Sheep and Goat (1871) je slika po kojoj je Peter Moran najpoznatiji; nalazi se u muzeju Reading Public Museum, Reading. Naš katalog sadrži 1 dela umetnika Peter Moran. Evo 1 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Peter Moran | Slike iz ovog spiska |
|---|---|---|---|
| Reading | 1 | Sheep and Goat |
Sva platna Peter Moran datirana na ovoj stranici pripadaju godini 1871: evo ih, poređanih prema slavi.
Sheep and Goat (1871)
Peter Moran, rođen/a 1841, imao/la je 30 godina: Sheep and Goat datira iz 1871.
U našem katalogu se nalazi 1 dela umetnika Peter Moran.
Većinom u Reading Public Museum (Reading); gornja lista navodi svaki muzej i njegova platna.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Born in Bolton, United Kingdom, Peter Moran was a British-born American painter and etcher. He was the youngest of several children, including his siblings Thomas, Edward, and John, and his wife Emily Kelly. His early professional life involved an apprenticeship with the Philadelphia printing firm of Herline & Hensel, where he worked briefly as a lithographer, and he also trained as a chair painter’s apprentice. Moran developed his skills in easel painting under the guidance of his older brothers, Edward and Thomas.
Moran’s artistic focus included:
A central figure in the Philadelphia etching revival of the 1880s, Moran was a leader in the local art community. He co-founded the Philadelphia Society of Etchers in 1880 and served as its president until 1903. His involvement in Philadelphia's art scene included memberships in the Philadelphia Sketch Club, the Philadelphia Society of Artists, and the Art Union of Philadelphia, as well as being a founding member of the Art Club of Philadelphia.
Beyond his own production, Moran dedicated thirty years to teaching. He began as a lecturer at the Philadelphia School of Design for Women in 1866 and became a full-time instructor in 1872. His teaching spanned several disciplines, including: