Diana and Her Nymphs Bathing (1778) je slika po kojoj je Anđelika Kaufman najpoznatiji; nalazi se u muzeju Art Gallery of South Australia, Adelaide. Johann Wolfgang von Goethe (1775) i Cornelia Africana (1785) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 199 dela umetnika Anđelika Kaufman. Evo 100 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
In 1778, Angelica Kauffmann captured a moment of quietude in Diana and Her Nymphs Bathing. The canvas presents the goddess Diana alongside her nymphs as they gather by a pool. They exist within a secluded landscape, a forest setting where the water meets the earth. This Neoclassical work focuses on the figures as they interact with the natural world, some seated in conversation and others dipping feet into the cool…
In this 1775 portrait, Angelica Kauffmann captures the likeness of Johann Wolfgang von Goethe. The subject sits with a heavy, steady gaze that meets the viewer directly. He is a man of profound intellect, a pillar of the Western canon, rendered here with a quiet, serious gravity. His presence fills the frame, suggesting a mind occupied by the weight of thought and the pursuit of truth.
In the realm of Neoclassical mastery, few works capture the serene dignity of antiquity as poignantly as Cornelia Africana. Painted in 1785 by the illustrious Angelica Kauffmann (Maria Anna Angelika), this masterpiece serves as a profound window into the values of the eighteenth century. The scene unfolds with a breathtaking sense of order and harmony, characteristic of the Neoclassical movement, where simplicity and balance reign supreme. At the heart of…
Michał Kazimierz Ogiński is presented in a three-quarter length pose, his gaze meeting the observer with a steady, direct intensity. The composition relies on a sharp contrast between the dark, indeterminate background and the luminous details of his attire. A bright white cravat and the brilliant blue of his sash draw the eye toward the center of the frame, while red jacket lapels provide a singular puncture of color against…
The gaze of the subject meets the viewer in Sybille, a portrait painted by Angelica Kauffmann in 1781. This work captures a woman appearing as a sibyl, a figure of prophecy and ancient wisdom. She exists within a quiet, contemplative space that suggests a moment of deep reflection or perhaps a vision just beginning to take shape. The presence of the woman is immediate, pulling the observer into her private,…
In this 1767 oil portrait, we find ourselves in the quiet, scholarly atmosphere of an eighteenth-century study. The subject, Sir Joshua Reynolds, is captured in a moment of steady contemplation, leaning slightly against a desk cluttered with the tools of a life dedicated to thought. The composition is intimate, a medium close-up that draws the viewer into his personal space. A soft, directional light enters from the upper left, carving…
Lady Louisa Leveson-Gower is presented here not merely as a noblewoman, but as the mythological figure Spes. Seated in a three-quarter length pose, she gazes toward the viewer with a quiet, melancholic elegance. The composition relies on a soft, luminous technique to define the pale blue and white of her gown, which contrasts against the deep, atmospheric shadows of the background. A heavy, ochre drapery falls over her shoulder, adding…
Angelica Kauffmann painted Woman in Turkish Dress in 1767. This oil on canvas captures an unknown woman draped in stylized Turkish attire. The subject wears a loose gown trimmed with white lace, a fitted salmon-colored garment, and an outer coat of plum-colored velvet. She turns her head slightly away, her gaze directed elsewhere.
The Portrait of John Simpson is a significant oil on canvas work by the artist Angelica Kauffmann. Created in 1777, this portrait captures a specific moment of social standing and personal character. The subject, John Simpson, is presented with a quiet dignity that reflects the formal portraiture traditions of the late eighteenth century.
This portrait, titled Sir James Hall of Dunglass, 1761 - 1832. Geologist, was painted by the Swiss artist Angelica Kauffmann in 1785. It captures the likeness of Sir James Hall, 4th Baronet, during a period of significant scientific inquiry. The work was executed in Rome, a setting that reflects the international connections of both the sitter and the artist at the time.
Helena Męcińska is presented here not merely as a noblewoman, but as a Roman Vestal, a choice that aligns her character with the classical ideals of the late…
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Ludwig I of Bavaria as Crown Prince is a portrait executed by Angelica Kauffmann in 1807. The work captures the subject, Ludwig I. von Bayern als Kronprinz, during…
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The portrait depicts a young man positioned centrally against a structured architectural backdrop. He is dressed in classical attire, featuring heavy folds of fabric that suggest a sense…
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The oil on canvas depicts a woman positioned centrally against a dark, indistinct background. She is captured in a moment of active recitation, her body oriented toward the…
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The Judgement of Paris is a renowned oil on canvas painting created by the talented artist Angelica Kauffmann in 1781. This beautiful artwork is currently housed at the…
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The artwork is titled Portrait of a woman, traditionally identified as Lady Hervey. It is an 18th century portrait created by the artist Angelica Kauffmann RA. The subject…
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The portrait presents a young man in an oval-format bust composition, positioned at an eye-level perspective. He is depicted from the chest up, facing the viewer directly. The…
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This oil on canvas work, titled Self-Portrait as a Musician, is a personal study by the artist Angelica Kauffmann. Created about 1764, the painting presents a young woman,…
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Rinaldo and Armida is an oil on canvas painting by the artist Angelica Kauffmann. Executed in 1771, the work depicts a scene from Torquato Tasso's epic poem. The…
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The subject of this oil on canvas is Alexander Gordon, 4th Duke of Gordon, who lived from 1743 to 1827. He is depicted in a three-quarter length pose,…
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The oil on canvas painting titled Cumaean Sibyl after Domenichino was executed by the artist Angelica Kauffmann. This work dates to 1763. The subject depicted is the Cumaean…
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In the delicate dance of light and shadow, Maria Anna Angelika Kauffmann’s Cupid and Psyche emerges as a breathtaking testament to the heights of Neoclassical emotion. This evocative…
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This oil on canvas work, titled Self-portrait, was executed by the Swiss Neoclassical painter Angelica Kauffmann. The painting dates to about 1770. In this work, the artist depicts…
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In the soft, luminous glow of eighteenth-century Neoclassicism, Angelica Kauffmann captures a moment of profound intimacy and mythological tension in her circular masterpiece, Cymon and Iphigenia. This exquisite…
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This captivating oil on canvas transports us to an outdoor setting imbued with the dramatic tension of human vulnerability meeting noble appeal. The subject matter, The Child Pyrrhos…
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A woman sits in a stillness that feels heavy and light all at once. She is poised beside a table, her form captured in the delicate, dark lines…
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A single, soft light falls upon a group of three figures, pulling them from a dark, indeterminate space. On the left, a middle-aged monk in a brown habit…
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A woman stands within a natural landscape, her body oriented toward a rainbow that arches across the sky. She wears a white dress that falls in heavy folds.…
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The world of art is replete with masterpieces that transcend time, and one such exemplary work is Countess Anna Protassowa with Niece by the renowned artist Angelica Kauffmann.…
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In the soft, oval embrace of this exquisite oil painting, we encounter a moment of profound intellectual and artistic devotion. Angelica Kauffmann, one of the most influential Neoclassical…
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Kompozicija – Jedinstvo Umeta i Razmišljanja Angelika Kauffmannova, umetnica koja je svojim radovima promenila lice evropskog pejzaža umetnosti XVIII veka, oslikala je jednu od najlepših kombinacija estetike i…
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In this 1782 oil on canvas, we find ourselves drawn into a secluded, natural setting where the air seems to hold its breath. The scene captures a delicate…
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Angelica Kauffmann painted Portrait of a Young Woman in 1781. The oil on canvas work captures a subject characterized by long hair and a white dress. A gold…
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Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Anđelika Kaufman | Slike iz ovog spiska |
|---|---|---|---|
 Saltram House |
Plymouth | 11 | Sir Joshua Reynolds PRA (1723-1792), Self-Portrait, A Woman in Neapolitan Dress |
 Narodni muzej u Varšavi |
Varšava | 6 | Portrait of Michał Kazimierz Ogiński., Portrait of Helena Męcińska née Stadnicka as a Roman Vestal., Portrait of Wojciech Męciński. |
 Scottish National Portrait Gallery |
Edinburg | 3 | Sir James Hall of Dunglass, 1761 - 1832. Geologist, Jane Maxwell, Duchess of Gordon, Wife of the 4th Duke of Gordon, Alexander Gordon, 4th Duke of Gordon, 1743 - 1827. Keeper of the Great Seal of Scotland |
 Royal Academy of Arts |
London | 3 | Colour, Design, Композиција |
 National Portrait Gallery |
London | 3 | Portrait of John Simpson, Self-portrait |
 Attingham Park |
3 | Thomas Noel-Hill, 2nd Baron Berwick of Attingham, FSA (1770-1832), Bacchus and Ariadne | |
 Yale Center for British Art |
New Haven | 2 | Portrait of a woman, traditionally identified as Lady Hervey, Rinaldo and Armida |
 Ermitaž |
Sankt Peterburg | 9 | Portrait of Karl Leberecht |
In this 1767 oil portrait, we find ourselves in the quiet, scholarly atmosphere of an eighteenth-century study. The subject, Sir Joshua Reynolds, is captured in a moment of…
In 1778, Angelica Kauffmann captured a moment of quietude in Diana and Her Nymphs Bathing. The canvas presents the goddess Diana alongside her nymphs as they gather by…
In the realm of Neoclassical mastery, few works capture the serene dignity of antiquity as poignantly as Cornelia Africana. Painted in 1785 by the illustrious Angelica Kauffmann (Maria…
Michał Kazimierz Ogiński is presented in a three-quarter length pose, his gaze meeting the observer with a steady, direct intensity. The composition relies on a sharp contrast between…
Ludwig I of Bavaria as Crown Prince is a portrait executed by Angelica Kauffmann in 1807. The work captures the subject, Ludwig I. von Bayern als Kronprinz, during…
Diana and Her Nymphs Bathing (1778), Art Gallery of South Australia, Adelaide. Prate ih Johann Wolfgang von Goethe (1775) i Cornelia Africana (1785).
Anđelika Kaufman, rođen/a 1741, imao/la je 37 godina: Diana and Her Nymphs Bathing datira iz 1778.
Diana and Her Nymphs Bathing, Johann Wolfgang von Goethe, Cornelia Africana, Portrait of Michał Kazimierz Ogiński., Sybille, Sir Joshua Reynolds PRA (1723-1792), Portrait of Lady Louisa Leveson-Gower (1749/50-1827), later Baroness Macdonald, as Spes, Woman in Turkish Dress, Portrait of John Simpson i Sir James Hall of Dunglass, 1761 - 1832. Geologist. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu se nalazi 199 dela umetnika Anđelika Kaufman, datiranih od 1753 do 1807.
Većinom u Saltram House (Plymouth), Narodni muzej u Varšavi (Varšava) i Scottish National Portrait Gallery (Edinburg); gornja lista navodi svaki muzej i njegova platna.
U 1770s, koji obuhvata 29 od 100 dela na ovoj stranici, među njima je i Diana and Her Nymphs Bathing.
Najstarije platno ovde je iz Self-portrait with a sheet of music (1753) godine; najnovije je iz Ludwig I of Bavaria as Crown Prince (1807) godine.
Woman (15), Man (11) i Portraiture (6), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, korišćeno u 22 od 100 dela na ovoj stranici.
Neoclassical style, kao što pokazuju platna na ovoj stranici.
Muzej Saltram House, Plymouth čuva 11 dela sa ove stranice, među kojima su i Sir Joshua Reynolds PRA (1723-1792), Self-Portrait i A Woman in Neapolitan Dress.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
U živopisnoj, intelektualno nabijenoj atmosferi osamnaestog veka, malo je figura ulivalo toliko poštovanja i gracije kao Anđelika Kofman. Rođena kao Marija Ana Anđelika Kofman 30. oktobra 1741. godine u huri, u Švajcarskoj, njen život bio je majstorska kompozicija kulturne tečnosti i umetničke ambicije. Kao dete čudo koje je posedovalo kako muzički talenat, tako i rano savladano poznavanje četiri jezika — nemačkog, italijanskog, francuskog i engleskog — kretala se kroz velika umetnička središta Evrope sa lakoćom koja je prkosila njenim godinama. Njeno rano obrazovanje, pod nadzorom oca, veštog muraliste Josifa Johana Kofmana, postavilo je temelje za karijeru koja će prevazići ograničenja često nametnuta ženama njenog doba. Već sa dvanaest godina privlačila je pažnju plemićkih pokrovitelja i sveštenstva, dok je njen bujni talenat služio kao svetionik u konkurentnim umetničkom svetovima Italije i Engleske.
Kofmanino putovanje bilo je ispunjeno stalnim kretanjem i dubokim povezivanjem. Kako je prelazila iz svojih švajcarskih korena u užurbane ulice Londona i klasičnu raskoš Rima, njen rad je počeo da odražava duboku posvećenost idejalu prosvetiteljstva — redu, jasnoći i klasičnoj vrlini. Njen dolazak u London označio je transformativno poglavlje; njen debi u Društvu umetnika (Society of Artists) 1765. godine najavio je pojavu profesionalne sile koja će uskoro preoblikovati britansku umetničku scenu. Upravo je u tom periodu stekla trajnu vezu sa ser Džošuom Rejnoldsom, odnos izgrađen na uzajamnom umetničkom poštovanju i zajedničkom eksperimentisanju sa neoklasičnim stilom. Kroz njene oči, drevne legende Grčke i Rima nisu bile samo relikvije prošlosti, već žive, pulsirajuće priče sposobne da izraze savremenu ljudsku emociju.
Genijalnost Kofmaninog dela leži u njenoj sposobnosti da se kreće kroz različite žanrove sa jednakim virtuozitetom. Iako je bila veoma tražena portretistkinja, koja je beležila eleganciju i društveni status evropske elite, upravo su njene istorijske slike osigurale njeno mesto u panteonu velikih majstora. Ova dela, često usredsređena na klasične, književne ili religiozne teme, koristila su meku svetlost i uravnotežene kompozicije kako bi izazvala osećaj vanvremenosti. Bilo da je prikazivala stoičku vrlinu Kornelije Afrikance ili intimni dostojanstvenost pronađenu u njenim porodičnim portretima, posedovala je jedinstven dar da svojim motivima podari spokojnu, psihološku dubinu koja je rezonovala sa neklasičkim preferencijama ka idealizovanoj lepoti.
Izvan platna, Kofmanina je bila pionir dekorativne umetnosti, unoseći svoju sofisticiranu estetiku u murale i velike dizajne. Njena tehnička veština omogućavala joj je da manipuliše teksturom i svetlošću, što se vidi u delikatnom prikazivanju tkanina ili atmosferičnim pejzažima koji su često služili kao pozadina njenim figurama. Ova svestranost osigurala je da se njen uticaj oseća ne samo u galerijama, već i u samoj srži aristokratskog enterijera. Sposobnost da spoji monumentalnu veličinu istorijske slike sa rafiniranom intimnošću portretizma omogućila joj je da komunicira kako sa intelektualnim, tako i sa emocionalnim senzibilitetima svoje publike.
Istorijski značaj Anđelike Kofman proteže se daleko izvan njenih individualnih dostignuća; ona je bila pionirka koja je razbila staklene plafone umetničkog etablismana osamnaestog veka. Godine 1768. postigla je izuzepnu čast da bude imenovana kao jedna od dve žene osnivačica Kraljevske akademije umetnosti u Londonu, zajedno sa Meri Mozer. Ova prekretnica bila je duboka pobeda za žene u umetnosti, dokazujući da ženski intelekt i tehnička spretnost mogu se ravnopravno postaviti unutar najprestižnijih institucija tog doba.
Danas je njeno nasleđe sačuvano u najcenjenijim svetskim muzejima, od Tate Britain i Uffizija do Metropolitena. Njen rad ostaje vitalno uporište za razumevanje neklasičnog pokreta — perioda definisanog povratkom klasičnoj jednostavnosti i poštovanjem prema antici. Dok posmatramo njene portrete i istorijske scene, vidimo više od samo lepih slika; vidimo neprolaznog duha umetnice koja je kretala kroz promenljivi svet sa neprevaziđenom gracioznošću, ostavljajući za sobom vizuelni testament snage ljudske kreativnosti i trijumfa umetničke volje.
