered the porcelain manufactory as an apprentice, honing his skills under the guidance of both his father and Michael Weixlbaum. This formative period instilled in him a precision and refinement that would become hallmarks of his style. He continued his artistic education at the Academy of Fine Arts Vienna, studying painting with Heinrich Füger, further solidifying his technical foundation. Returning to the manufactory, he quickly ascended through the ranks, establishing himself as one of its leading painters before embarking on an independent career focused on portraiture.

      The Rise of a Portraitist: Capturing an Era

      From 1809 onward, Daffinger dedicated himself almost exclusively to capturing the likenesses of his contemporaries, specializing in miniature painting on ivory and small gouaches on paper. This was a period where portraiture wasn’t merely about representation; it was about conveying status, personality, and belonging within a rapidly changing society. He quickly gained recognition for his ability to imbue each subject with a unique character, moving beyond mere physical resemblance to capture an inner essence. The influence of prominent artists began to shape his evolving style. Initially inspired by Jean-Baptiste Isabey, Daffinger’s work underwent a significant transformation following the visit of English portrait painter Thomas Lawrence to Vienna in 1819. Lawrence's mastery of light, composition, and psychological insight profoundly impacted Daffinger, leading him to adopt a more dynamic and expressive approach. This influence is evident in his portraits, which began to exhibit a newfound elegance and sophistication. His talent did not go unnoticed by the Austrian elite; in 1812, he was appointed as a portraitist to Klemens von Metternich, the influential Austrian Foreign Minister. This appointment wasn’t simply a commission—it was an immersion into the heart of power and aristocracy.

      A Courtly Existence: Patronage and Artistic Flourishing

      Daffinger's role extended beyond painting portraits for Metternich; he also became curator of the Foreign Minister’s extensive portrait collection, belonging to Princess Melanie. This position granted him access to a wealth of artistic treasures and placed him at the center of Viennese high society. He painted numerous members of the Austrian nobility and European royalty, solidifying his reputation as a premier portraitist. Over the course of his career, Daffinger created over a thousand portraits, many of which remained within the collections of the Habsburg-Lorraine imperial house—a testament to his skill and the esteem in which he was held. His studio became a hub for Vienna’s elite, eager to have their likenesses preserved by this master of miniature painting. He wasn't merely documenting faces; he was crafting enduring symbols of status and identity within the Biedermeier era. As he matured as an artist, Daffinger also demonstrated versatility, increasingly concentrating on flower paintings in his later years, showcasing a different facet of his artistic talent.

      Legacy and Remembrance: An Enduring Image

      Moritz Michael Daffinger’s legacy extends far beyond the exquisite portraits he created. He is remembered as one of Austria's most accomplished miniature painters, capturing the spirit of Biedermeier society with unparalleled skill and sensitivity. His work embodies the era’s emphasis on intimacy, domesticity, and refined elegance. In a remarkable display of national recognition, his portrait was featured on the obverse of the Austrian 20-Schilling banknote until the introduction of the Euro in 1999—a powerful symbol of his cultural importance and enduring appeal. This honor speaks volumes about the lasting impact he had on Austrian identity. Further solidifying his place in history, Daffinger’s remains were transferred to an honorary grave (Ehrengrab) in Vienna's Zentralfriedhof in 1912, a fitting tribute to a master artist. Though he passed away during the cholera epidemic of 1849, initially buried in St. Marx Cemetery before his reinterment with honors, Daffinger’s influence continued to resonate through subsequent generations of Austrian portrait painters. His technical skill and refined style served as an inspiration for artists seeking to capture the essence of their own subjects. Today, his works are held in various museums and private collections around the world, continuing to be admired for their beauty, historical significance, and the enduring legacy of a life etched in ivory.