Od svih slika umetnika Бертел Торвалдсен, The three Graces je najpoznatija; nalazi se u muzeju Accademia di San Luca, Rim. Odmah za njima su Adonis (1808) i Christ. Od 35 dela umetnika Бертел Торвалдсен u našem katalogu, ovih 35 su najpoznatija, a svako od njih prikazano je sa datumom nastanka, muzejom i pričom.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
In the quiet, hallowed halls of Neoclassical mastery, few works resonate with the same ethereal tenderness as Bertel Thorvaldsen’s The Three Graces. Sculpted in 1817 during the artist's most prolific years in Rome, this marble masterpiece is far more than a mere depiction of mythological figures; it is a profound meditation on harmony, intimacy, and the timeless ideals of beauty. As one gazes upon the smooth, luminous surfaces of the…
This marble sculpture, created by Bertel Thorvaldsen, depicts the mythological figure of Adonis. The work is a full-length portrait of a young male figure presented in a contrapposto pose. The figure stands with his body slightly angled towards the viewer, holding a staff or spear in one hand, while drapery is loosely gathered around his other arm and leg. The sculpture is set upon a simple, rectangular base.
To stand before this depiction of Christ is to encounter an immediate hush, a profound stillness captured in pale stone. The sculpture presents the upper torso and head of Jesus, rendered with the idealized perfection characteristic of Neoclassicism. Its surface, smooth and luminous—suggesting either fine marble or expertly finished plaster—seems to absorb and diffuse light, giving the figure an ethereal quality. The composition centers entirely on this divine presence; Christ’s…
To stand before this magnificent representation of Ganymede and the Eagle is to step directly into the luminous halls of classical mythology. The sculpture, a masterful testament to Neoclassical ideals, captures a moment suspended between divine favor and earthly devotion. It portrays Ganymede, the eternally youthful cupbearer to the gods, in an act of tender offering—presenting sustenance to the majestic eagle that perches nearby. The sheer physicality of the piece,…
The sculpture Christ is a work by the Danish-Icelandic artist Bertel Thorvaldsen. Created about 1821, this piece depicts Jesus Christ in a moment of quiet contemplation. It is a religious subject, rendered as a marble or plaster sculpture. The figure is presented with a sense of serene presence, capturing a specific devotional mood through its form.
The Lion of Lucerne, also known as the Lion Monument, emerges from the stone as a profound presence in Switzerland. Designed by the Danish sculptor Bertel Thorvaldsen, this rock relief captures a moment of heavy stillness. The work was hewn between 1820 and 1821 by Lukas Ahorn, carving a permanent memory into the cliff face. It remains one of the most famous monuments in Switzerland, drawing eyes to its silent,…
In the hallowed, quietude of a Roman church interior, where light dances softly against ancient stone, stands a masterpiece that transcends the boundaries of time. The Monument of Pius VIII, sculpted by the legendary Danish master Albert Bertel Thorvaldsen in 1853, is far more than a mere commemorative marker; it is a profound dialogue between the mortal and the divine. Through the medium of exquisite Carrara marble, Thorvaldsen captures not…
In the delicate yet powerful details of the Triumph of Alexander the Great, we encounter a moment frozen in time, captured through the masterful hands of the Danish…
The sculpture Hebe by Bertel Thorvaldsen represents the goddess of youth from Greek mythology. In this work, the figure is identified as the daughter of Zeus and Hera.…
In the quiet, luminous presence of Bertel Thorvaldsen’s Ganymede and the Eagle, one does not merely observe a sculpture; one witnesses a moment suspended in eternity. This Neoclassical…
Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Бертел Торвалдсен | Slike iz ovog spiska |
|---|---|---|---|
 Thorvaldsens Museum |
Kopenhagen | 9 | Christ, Shepherd Boy, Mercury Preparing to Kill Argus |
 Accademia di San Luca |
Rim | 3 | The three Graces, Christ, Ganimede and the eagle |
 Neue Pinakothek |
Minhen | 1 | Adonis |
 Bazilika Svetog Petra |
Vatikan | 1 | Monument of Pius VIII |
 Statens Museum For Kunst |
Kopenhagen | 1 | Døgnets tider. Symboliseret ved fire vingede skikkelser |
 Staatliche Kunsthalle Karlsruhe |
Karlsrue | 1 | Hebe |
 Palata Quirinale |
Rim | 1 | Triumph of Alexander the Great - Detail of the frieze |
 Manchester Art Gallery |
Mendester | 1 | Shepherd |
This marble sculpture, created by Bertel Thorvaldsen, depicts the mythological figure of Adonis. The work is a full-length portrait of a young male figure presented in a contrapposto…
The Lion of Lucerne, also known as the Lion Monument, emerges from the stone as a profound presence in Switzerland. Designed by the Danish sculptor Bertel Thorvaldsen, this…
The sculpture Christ is a work by the Danish-Icelandic artist Bertel Thorvaldsen. Created about 1821, this piece depicts Jesus Christ in a moment of quiet contemplation. It is…
The three Graces, Accademia di San Luca, Rim. Prate ih Adonis (1808) i Christ.
The three Graces, Adonis, Christ, Ganimede and the eagle, Christ, The Lion of Lucerne, Monument of Pius VIII, Døgnets tider. Symboliseret ved fire vingede skikkelser, Shepherd Boy i Mercury Preparing to Kill Argus. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu se nalazi 35 dela umetnika Бертел Торвалдсен, datiranih od 1794 do 1831.
Većinom u Thorvaldsens Museum (Kopenhagen), Accademia di San Luca (Rim) i Neue Pinakothek (Minhen); gornja lista navodi svaki muzej i njegova platna.
U 1810s, koji obuhvata 8 od 35 dela na ovoj stranici, među njima je i The Lion of Lucerne.
Najstarije platno ovde je iz Døgnets tider. Symboliseret ved fire vingede skikkelser (1794) godine; najnovije je iz Statue of Byron (1831) godine.
Sculpture (8), Classical art (5) i Greek mythology (4), kroz svih 35 dela na ovoj stranici.
Marble, korišćeno u 7 od 35 dela na ovoj stranici.
Neoclassicism, kao što pokazuju platna na ovoj stranici.
Muzej Thorvaldsens Museum, Kopenhagen čuva 9 dela sa ove stranice, među kojima su i Christ, Shepherd Boy i Mercury Preparing to Kill Argus.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Albert Bertel Thorvaldsen (1770-1844) bio je danski i islandski vajar međunarodnog renomena, čije delo utelovljuje ideale neoklasicističke umetnosti. Njegova životna priča je priča o izvanrednom talentu, predano študijama i široko priznato slavi.
Rođen u Kopenhagenu, u Danskoj, u radničkoj porodici islandskih korena, Thorvalsen je pokazivao umetnički dar još od najranijih godina. Primljen je u Kraljevsku dansku akademiju umetnosti sa svega jedanaest godina. Njegova izuzetna veština donela mu je stipendiju za putovanje u Rim 1797. godine – korak koji će postati presudan i definisati čitavu njegovu karijeru.
Rim se pokazao kao idealno okruženje za Thorvalsenov umetnički razvoj. Potpuno se posvetio proučavanju antičke klasike, pedantno kopirajući drevne skulpture i upijajući njihove principe forme i proporcije. Ova nepokolebljiva posvećenost dovela ga je do razvoja jasno prepoznatljivog neoklasicističkog stila, koji karakterišu čistota linije, idealizovane forme i osećaj spokojne veličanstvenosti.
Thorvaldsen je bio duboko pod uticajem dela antičkih grčkih i rimskih vajara, kao i savremenih umetnika poput Antonija Kanove. Ipak, on se postepeno udaljavao od Kanovog raskošnijeg stila, težeći većem naglasku na jednostavnosti i suzdržanosti. Težio je tome da u svojim figurama ne dočara samo fizičku lepotu, već i moralnu vrlinu.
Godine 1838, Thorvaldsen se vratio u Dansku kao nacionalni heroj. Danska vlada podigla je Thorvaldsenov muzej u Kopenhagenu kako bi smestila njegova dela, što je svedočanstvo njegove ogromne popularnosti i umetničkog značaja. Preminuo je 1844. godine i sahranjen je u dvorištu samog muzeja.
Bertel Thorvaldsen odigrao je ključnu ulogu u oblikovanju pokreta neklasicizma. Njegove skulpture su bile široko cenjene i imitirane, utičući na generacije umetnika. Uspešno je oživnuo klasične ideale u vajarstvu, stvarajući dela koja i danas nastavljaju da izazivaju strahopoštovanje i divljenje. Njegova sposobnost da spoji tehničku veštinu sa umetničkom vizijom učvrstila mu je mesto jednog od najvažnijih vajara 19. veka.
