Orange and Book (1817) je slika po kojoj je Rafael Pil najpoznatiji. Artemas Ward (1727-1800) (1795) i Portrait of a Gentleman (1800) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 72 dela umetnika Rafael Pil. Evo 72 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
In this oil on canvas work, titled Orange and Book, Raphaelle Peale turns his attention to the quietude of the domestic sphere. Created in 1817, the painting captures a specific moment of stillness. It is a work that reflects the artist's early focus on the textures and forms of the natural world. Peale was a pioneer in the American tradition, often finding profound detail in the most humble of subjects.
The man sits in a quiet, three-quarter view, his gaze fixed steadily toward the right as if caught in a moment of profound contemplation. He is an elderly figure, his face etched with the dignity of a life lived through significant history. A soft, directional light spills from the upper left, carving out the high ridge of his forehead and the bridge of his nose, while casting the right side…
The artwork titled Portrait of a Gentleman is a miniature portrait painting created by the artist Raphaelle Peale. This specific piece dates to about 1800. It functions as a formal portrait of a gentleman, capturing the likeness of the subject within a small-scale format. The work is executed as a miniature, a detail that dictates the intimate scale of the composition.
In Raphaelle Peale's Portrait of a Gentleman, the subject is held within the quiet confines of an oval frame. The gentleman is captured in a bust-length view, facing forward to meet the viewer's gaze directly. Above him, a single decorative element, resembling a looped ring or a pendant, hangs suspended in the space. The background remains neutral and indistinct, a void that pushes the figure into the immediate foreground. This…
The portrait of Mrs. John Montgomery, also known as Sarah Diemer, is a monochrome study rendered in graphite on paper. The subject is depicted from the bust up, positioned within an oval border that frames her head and shoulders. Her torso is angled slightly toward the right, while her gaze remains directed forward. The background is a plain, neutral space that provides no environmental context, focusing all visual attention on…
The gaze of the subject meets us from within the delicate confines of an oval miniature. This intimate work, titled Portrait of a Gentleman, captures a man from the chest up, presenting a quiet moment of dignity. Raphaelle Peale renders the figure against a neutral background, a choice that keeps the focus entirely on the man himself. There is a stillness here, as if the subject has paused mid-breath to…
is a formal portrait by Raphaelle Peale, executed about 1810. The work presents a medium close-up of the sitter, an African American clergyman, positioned slightly off-center. He is depicted in clerical attire, holding a large book, likely a Bible, which signifies his religious authority and scholarship.
In the portrait miniature Perry Albert Cohea by Raphaelle Peale, the subject is held within the quiet confines of an oval format. This close-up perspective creates an immediate, intimate connection, drawing the eye toward a man presented in a three-quarter view. He sits centered against a soft, neutral background that allows the silhouette of his form to emerge with clarity. The composition is formal and steady, capturing a moment of…
This portrait, titled Jonathan Jones Wheeler, was painted by Raphaelle Peale in 1812. Created in the United States, the work belongs to the genre of portraiture. It offers a focused study of an individual, captured during a period when the artist was establishing his presence in the American artistic landscape.
This 1821 miniature portrait presents a formal bust of P. F. Ronbeau, rendered in a grayscale palette. The subject is positioned within an oval frame, facing forward with a direct, steady gaze. His attire, consisting of a dark coat and a white shirt with a cravat, creates sharp geometric contrasts against the softer tones of his skin. The composition focuses entirely on the head and shoulders, utilizing the miniature format…
This miniature portrait painting, dating from 1815, depicts the bust of William E. Dickson. The subject is presented in a centered composition, facing directly toward the viewer with…
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In Osborne Sprigg, Raphaelle Peale centers the gaze upon a young boy and his dog. They occupy the majority of the frame, anchored within a domestic scene of…
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A collection of ripe blackberries and red raspberries rests within and around a shallow white bowl. The composition is horizontal, positioning the fruit in the lower half of…
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The quiet arrangement known as Still Life with Oranges by Raphaelle Peale captures a moment of domestic abundance. Created in 1818, this work presents a collection of fruit…
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Raphaelle Peale's "Venus Rising from the Sea – A Deception," painted in 1822, is far more than a simple depiction of a woman emerging from a bath. It’s…
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Melons and Morning Glories is an oil on canvas painting created by Raphaelle Peale in 1813. The work is held within the Smithsonian American Art Museum collection. This…
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In this 1822 oil on panel, we find ourselves invited into a private, silent moment of domesticity. The composition rests upon a flat, neutral surface, pulling the viewer…
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In this 1795 portrait, we encounter a man who would later become a significant figure in the Peale family legacy. He is depicted wearing a blue coat, accented…
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The portrait carries the gravity of a life lived in the early American era. The dark tones of his attire absorb the light, creating a silhouette that feels…
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Raphaelle Peale executed this watercolor on paper in 1795. The work, titled George Fisher, captures a man presented in a direct, frontal orientation. He gazes toward the viewer,…
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A young girl stares out from the frame, her expression heavy with a seriousness that belies her years. Her blonde hair is held in place by a delicate…
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The artwork titled Robert Oliphant is a portrait painted by Raphaelle Peale. This specific work dates to 1799. The subject of the painting is a man, depicted in…
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This portrait of Rubens Peale was executed by Raphaelle Peale around 1800. It offers a quiet glimpse into the life of the subject, who was the son of…
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Raphaelle Peale painted Corn and Cantaloupe in 1813. This oil on panel work focuses on a collection of harvest items, specifically corncobs and fruit. The composition centers on…
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A small, round pendant holds a quiet collision of faces. The outer portrait captures a young man with light hair, his gaze steady and neutral against a dark…
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The scene unfolds in a hushed, domestic stillness, where the passage of time seems to pause mid-breath. A bowl sits at the heart of the composition, overflowing with…
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In this 1813 oil painting, the quietude of a tabletop arrangement takes center stage. Three triangular slices of cheese rest upon a plate, their pale surfaces contrasting against…
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In this 1813 oil on canvas, we find ourselves in the presence of a quiet, domestic scene that captures the essence of early American naturalism. The composition centers…
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The scene unfolds upon a tabletop, where a pale, yellowish cake sits as the central figure. Slices have been removed from its body, leaving behind a jagged, inviting…
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Created in 1814, this work emerges from a period when American art primarily focused on the faces of the prominent and the powerful. While others sought to immortalize…
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The Portrait of a Gentleman is a delicate miniature portrait painting by Raphaelle Peale. Created about 1805, this work offers an intimate glimpse into the social fabric of…
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is a still life painting by Raphaelle Peale, executed in 1814. The work represents a significant moment in early nineteenth-century American art, a period when the nation's visual…
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This watercolor on ivory, dating to 1805, captures a man of distinction through a highly intimate lens. The subject is rendered from the head to the upper torso,…
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The oil on canvas painting Melons and Morning Glories emerges from 1813, a moment when the quiet life of objects begins to command the attention of the American…
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In the quiet intimacy of Raphaelle Peale’s 1820 masterpiece, Still Life with Raisins, Yellow and Red Apples in Porcelain Basket, we are invited to pause and witness the…
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In Raphaelle Peale's Still Life with a Basket of Peaches, the viewer meets a quiet moment of abundance captured from a straight-on, eye-level perspective. A silver wire basket…
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In Still Life with Peaches by Raphaelle Peale, a white, perforated ceramic or metal bowl sits at the center of a quiet universe. The vessel overflows with ripe…
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A single, blemished apple sits near a cluster of dark raisins and a small, frosted cake. This arrangement, rendered in oil on panel, captures a quiet moment of…
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Still Life with Fruit, Cakes and Wine is a still life painting by Raphaelle Peale. Executed in 1821, the work originated in the United States. It belongs to…
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is a still life oil painting executed by Raphaelle Peale in 1816. The work emerged during a period when the artist was establishing himself as a specialist in…
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In Still Life with Steak, Raphaelle Peale presents a close-up arrangement of various foodstuffs that invites a quiet, steady observation. The composition is anchored by a large, prominent…
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The composition centers on a ceramic pitcher filled with white cream, positioned near a plate of ripe red strawberries. Greenery and trailing vines extend from the central arrangement,…
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The painting Still Life with Apples, Sherry, and Tea Cake is a composition featuring various fruits and drinks. The central focus of the work is a group of…
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The painting titled Fruits and Nuts in a Dish was created in 1818. This work is an oil on wood painting by Raphaelle Peale. The artist was born…
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A quiet arrangement of sustenance occupies the tabletop, rendered with a precision that emphasizes the physical weight of each object. Two bottles, positioned at the periphery, flank a…
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In this 1822 oil composition, the domestic sphere is rendered with a precision that borders on the scientific. Three apples occupy the center of the arrangement, their forms…
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In this 1822 composition, the viewer is invited into a silent, domestic space where the mundane is granted a singular focus. A large watermelon dominates the lower half…
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In this 1818 oil on canvas, Still Life with Cake presents a quiet study of domesticity and abundance. The work is attributed to Raphaelle Peale, a figure who…
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In this 1815 composition, we find ourselves in the presence of a singular, quiet moment captured on canvas. The scene is a simple arrangement of fruit upon a…
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Still Life with Strawberries and Ostrich Egg Cup is a work by Raphaelle Peale, dating to 1822. In this composition, Peale turns his attention to the quiet arrangement…
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The scene unfolds with a startlingly tactile presence, as if the viewer has just stepped into a sunlit kitchen to find a meal prepared but left momentarily untouched.…
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Lemon and Grapes is an oil on canvas painting by Raphaelle Peale. The work dates to 1818. The artist, born in 1774, was a professional painter of still…
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In this work, we see the early nineteenth-century American impulse to find significance in the domestic and the everyday. Rather than seeking the grand or the dramatic, the…
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Still Life with Wine Glass is an oil on wood painting created by Raphaelle Peale in 1818. The artist, born in Annapolis, United States, in 1774, was a…
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In Lemons and Sugar, Raphaelle Peale presents a quiet arrangement of domestic objects from about 1822. The central focus is a bowl filled with lemons, into which two…
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The scene unfolds with the quiet presence of Fox Grapes and Peaches, a work that captures a moment of stillness in 1815. In this composition, Raphaelle Peale arranges…
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Still Life with Orange and Book, painted in 1817, represents a significant moment in the development of American genre painting. Raphaelle Peale, the first professional American painter of…
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This watercolor painting, created in 1818, presents a portrait of a woman identified as Catherine Douglas Dickson. The subject is depicted from the chest up, looking directly at…
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In this 1815 composition, we find ourselves in the presence of a singular, quiet moment captured in oil. The central figure is a dried fish, a herring, resting…
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The quiet presence of Still Life with Peach meets the viewer through a delicate layer of oil on panel. Created in 1816, this work captures a singular moment…
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The quiet stillness of 1819 finds its focus in Fruit Piece with Peaches Covered by a Handkerchief (also known as Covered Peaches). This oil on panel work captures…
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The painting Still Life with Watermelon was executed by Raphaelle Peale in 1822. This work emerged from a hand that sought the quietude of the inanimate. Born in…
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In this oil on canvas work, titled Still Life with Jug and Fish, we encounter a quiet moment from the early nineteenth century. The artist, Raphaelle Peale, composed…
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Raphaelle Peale's "Still Life with Cake," painted in 1818, isn’t merely a depiction of food; it’s a carefully constructed tableau brimming with quiet contemplation and subtle social commentary.…
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This exquisite hand-painted reproduction captures the essence of Abigail Adams, a pivotal figure in early American history, as immortalized by the pioneering still life painter, Raphaelle Peale. Executed…
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The painting captures a sense of historical permanence, a snapshot of a woman existing within a specific, structured reality. The lighting pulls her forward from the dark background,…
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A Moment of Refined Indulgence: The Depiction of Still Life Raphaelle Peale’s “Still Life with Wine Glass,” painted in 1818, is more than a simple arrangement of objects;…
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The Raphaelle Peale painting, Still Life with Peach, is a stunning example of American still life art. Created in 1816, this oil on panel piece is currently housed…
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Raphaelle Peale's "Still Life, Strawberries and Nuts," painted in 1822, is more than just a depiction of fruit and nuts; it’s a meticulously crafted snapshot of early 19th-century…
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Still Life with Cake is an oil on canvas work by Raphaelle Peale. Painted in 1818, this Neoclassical still life captures a quiet, domestic moment. The artist, Raphaelle…
Unesite ovu svetlost u svoj dom od $178 →Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Rafael Pil | Slike iz ovog spiska |
|---|---|---|---|
 Smithsonian American Art Museum |
Vašington, D.C. | 10 | Jonathan Jones Wheeler, William E. Dickson, George Fisher |
 Metropoliten музеј у Њујорку |
Њујорк | 8 | Portrait of a Gentleman, Portrait of a Gentleman, Mrs. John Montgomery (Sarah Diemer) |
 National Gallery of Art |
Washington | 3 | A Dessert, Strawberries and Cream, Still Life with Apples, Sherry, and Tea Cake |
 Harvard Art Museums |
Kembriđ | 2 | Artemas Ward (1727-1800), Perry Albert Cohea |
 Art Institute of Chicago |
Čikago | 2 | Still Life - Strawberries, Nuts, &c., Still Life, Strawberries and Nuts |
 Brooklyn Museum |
Brooklyn | 2 | Still Life with Peaches, Still Life with Cake |
 Detroit Institute of Arts |
Detroit | 2 | Still LIfe with Wine Glass, Still Life with Wine Glass |
 Delaware Art Museum |
1 | The Reverend Absalom Jones |
The man sits in a quiet, three-quarter view, his gaze fixed steadily toward the right as if caught in a moment of profound contemplation. He is an elderly…
The artwork titled Portrait of a Gentleman is a miniature portrait painting created by the artist Raphaelle Peale. This specific piece dates to about 1800. It functions as…
In this oil on canvas work, titled Orange and Book, Raphaelle Peale turns his attention to the quietude of the domestic sphere. Created in 1817, the painting captures…
This 1821 miniature portrait presents a formal bust of P. F. Ronbeau, rendered in a grayscale palette. The subject is positioned within an oval frame, facing forward with…
Orange and Book (1817), a zatim Artemas Ward (1727-1800) (1795) i Portrait of a Gentleman (1800).
Rafael Pil, rođen/a 1774, imao/la je 43 godina: Orange and Book datira iz 1817.
Orange and Book, Artemas Ward (1727-1800), Portrait of a Gentleman, Portrait of a Gentleman, Mrs. John Montgomery (Sarah Diemer), Portrait of a Gentleman, The Reverend Absalom Jones, Perry Albert Cohea, Jonathan Jones Wheeler i P. F. Ronbeau. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu se nalazi 72 dela umetnika Rafael Pil, datiranih od 1795 do 1822.
Većinom u Smithsonian American Art Museum (Vašington, D.C.), Metropoliten музеј у Њујорку (Њујорк) i National Gallery of Art (Washington); gornja lista navodi svaki muzej i njegova platna.
U 1810s, koji obuhvata 37 od 72 dela na ovoj stranici, među njima je i Orange and Book.
Najstarije platno ovde je iz Artemas Ward (1727-1800) (1795) godine; najnovije je iz Venus Rising from the Sea - A Deception (also known as After the Bath) (1822) godine.
Fruit (31), Still life (17) i Man (12), kroz svih 72 dela na ovoj stranici.
Oil On Canvas, korišćeno u 28 od 72 dela na ovoj stranici.
Neoclassicism, kao što pokazuju platna na ovoj stranici.
Muzej Smithsonian American Art Museum, Vašington, D.C. čuva 10 dela sa ove stranice, među kojima su i Jonathan Jones Wheeler, William E. Dickson i George Fisher.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
U bujnom pejzažu američke umetnosti početka devetnaestog veka, gde je portretiranje dominiralo kao primarni način izražavanja statusa i nasleđa, Raphaelle Peale se usudio da okrene svoj pogled ka tihoj, često zanemarenoj lepoti nežive prirode. Rođen u Annapolisu 1774. godine, Peale nije bio samo slikar, već pionir koji je izdubio specijalizovanu nišu koja je prethodno bila zapostavljena u umetničkom repertoaru mlade nacije. Kao sin legendarnog Charles Willson Peale, njegovo samo postojanje bilo je isprepletano sa pulsom američkih naučnih i umetničkih otkrića. Odrastajući u orbiti jedne od najuticajnijih američkih umetničkih dinastija, Raphaelle je bio uronjen u okruženje gde se pedantno posmatranje smatralo istovremeno i visokom umetnošću i naučnom neophodnošću.
Njegovo rano obrazovanje bilo je duboko ukorenjeno u ovoj dvostrukoj tradiciji naturalizma i zanatskog umeća. Pod pažljivim okom svog oca, Peale je naučio da vidi svet kroz prizmu dubokog detalja, što će kasnije postati zaštitni znak njegovog zrelog stila. Dok su njegova braća i sestre često birali puteve u medicini ili prirodnoj istoriji, Raphaacije je ovu nasleđenu strast prema dokumentovanju usmerio u medij ulja na platnu. On nije samo težio da predstavi predmete; on je težio da ih uzdigne. Fokusirajući se na teksture voća, sjaj porcelana i suptilni proces propadanja organske materije, uneo je osećaj trajnosti u ono što je prolazno, pretvarajući obične kuhinjske predmete u teme visoke umetnosti.
Pravo briljantno dostignuće Pealeovog rada leži u njegovoj tehničkoj vladavini svetlom i površinom. Postao je majstor trompe l'oeil tehnike — metode osmišljene da "prevari oko" — stvarajući iluzije toliko ubedljive da su posmatrači često bili primorani da pružaju ruku kako bi dotakli prikazane predmete. Njegove kompozicije, poput onih koje prikazuju breskve, suvo grožđe ili ribu, predstavljaju proučavanja taktilne stvarnosti. Kroz njegov majstorski pristup glazurom i senki, gotovo se može osetiti baršunasta kož zrele breskve ili hladna, glatka površina keramičke čuture.
Razvoj Pealeovog stila značajno je oblikovalo svesno poznavanje evropskih tradicija, posebno uticaj španskih majstora koji su odavno usavršili umetnost mrtve prirode. Spajajući ovu sofisticiranost Starog sveta sa jedinstvenim američnim senzibilitetom, stvorio je dela koja deluju istovremeno globalno informisano i lokalno utemeljeno. Njegova dela često sadrže:
Iako je njegova karijera bila relativno kratka, završivši njegovom smrću 1825. godine, uticaj Raphaelle Pealea na putanju američke umetnosti ne može se preuveličati. On je prekinuo monopol portretizma, dokazujući da su domaće i naturalističke teme vredne najvišeg nivoa umetničkog posvećenosti. Čineći to, postavio je temelje generacijama američkih slikara mrtve prirode koji će krenuti njegovim stopama, istražujući teme obilja, propadanja i lepote svakodnevice.
Danas se Peale pamti ne samo kao član slavne porodice, već kao jedinstven talenat koji je posedovao hrabrost da pronađe veličinu u malim stvarima. Njegova dela ostaju vitalni svedoci perioda američke istorije kada nacija još uvek je definisala svoj vizuelni identitet. Kroz njegove četkice, jednostavan sadržaj korpe ili skromno uređenje stola postali su trajni simboli sposobnosti jedne bujne kulture da posmatra, ceni i ovekoveči svet koji je okružuje.
