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      Robert Polack, 1880 – 1958

      1 najpoznatijih dela umetnika Robert Polack

      Robert Polack for Batschari Cigarettes (1925) je slika po kojoj je Robert Polack najpoznatiji; nalazi se u muzeju The Fan Museum, Greenwich. Naš katalog sadrži 1 dela umetnika Robert Polack. Evo 1 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.

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      Portret Robert Polack
      Robert Polack · 1880 – 1958
      Rođen · umro
      1880 – 1958, Paris
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      Robert Polack for Batschari Cigarettes

      1925 · The Fan Museum, Greenwich

      Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises…

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      The Fan Museum, GreenwichThe Fan Museum Greenwich 1 Robert Polack for Batschari Cigarettes

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      Sva platna Robert Polack datirana na ovoj stranici pripadaju godini 1925: evo ih, poređanih prema slavi.

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        Robert Polack for Batschari Cigarettes

        Godine: 45 · The Fan Museum

        Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against…

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      Robert Polack for Batschari Cigarettes (1925)

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      Robert Polack, rođen/a 1880, imao/la je 45 godina: Robert Polack for Batschari Cigarettes datira iz 1925.

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      Većinom u The Fan Museum (Greenwich); gornja lista navodi svaki muzej i njegova platna.

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      The lines of Paris

      Born in Paris, France, in 1880, Robert Polack lived through a period where the edges of illustration began to soften into something more decorative. His hands worked with the delicate textures of paper and stencil, leaving behind traces of a specific French aesthetic. The work often appeared on small, intimate objects or within the quiet pages of books, far from the scale of large canvases.

      In 1925, his touch was seen on a fan held in the collection of The Fan Museum in Greenwich. This piece featured a double paper leaf, shaped like a balloon, with wooden sticks stained to hold their form. Using a pochoir technique, he rendered an elegant couple beneath a starlit sky. The smoke from a cigarette rises to form words, a small, clever detail tucked into the design.

      Ink and stencil

      Polack’s method relied on the precision of the stencil and the softness of watercolor. He moved between different mediums to suit the surface at hand, whether it was the thin tissue of a book or the paper of a handheld fan. His illustrations often captured figures in specific, poised moments.

      Some of his known works include:

      • Handcolored illustrations on tissue for a 1928 edition of Voltaire's Candide.
      • Pochoir prints for Batschari Cigarettes, featuring figures in gentle embraces.
      • Watercolor works that utilized the layering of color to create depth on paper.

      A quiet presence in print

      The traces of his career are found in the small details of the Art Deco era. He focused on the way light and shadow could be captured through stenciling, creating images that felt part of a larger, fashionable atmosphere. His death in 1958 marked the end of a life spent working within these fine, controlled boundaries of print and illustration.