Portret umetnika: bazen sa dve figure (1971) is the painting Дејвид Хокни is best remembered for. Већи одскок (1967) and Базен 2 фигуре complete the trio of best-loved canvases. Our catalogue counts 331 works by Дејвид Хокни. Here are the 100 most famous, with the year, the museum and the story of each canvas.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated октобар 2026.
David Hockney’s ‘Portrait of an Artist (Pool with Two Figures)’ nije samo prikaz dve osobe koje uživaju u letnjem popodnevu; to je duboka meditacija o svetlosti, prostoru i samoj prirodi posmatranja. Završeno 1972. godine, ovo monumentalno delo iz akrila na platnu – dimenzija od impresivnih 7 stopa po 10 stopa – odmah uspostavlja prepoznatljiv stil Hockney: majstorski spoj realizma i živopisnih boja koji hvata ne samo ono što se vidi,…
David Hoknija – „Veći talas": Trenutak zauvek urezan u boji „Veći talas“ Dejvida Hoknija, nastao 1967. godine, nije samo slika; to je vizuelna oda pop umetnosti, oslikana sa neuporedivom živahnošću i smelim stilom. Ova monumentalna kompozicija, urađena akrilikom na platnu, odmah privlači pažnju svojim intenzivnim bojama i dinamičnom energijom. Na prvi pogled, vidimo modernu kuću sa bazenom u Kaliforniji, okruženu palmama pod vedrim nebom. Ali ono što sliku istinski izdvaja…
Dejvid Hokni, jedan od najuticajnijih britanskih umetnika 20. i 21. veka, stvara dela koja nas pozivaju u svet boja, svetlosti i dubokih emocija. Njegovo delo "Bazen sa dve figure" (Pool with Two Figures) iz 1972. godine nije samo slika; to je vizuelna priča o introspekciji, izolaciji i ljudskim vezama, ispričana kroz pažljivo kompozicionično rešenje i majstorski korišćene boje. Ova slika, koja je na aukciji dostižući neverovatnih 90 miliona dolara postala…
In the heart of the vibrant California landscape, David Hockney’s “Nichols Canyon” emerges not merely as a depiction of a hillside, but as an audacious assertion of color and form. Created around 1968, this masterpiece serves as a brilliant testament to the influence of Fauvist painting on American landscape art. The scene captures the serpentine path of the canyon, where winding roads meander through lush greenery and nestled architecture. Hockney…
David Hockney’s Garrowby Hill isn’t merely a depiction of a Yorkshire landscape; it’s an immersion into a carefully constructed mood, a testament to the artist’s ability to distill the essence of place and infuse it with a profound sense of serenity. Painted in his signature style – vibrant, bold, and deeply rooted in Pop Art sensibilities – this work invites the viewer onto a winding road, promising a journey not…
David Hockney's A Bigger Grand Canyon is a monumental painting that showcases the artist's unique perspective on space and time. Created in 1998, this large-scale work consists of 60 canvases arranged in a 12x5 grid, producing a single, breathtaking image that measures 7.4 meters wide. Artistic Influences Hockney's approach to A Bigger Grand Canyon draws inspiration from various artistic movements and techniques. The painting is reminiscent of Cubism, where multiple…
The scene depicts a wooded area within the Yorkshire landscape during a period of seasonal change. A dirt path occupies the lower portion of the composition, leading the eye through a collection of trees and ground cover. In the foreground and middle ground, various species of trees appear with emerging foliage. The ground is covered in grass and scattered flowers that introduce specific points of color to the forest floor.…
The Arrival of Spring in Woldgate, East Yorkshire May 4 is an artwork by David Hockney. Created in 2011, the work captures a landscape in a state of seasonal transition. The artist was 73 years old at the time of its production.
David Hockney's “Clark Percy,” completed in 1970, stands as a quintessential example of Pop Art’s fascination with everyday life and its ability to elevate the mundane into art. More than just a portrait, it’s a carefully constructed tableau that captures a fleeting moment of connection between two figures—Clark Percy, Hockney's husband at the time—within the confines of their home.
David Hockney’s “The Road to York through Sledmere” isn't merely a depiction of a rural English scene; it’s a vibrant distillation of light, color, and the rhythms of everyday life. Painted with Hockney’s signature boldness, this artwork captures a fleeting moment in time – a small town bathed in the golden hues of a late afternoon, brimming with activity and an undeniable sense of warmth. The painting immediately draws the…
David Hockney's “My Parents,” painted in 1977, isn’t merely a portrait; it’s an exquisitely rendered distillation of memory and place—a cornerstone of Hockney’s oeuvre and a testament to…
David Hockney, one of the most influential British artists of the 20th century, is renowned for his contributions to the Pop Art movement. His work often features bright…
A Lawn Sprinkled: Exploring Hockney’s Vibrant Synthesis David Hockney's “A Lawn Sprinkled,” painted in 1967, isn’t merely a depiction of suburban tranquility; it’s a masterful distillation of Pop…
A Forest in Layers The woods unfold in planes of color. Trees rise in the foreground and recede into a deep, layered background, creating a landscape of varied…
The composition is anchored by three large trees in the foreground, creating a rhythmic structure across the landscape. Using broad, gestural strokes and a vibrant palette of yellows…
To stand before David Hockney’s “Bigger Trees Near Warter Or Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique” is to experience a profound expansion of both sight…
This captivating depiction of a forest path, rendered with David Hockney’s signature vibrant palette and loose brushwork, invites the viewer into a moment of serene contemplation. The painting…
In the quiet, sun-drenched corners of 1964 Beverly Hills, David Hockney captured more than just a mundane morning routine; he distilled an entire atmosphere of mid-century serenity. Man…
David Hockney’s *Peter Getting out of Nick’s Pool* isn’t merely a depiction of a summer afternoon; it’s an invitation. An invitation to pause, to observe, and perhaps even…
David Hockney's 'Bolton Junction, Eccleshill' isn’t merely a painting; it’s a carefully constructed distillation of a specific moment in time. Completed in 2008, this deceptively simple scene –…
In the vast landscape of twentieth-century art, few images possess the immediate, heart-tugging intimacy found in David Hockney’s 1961 masterpiece, We Two Boys Together Clinging. This evocative oil…
David Hockney's "Red Pots in the Garden" is more than just a depiction of a pleasant outdoor scene; it’s an exuberant celebration of color, light, and the inherent…
The painting Portrait of Nick Wilder features a man swimming in a pool with his back turned to the viewer. He appears to be enjoying his time in…
A modest house rests within a thicket of leaves. A pink roof sits atop the dwelling, caught in the light. Before this home, a single tree rises, its…
A single figure stands with his back to the viewer, caught beneath a falling stream of water. The bathroom in Beverly Hills holds a quiet stillness. Light enters…
In the evocative masterpiece Hawthorne blossom near rudston, the viewer is invited to step into a world where the boundaries between reality and an impressionistic dreamscape dissolve. This…
In the evocative masterpiece "Woods and November," David Hockney invites us into a sensory immersion where the boundaries between nature and perception begin to blur. This work serves…
David Hockney is a renowned English artist known for his contributions to the Pop Art movement. His work, Place Furstenberg, Paris, is a captivating example of his unique…
In the quietude of David Hockney’s “The Third Love,” we find ourselves standing before a composition that is as much a psychological landscape as it is a visual…
A dog rests upon a blue blanket, its head heavy with sleep. The scene captures a quiet afternoon in 1967, where the warmth of the summer solstice settles…
David Hockney's “A Bigger,” a vibrant exploration of trees rendered in an explosion of color, exemplifies the artist’s pivotal role in shaping 20th-century British art and his groundbreaking…
Two faces emerge from a deep, saturated red background, pulling the eye into an immediate confrontation with color. One face glows with a cool, blue hue, while its…
The painting Double Study for A Closer Grand Canyon presents a vibrant landscape featuring a red mountain with a large cliff positioned in the foreground. The composition extends…
The painting Path through wheat field, July 2005 presents a vibrant landscape centered on a pathway that leads through a vast wheat field. This field is characterized by…
David Hockney’s “The Twenty Fourth” is not merely a depiction of a vibrant scene; it's an immersive experience, a carefully constructed tableau brimming with light, color, and a…
David Hockney’s “The Master Printer of Los Angeles,” created in 1973, isn't merely a depiction of a man seated in contemplation; it’s a carefully constructed tableau brimming with…
David Hockney's "Salts Mill, Saltaire, Yorks" isn’t merely a depiction of a building; it’s a vibrant distillation of memory, place, and the enduring spirit of industrial heritage. Born…
In the vast, vibrant expanse of David Hockney’s “Royal Academy of Arts,” the viewer is invited into a world where the boundaries between photography and painting dissolve into…
In the quiet corners of everyday existence, there exists a profound beauty often overlooked by the rushing world. David Hockney’s "Untitled (909)", painted in 1968, serves as an…
In the vibrant tapestry of twentieth-century art, few works capture the sheer joy of visual discovery quite like David Hockney’s “The Twelfth.” Painted in 1973, this masterpiece serves…
David Hockney's “Lithographic Water Made of Lines, Crayon on a Blue Wash” isn’t merely a depiction of a swimming pool; it’s an exquisitely crafted meditation on perception, space,…
In the vast landscape of twentieth-century British art, few works capture the essence of sensory perception as vibrantly as David Hockney’s "Yosemite i (2)." Often associated with his…
David Hockney's "Unfinished Self," painted in 1978, isn’t merely a depiction of a man asleep on his bed; it’s an exquisitely crafted meditation on perception itself. Created during…
In the quiet, verdant corridors of the Yorkshire landscape, there exists a moment of profound transformation where the slumber of winter yields to the vibrant pulse of life.…
In the vast landscape of contemporary art, few names resonate with as much vibrancy and visual joy as David Hockney. His work, particularly in pieces like this breathtaking…
This captivating artwork presents a poignant scene of a solitary figure contemplating a still pool beneath an overcast sky. Rendered with meticulous detail, the piece evokes a profound…
David Hockney’s “Roads and Cornfields,” painted in East Yorkshire during his prolific summer visits to the region, stands as a testament to both artistic innovation and a profound…
David Hockney's "Pearblossom Highway" isn’t merely a depiction of a desolate California road; it’s a profound meditation on space, time, and the human experience within an expansive, almost…
David Hockney's "Nick Wilder," painted in 1976, stands as a testament to his unwavering fascination with capturing the essence of place and time. More than just a depiction…
This captivating collage, assembled from photographs by David Hockney, isn't merely a collection of images; it’s an immersive experience of the sea and the profound joy derived from…
David Hockney's 1964 painting, 'Man in Shower in Beverly Hills,' isn’t merely a depiction of a domestic scene; it’s a vibrant, almost hallucinatory capture of the burgeoning glamour…
David Hockney: Bridlingtom Promenade Revisited David Hockney’s “Rainy Night on Bridlingtom Promenade” isn't merely a depiction of London; it’s an embodiment of memory, perception, and the artist’s relentless…
This arresting composition immediately draws the eye with its bold juxtaposition of form and fractured beauty. At its heart lie three meticulously crafted chairs, rendered with a striking…
David Hockney’s “North Yorkshire” isn't merely a landscape painting; it’s an immersive experience rendered in vibrant color and bold, simplified forms. This iconic piece captures the essence of…
This captivating artwork transports the viewer to the heart of David Hockney’s signature style – a masterful blend of observation, color, and a touch of playful abstraction. Initially…
David Hockney's “Queen,” painted in 1961, is more than just a portrait; it’s a carefully constructed meditation on identity, authority, and the very nature of representation. Executed in…
David Hockney's "My Brother is Only Seventeen," painted in 1970, isn’t merely a depiction of a man on a ladder; it’s a carefully constructed meditation on time, memory,…
David Hockney's "Lawn Sprinkled," painted in 1967, is more than just a depiction of a suburban lawn; it’s a carefully constructed meditation on perception, artificiality, and the burgeoning…
A Dreamlike Interior: Exploring Hockney's "Model with Unfinished Self-Portrait" This intriguing artwork by David Hockney presents a captivating scene of domestic surrealism. It depicts a woman in repose,…
The artwork titled Egyptian Head Disappearing into Descending Clouds is an oil on canvas painting created in 1961. This piece is classified as a preparatory oil sketch and…
David Hockney’s “Untitled (828)” isn't merely a depiction of a domestic scene; it’s an invitation into a carefully constructed dreamscape. The painting immediately arrests the viewer with its…
This captivating artwork presents a meticulously arranged collection of tulips within a classic glass vase – a timeless subject explored by artists for centuries. The piece immediately draws…
David Hockney's “3 Chairs Picasso” isn’t merely a photograph; it’s a carefully constructed meditation on art, design, and the very nature of representation. This seemingly simple image –…
David Hockney's "Furstenberg Paris," painted in 1968, isn’t merely a depiction of a Parisian street; it’s an embodiment of Hockney’s signature style—a luminous exploration of observation and simplification.…
This captivating artwork immediately draws the eye with its striking juxtaposition of figures within a seemingly timeless setting. A lone man, rendered with meticulous detail and imbued with…
This captivating artwork presents a serene still life, dominated by a vase overflowing with fragrant lavender blossoms against a backdrop of muted blues and greens. Executed with a…
A Portrait of Quiet Contemplation: David Hockney’s Augustus and Perry Barringer The artwork “Augustus and Perry Barringer,” executed by David Hockney, presents a deceptively simple yet profoundly resonant…
David Hockney’s “Yosemite I,” created in 2011, isn't merely a depiction of a Californian landscape; it’s an intensely personal and remarkably vibrant interpretation of one of America’s most…
The four subjects that return most often on these canvases, each with its best-loved example.
The 4 museums that hold the most of the paintings on this page.
| Museum | City | Works by Дејвид Хокни | Paintings from this list |
|---|---|---|---|
 Metropoliten музеј у Њујорку |
Њујорк | 2 | Mount Fuji and Flowers, Large Interior, Los Angeles |
 Nacionalna galerija Australije |
Kanbera | 1 | A bigger grand canyon |
 de Young Museum |
San Francisco | 1 | The Master Printer of Los Angeles |
 Städel Museum |
Frankfurt | 1 | Jump |
David Hoknija – „Veći talas": Trenutak zauvek urezan u boji „Veći talas“ Dejvida Hoknija, nastao 1967. godine, nije samo slika; to je vizuelna oda pop umetnosti, oslikana sa…
David Hockney’s ‘Portrait of an Artist (Pool with Two Figures)’ nije samo prikaz dve osobe koje uživaju u letnjem popodnevu; to je duboka meditacija o svetlosti, prostoru i…
David Hockney's A Bigger Grand Canyon is a monumental painting that showcases the artist's unique perspective on space and time. Created in 1998, this large-scale work consists of…
Portret umetnika: bazen sa dve figure (1971), followed by Већи одскок (1967) and Базен 2 фигуре.
Дејвид Хокни, born in 1937, was 34 years old: Portret umetnika: bazen sa dve figure dates from 1971.
Portret umetnika: bazen sa dve figure, Већи одскок, Базен 2 фигуре, Nichols canyon, Garrowby hill, A bigger grand canyon, The Arrival of Spring in Woldgate, The Arrival of Spring in Woldgate, East Yorkshire May 4, Clark percy and The Road to York through Sledmere. Each canvas in the ranking above comes with its year and its museum.
331 works by Дејвид Хокни are in our catalogue, dated 1960 to 2014.
Mostly in Metropoliten музеј у Њујорку (Њујорк), Nacionalna galerija Australije (Kanbera) and de Young Museum (San Francisco); the list above names each museum and its canvases.
In 1970s, which gave 4 of the 100 works on this page, Portret umetnika: bazen sa dve figure among them.
The earliest canvas here is Jump (1960); the latest is The Dancers V (2014).
Landscape (16), David hockney (14) and Hockney (10), across the 100 works on this page.
Acrylic On Canvas, used in 23 of the 100 works on this page.
Pop art, as the canvases on this page show.
The Metropoliten музеј у Њујорку, Њујорк holds 2 of the works on this page, among them Mount Fuji and Flowers and Large Interior, Los Angeles.
Дејвид Хокни se rodio 9. jula 1937. godine u Bradfordu, u zapadnom Jorkširu, u Engleskoj. Odrastao je u porodici od petoro dece, kao četvrto dete u grupi. Njegov otac, Kent Hokni, radio je kao knjigovođa i bio je protivnik vojne obaveze tokom Drugog svetskog rata. Majka mu je, Laura, bila metodistkinja i stroga vegetarijanka. Te rane godine prosuđane su u industrijskom pejzažu Jorkšira, mestu ispunjenom ciglama fabrika i užurbanim pijacama.
Njegovo školovanje počelo je u osnovnoj školi Velington, a nastavilo se u Gramatskoj školi u Bradfordu. Tokom tog perioda, okruženje Bradforda oblikovalo je njegov način posmatranja sveta. Grubost industrijskog jezgra i specifično svetlo ovog regiona pružili su scenu njegovim formativnim godinama. Bio je dete porodice koja je vrednovala nezavisno razmišljanje, pod snažnim uticajem očevih uverenja tokom rata.
Temelj njegove umetničke prakse izgrađen je kroz godine pažljivog posmatranja sveta. Od 1953. do 1957. godine, Дејвид Хокни je studirao u Školi umetnosti u Bradfordu. Ovaj period bio je posvećen mehanici samog gledanja. Svoje vreme provodio je vežbajući crtanje iz prirode i portretstvo, usavršavajući tradicionalne veštine posmatranja koje će decenijama ostati centralne njegovom radu. Bio je snažan naglasak na preciznosti linije i načinu na koji se subjekat prostire u prostoru.
Prelaskom iz industrijskog pejzaža Jorkšira u London, ušao je u Royal College of Art. To je bilo vreme intenzivnog tehničkog razvoja. Kroz program studija napredovao je sa fokusom na osnove forme i nijanse svetlosti. Do 1962. godine, diplomirao je na Kraljevskom koledžu umetnosti sa prestižnom zlatnom medaljom. Ovo priznanje označilo je kraj njegovog formalnog obrazovanja u Britaniji i početak karijere koju će definisati neprestana, nemirna radoznalost o tome kako predstaviti ono što vidi.
Šezdesete godine su svedočile o usponu Дејвида Хокнија kao ključne figure u pokretu pop arta. Dok su se drugi umetnici ovog pokreta oslanjali na komercijalnu estetiku američke masovne kulture, njegov pristup ostao je duboko ličan. Selidbom iz Londona u Los Anđeles 1964. godine, došlo je do sudbonosne promene u njegovom načinu posmatranja boje i svetlosti. Intenzivna kalifornijska svetlost postala je neizostavna prisutnost u njegovom radu, postepeno uklanjajući prigušene tonove ranijih godina. Počeo je da dokumentuje šarm grada iz perspektive outsidera, fokusirajući se na način na koji svetlost pada na površine i na specifične, zasićene nijanse plave boje koje definišu bazen.
Ovaj period obeležio je njegov fascinacioni odnos prema slobodnom vremenu i geometriji suburbanog života. Veći deo vremena provodio je posmatrajući kako se voda kreće i reflektuje, što je bio izazov koji je uspešno odgovorio kroz svoju čuvenu seriju slika bazena. Ova dela su uhvatila hedonističku tišinu života pored bazena koristeći oštre, jasne linije. Odmaknuo se od apstraktnih trendova tog vremena, birajući umesto toga da slika ljude i prepoznatljive objekte. Njegov rad iz ove ere često je istraživao tihu intimnost odnosa i način na koji se prostor doživljava kroz prizmu sjajne, direktne svetlosti.
Umetnička praksa koju sprovodi Дејвид Хокни predstavlja neprekidno kretanje između različitih načina posmatranja sveta. On nikada nije ostao ograničen okvirima samo jednog medija, slobodno istražujući puteve slikarstva, crteža, grafike i fotografije. Njegov pristup često počinje od direktnog posmatranja i crtanja iz prirode, gde on koristi portret kao sredstvo za proučavanje onoga kako lice zadržava svoju suštinu, ali istovremeno eksperimentiše i sa načinom na koji je prostor strukturiran. Korišćenjem obrnute perspektive, on narušava tradicionalni način na koji gledamo scenu, stvarajući osećaj dubine koji se razlikuje od onog koji nam pruža standardna fotografija. Često je koristio fotografiju kao pripremni medij, koristeći aparat da uhvati trenutak pre nego što ga prevede u sliku.
Način na koji on manipuliše bojom i svetlošću menjao se uporedo sa promenom njegovih alata. U ranijim godinama, radio je sa akrilatima kako bi postigao zasićene nijanse, naročito prilikom prikazivanja pokreta vode u bazenima. Kasnije, okrenuo se digitalnim medijima. Koristeći tablete, počeo je da ponovo osmišlja pejzaže, pronalazeći nov način da uhvati promenljivo svetlo i boju prirodnog sveta. Ovaj prelaz sa fizičke boje na digitalne ekrane svedoči o njegovoj neprestanoj radoznalosti o tome kako tehnologija može promeniti našu percepciju prostora. Njegovo delo je zapis ovih tehničkih transformacija, od precizne linije crteža do složenih kompozicija digitalnog pejzaža.
Način na koji svetlost pada na površinu često diktira pravac i energiju samog slikarstva. Godine 1961, u delu We Two Boys Together Clinging, istraživana je intimanost povezanosti kroz prizmu simbolizma i teksta. Ovo rano delo odražava duboki fokus na međuljudske odnose i tragove koje njihovo prisustvo ostavlja u prostoru. Kasnije, prelazak ka jarkim, zasićenim bojama Kalifornije temeljno je promenio način na koji je voda bila predstavljena na platnu. A Bigger Splash, nastalo 1967. godine, hvata trenutak kretanja u bazenu, koristeći oštre linije kako bi se definisao složeni interakcija svetlosti i tečnosti.
Pažnja se često kreće između pejzaža i ljudi koji u njemu borave. Godine 1971, Mr and Mrs Clark and Percy spojili su osećaj prisrtanosti i karakterističnosti. Ovaj pristup portretu nastavio je i sa delom Portrait of an Artist (Pool with Two Figures iz 1972. godine, gde je upotreba fotografije kao pripremnog medijuma pomogla u definisanju prostornog aranžmana. Ova dela svedoče o neprestanoj radoznalosti o tome kako percipiramo prostor i na koji način ljudi istinski zauzimaju prostor u njemu.
Vizuelni jezik koji je Дејвид Хокни razvio na platnu često je pronalazio potpuno drugačiji ritam unutar okvira pozorišta. Njegov rad u oblasti scenografije zahtevao je duge periode duboke koncentracije, koji su ponekad trajali i duže od godinu dana za samo jednu produkciju. Prelazak sa dvodimenzionalne površine slike u trodimenzionalni prostor scene bio je izazovan proces, gde je za kreiranje scenografije za Mocartovu Čarobnu frulu bio neophodan novi pristup svetlosti i pokreta. Ovaj prelazak zahtevao je transformaciju njegovog interesovanja za perspektivu u ambijente koji su mogli da prate dinamiku živog nastupa.
Njegov angažman u svetu opere obuhvatio je postavljanje Igora Stravinskog Napredak prostaka 1975. godine, dok je kasnije, 1990. godine, kreirao scenografije za Điacoma Pučinijevu Turandot. Ovi projekti su ga primorili da razmišlja o tome kako se lik kreće kroz prostor i kako se scenografija može menjati u skladu sa muzičkim promenama. Svoje oko za kompoziciju primenio je i u svetu mode, dizajnirajući naslovnu stranu i stranice za decembarski broj francke izdanja časopisa Vogue iz 1985. godine. Čak i u tim slučajevima, fokus je ostao na tome kako je subjekt uokviren i na način na koji boja komunicira sa pogledom posmatrača.
Težina dugog umetničkog puta često se ogleda u počasnicama koje mu dodeljuju najprestižnije institucije. Godine 2000. godine, Дејвид Хокни je primio prestižnu nagradu Laureate of the Praemium Imperiale za slikarstvo. Kasnije, 2003. godine, postao je član Kraljevskog društva (Royal Society). Ova priznanja stigla su uporedo sa njegovim stalnim prisustvom u javnom prostoru, dok je putovao od ranih dana pokreta pop arta, sve do pozicije jednog od najuticajnijih britanskih umetnika 20. i 21. veka.
Njegovo mesto u kulturnom pejzažu dodatno je potvrđeno 2018. godine kada je imenovan za člana Ordena časti (Order of the Companion of Honour). Ovo priznanje prati decenije rada koji se kretao od grubog ambijenta Jorkšira, preko blistavog svetla Kalifornije, pa sve do digitalnog realm-a crteža na iPad-u. Uticaj Дејвида Хокнија oseća se ne samo u galerijama, već i u načinu na koji je kroz različite medije promenio naš pogled na prostor i perspektivu.
Da biste uživali u njegovim delima uživo, putovanje vas može odvesti do galerije 1853 u Salts Mill-u u Saltaire-u. Ovaj prostor čuva mnoge njegove kompozicije, održavajući tako neprekinutu vezu sa industrijskim pejzažom njegovog mladalačkog doba. Fondacija Dejvid Hokni takođe upravlja velikom kolekcijom njegovih radova, čuvajući ogroman deo njegovog umetničkog nasleđa za buduće generacije, istraživanja i posmatranje.
Njegova slika i crteži rasprostranjeni su kroz vodeće svetske institucije na različitim kontinentima. U Ujedinjenom Kraljevstvu, deo Tate kolekcije čuva njegove radove. Preko Atlantika, njegov umetnički pečat prepoznatljiv je u Metropolitan Museum of Art i Muzeju modernog umetnosti. Ove kolekcije obuhvataju različite faze njegove karijere, od ranih figurativnih dela do kasnijih, dubokih istraživanja svetlosti i boje.
