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      Dora Maar, 1907 – 1997

      Dora Maar: 13 najpoznatijih dela

      Od svih slika umetnika Dora Maar, Pere Ubu (1936) je najpoznatija; nalazi se u muzeju Metropoliten музеј у Њујорку, Њујорк. Odmah za njima su Portrait de Frida Kahlo i Portrait of Picasso (1938). Od 13 dela umetnika Dora Maar u našem katalogu, ovih 13 su najpoznatija, a svako od njih prikazano je sa datumom nastanka, muzejom i pričom.

      Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026.

      Portret Dora Maar
      Dora Maar · 1907 – 1997
      Rođen · umro
      1907 – 1997, 6th arrondissement of Paris
      Pokret
      Surrealism
      Radovi u našem katalogu
      13
      Najpoznatije
      Pere Ubu (1936)
      Najviše dela u
      San Francisco Museum of Modern Art

      10 najpoznatijih dela umetnika Dora Maar

      Pere Ubu (1936) čiji je Dora Maar
      1

      Pere Ubu

      1936 · Giclée Print · Metropoliten музеј у Њујорку, Њујорк

      Dora Maar’s “Pere Ubu,” painted in 1936, isn't merely a portrait; it’s an unsettling plunge into the subconscious, a meticulously crafted tableau of primal fear and distorted humanity. This arresting image, rendered in stark monochrome with a dramatic interplay of light and shadow, captures the essence of Surrealism at its most potent – a deliberate disruption of reality designed to evoke profound emotional responses. The painting immediately confronts the viewer…

      Portrait de Frida Kahlo čiji je Dora Maar
      2

      Portrait de Frida Kahlo

      Black and White Photography

      The artwork titled Portrait de Frida Kahlo is a photographic portrait created by the artist Dora Maar. This specific work features the Mexican artist Frida Kahlo as the subject. The image captures the subject in a formal pose, focusing on her upper body and shoulders. The composition is centered, presenting the subject from the waist up against a simple, blurred background.

      Double Portrait (1935) čiji je Dora Maar
      6

      Double Portrait

      1935 · Gelatin Silver Print · San Francisco Museum of Modern Art, San Francisko

      Double Portrait is a Surrealist Gelatin Silver Print created by the artist Dora Maar. This photographic print emerged from the artist's experimental period in the mid-1930s, specifically dating to about 1935.

      Slika Dora Maar rangirane od 11 do 13

      Šta je Dora Maar najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.

      Gde se nalaze platna umetnika Dora Maar

      3 muzeja u kojima se nalazi najviše slika sa ove stranice.

      Muzej Grad Radovi umetnika Dora Maar Slike iz ovog spiska
      San Francisco Museum of Modern Art, San FranciskoSan Francisco Museum of Modern Art San Francisko 2 Untitled, Double Portrait
      Metropoliten музеј у Њујорку, ЊујоркMetropoliten музеј у Њујорку Њујорк 1 Pere Ubu
      Izraelski muzej, JerusalimIzraelski muzej Jerusalim 1 Portrait of Picasso

      Deceniju po deceniju: najpoznatije platno umetnika Dora Maar

      1. 1930s
        Pere Ubu (1936) čiji je Dora Maar
        1 od 13

        Pere Ubu

        Godine 23 – 32 · Metropoliten музеј у Њујорку

        Dora Maar’s “Pere Ubu,” painted in 1936, isn't merely a portrait; it’s an unsettling plunge into the subconscious, a meticulously crafted tableau of primal fear and distorted humanity.…

      2. 1950s
      3. 1960s

      Vaša pitanja o slikama umetnika Dora Maar, odgovorena

      Koje je najpoznatije delo umetnika Dora Maar?Pročitajte odgovor

      Pere Ubu (1936), Metropoliten музеј у Њујорку, Њујорк. Prate ih Portrait de Frida Kahlo i Portrait of Picasso (1938).

      Koliko je godina imao/la Dora Maar u vreme nastanka dela Pere Ubu?Pročitajte odgovor

      Dora Maar, rođen/a 1907, imao/la je 29 godina: Pere Ubu datira iz 1936.

      Po kojim deset slika je Dora Maar najpoznatiji/a?Pročitajte odgovor

      Pere Ubu, Portrait de Frida Kahlo, Portrait of Picasso, Untitled, The years lie in wait for you, Double Portrait, Untitled (Hand-Shell), The Pretender, Monster on the Beach i Cavalier. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je poznato slika umetnika Dora Maar?Pročitajte odgovor

      U našem katalogu se nalazi 13 dela umetnika Dora Maar, datiranih od 1934 do 1960.

      U kojim muzejima se čuvaju najpoznatija platna umetnika Dora Maar?Pročitajte odgovor

      Većinom u San Francisco Museum of Modern Art (San Francisko), Metropoliten музеј у Њујорку (Њујорк) i Izraelski muzej (Jerusalim); gornja lista navodi svaki muzej i njegova platna.

      U kojim godinama je Dora Maar naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1930s, koji obuhvata 9 od 13 dela na ovoj stranici, među njima je i Pere Ubu.

      Koja su prva i poslednja poznata platna umetnika Dora Maar?Pročitajte odgovor

      Najstarije platno ovde je iz Untitled (Hand-Shell) (1934) godine; najnovije je iz Untitled Landscape (1960) godine.

      Koji se motivi najčešće pojavljuju u slikama umetnika Dora Maar?Pročitajte odgovor

      Black and white (2) i Hair (2), kroz svih 13 dela na ovoj stranici.

      Kojem umetničkom pravcu pripada Dora Maar?Pročitajte odgovor

      Surrealism, kao što pokazuju platna na ovoj stranici.

      Šta mogu da vidim od dela Dora Maar u muzeju San Francisco Museum of Modern Art?Pročitajte odgovor

      Muzej San Francisco Museum of Modern Art, San Francisko čuva 2 dela sa ove stranice, među kojima su i Untitled i Double Portrait.

      Dora Maar: priča o umetniku

      Dora Maar: A Surrealist Visionary and Political Witness

      Dora Maar (Henriette Theodora Markovitch, 1907-1997) remains a captivating figure in the annals of 20th-century art – a photographer, painter, and intellectual whose life was inextricably intertwined with the turbulent currents of Surrealism, political activism, and the passionate intensity of her relationship with Pablo Picasso. Often overshadowed by the brilliance of her collaborator, Maar’s unique vision, marked by psychological depth, social critique, and a strikingly unconventional approach to both photography and painting, deserves far greater recognition. Her story is not merely one of a muse; it's that of an artist who forged her own path amidst a world grappling with war, revolution, and the shifting landscapes of artistic expression.

      • Early Life and Artistic Beginnings: Born in Paris to a Croatian architect father and a French mother, Maar’s early years were spent in Buenos Aires. She began her artistic journey formally at the École de Beaux-Arts and the Académie Julian in Paris, honing her skills in painting before gravitating towards photography. Her initial work focused on commercial assignments for fashion magazines and advertising campaigns, providing a crucial foundation for her later explorations of form and composition.
      • Collaboration with Kéfer and Cartier-Bresson: A pivotal moment arrived in 1930 when she joined forces with Pierre Kéfer, establishing a shared studio that became a hub for artistic experimentation. This collaboration extended to the influential photographer Brassaï, with whom she shared the darkroom, absorbing his techniques and developing her own distinctive style.

      The Surrealist Years: Politics, Photography, and Picasso’s Influence

      Maar's involvement in the Surrealist movement was profound, extending beyond mere aesthetic affiliation to encompass a deep engagement with its political ideals. Following her introduction to Pablo Picasso in 1935, she became deeply involved in leftist groups like “masses” and the Union of Intellectuals against Fascism, reflecting a commitment to social justice that permeated much of her work. This period witnessed a significant shift in her artistic practice, influenced by both Picasso’s mentorship and her own evolving sensibilities.

      • Political Activism: Her participation in demonstrations, convocations, and the signing of manifestos like ‘When Surrealists Were Right’ demonstrated her unwavering commitment to anti-fascist causes. She documented the social and economic hardships of the Depression era through her photography, offering a starkly realistic portrayal of poverty and displacement.
      • The Picasso Connection: Her relationship with Picasso was complex and transformative. He recognized her unique perspective and incorporated her influence into his work, most notably in *Guernica*, where her photographic documentation played a crucial role. However, Maar herself acknowledged that Picasso’s portraits often obscured her true identity, stating, “All his portraits of me are lies. They're all Picassos. Not one is Dora Maar.”
      • Photographic Innovations: During this time, Maar experimented with photographic techniques, pushing the boundaries of the medium through photomontage and exploring themes of psychology, dreams, and inner states. Her work in the darkroom was particularly innovative, utilizing unconventional methods to create hauntingly evocative images.

      A Photographic Legacy: Portraits, Fashion, and Social Commentary

      Maar’s photographic output spanned a diverse range of subjects, from glamorous fashion shoots to poignant depictions of social unrest. Her portraits are particularly striking – characterized by their psychological intensity, fragmented forms, and often unsettling gazes. She possessed an uncanny ability to capture the essence of her subjects, revealing both their beauty and their vulnerability.

      • Iconic Portraits: Among her most celebrated photographs are portraits of Jacqueline Lamba (Picasso’s wife), André Breton, and, of course, Pablo Picasso himself. These images are not merely representations of appearance but rather explorations of personality and inner life.
      • Fashion and Advertising: Her work in the fashion industry showcased a keen eye for composition and an understanding of visual aesthetics, while her documentary photographs documented the realities of poverty and social inequality during the Depression.
      • The ‘Weeping Woman’ Influence: Picasso's iconic *Weeping Woman* series, inspired by Maar’s own emotional state, stands as a testament to the profound impact she had on his artistic vision.

      Beyond Picasso: A Lasting Artistic Contribution

      While often remembered primarily as Picasso's muse and lover, Dora Maar’s artistic legacy extends far beyond this association. Her pioneering work in photography – particularly her exploration of psychological themes and unconventional techniques – established her as a significant figure within the Surrealist movement. Her commitment to social justice and political activism further enriched her artistic practice, imbuing her work with a powerful sense of empathy and critical awareness. Today, Maar’s photographs continue to resonate with viewers, offering a glimpse into a complex and fascinating life—a testament to an artist who defied expectations and left an indelible mark on the world of art.

      Sva 13 dela umetnika Dora Maar →