Najomiljenije delo umetnika Фердинанд Ходлер je Eiger, Monch and Jungfrau in Moonlight (1908). Woman in Ecstasy (1911) i Eiger, Monch and Jungfrau in Moonlight (1908) su sledeći na listi najpoznatijih platana koje čitaoci najbolje poznaju. Naš katalog sadrži 609 dela umetnika Фердинанд Ходлер: evo 100 najpoznatijih, od kojih svako nosi godinu nastanka, naziv muzeja i opis onoga što ga čini nezaborotljivim.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
In the quietude of 1908, Ferdinand Hodler captured a nocturnal moment in his painting, Eiger, Monch and Jungfrau in Moonlight. The scene is dominated by three majestic mountains, arranged with a distinct sense of scale: the leftmost peak appears smaller, followed by a middle mountain with a slightly larger summit, while the rightmost peak stands as the largest of the trio. Above this rugged landscape, two airplanes traverse the sky—one…
To encounter Ferdinand Hodler’s Woman in Ecstasy is to step into a realm where the boundaries between the physical form and the ethereal spirit dissolve. Painted in 1911, this monumental canvas serves as a cornerstone of the Art Nouveau movement, capturing far more than a mere moment of movement; it embodies an entire era's yearning for beauty, transcendence, and liberation. The painting depicts a woman caught in the throes of…
In this 1908 oil on canvas, the landscape is dominated by three majestic mountain peaks: the Eiger, the Monch, and the Jungfrau. These summits are arranged in a rhythmic, ascending scale, with the leftmost peak appearing smaller, followed by a middle mountain with a slightly larger summit, and the rightmost peak standing as the largest of the trio. The scene is set during a moonlight night, characterized by a palette…
The painting depicts a sunset over Lake Geneva. The sky above the water is rendered in shades of yellow, orange, and pink, creating a vibrant atmosphere. In the foreground, mountains are visible, providing depth to the landscape. A boat is positioned on the water, contributing to the serene scene.
Ferdinand Hodler’s “Study of Two Figures” is not a grand, dramatic statement; rather, it's an invitation to linger in the quiet intimacy of a shared moment. Painted in 1897, this graphite drawing on paper captures two women seated together, their postures suggesting a profound sense of contemplation and perhaps even melancholy. Hodler, a pivotal figure within Swiss Symbolism, wasn’t interested in literal representation but rather in conveying emotional atmosphere and…
In the monumental mural Unity, created in 1911, Ferdinand Hodler presents a profound meditation on the collective human spirit. This expansive work, stretching across an impressive scale, transcends mere portraiture to become a rhythmic tapestry of existence. The composition is masterfully arranged in rows of figures that seem to pulse with a shared vitality; some individuals press toward the foreground with palpable presence, while others recede into the background, creating…
To gaze upon Ferdinand Hodler's Lake Geneva in Chexbres is to be invited into a moment suspended between the vastness of nature and the quiet contemplation of the human spirit. This magnificent oil on canvas, dating from 1904, captures more than just a picturesque vista; it encapsulates the very essence of the Swiss landscape filtered through the profound lens of an artistic master. The scene unfolds across a broad expanse…
Ferdinand Hodler's "Composition Study," created in 1887, isn’t merely a sketch of three figures engaged in strenuous activity; it’s a profound meditation on the human condition, rendered with an arresting blend of anatomical precision and evocative symbolism. This work, now housed within the Tretyakov Gallery in Moscow, offers a rare glimpse into the artist's deeply personal vision – a world shaped by loss, contemplation, and a fascination with the ephemeral…
To stand before Ferdinand Hodler’s Self-portrait with stand is to encounter a moment suspended between public presentation and private contemplation. This striking work, dating from 1879, captures the artist not merely as a likeness, but as a study in poised masculinity and burgeoning artistic self-awareness. The subject, impeccably dressed in a suit and tie, adopts a formal bearing, suggesting an occasion of importance or perhaps simply the necessary facade required…
To stand before Ferdinand Hodler’s The Wetterhorn is to be enveloped by the sublime majesty of the Swiss Alps, rendered through a lens of profound introspection. Painted in 1912, this oil on canvas masterpiece transcends mere topographical depiction; it is a meditation on permanence against the backdrop of fleeting human experience. The sheer scale of the snow-covered peak dominates the composition, its striking blue hue lending the entire scene an…
To gaze upon Ferdinand Hodler’s depiction of a hilly landscape in the Bernese Oberland is to step directly into a moment suspended between human activity and sublime nature.…
Naručite ručno oslikano →
The artwork titled View of Lake Leman from Chexbres is a landscape painting created by the artist Ferdinand Hodler. This specific work was executed in 1905. It belongs…
Naručite ručno oslikano →
Stockhorn chain (blue sky) is a landscape painting by Ferdinand Hodler. The work captures a specific segment of the Swiss Alps, focusing on the rugged geometry of the…
Unesite ovu svetlost u svoj dom →
A quietude settles over the canvas, rendered in a muted palette of whites, creams, and somber browns. The subject lies recumbent, her form occupying the majority of the…
Unesite ovu svetlost u svoj dom →
In the quietude of 1904, Ferdinand Hodler captured a moment of profound stillness that transcends the mere depiction of landscape. Lake Geneva from Chexbres presents a sweeping panorama…
Naručite ovo platno →
In this 1873 portrait, we encounter a woman captured in a moment of profound stillness. She is positioned in profile, her figure occupying the vertical space of the…
Unesite ovu svetlost u svoj dom →
The artwork titled Portrait of a Spanish woman is a painting by the Swiss artist Ferdinand Hodler. This portrait depicts a Spanish woman, focusing on her face and…
Unesite ovu svetlost u svoj dom →
Three men emerge from the shadows, their presence heavy with a quiet, internal weight. They sit in a space defined by a simple wall and the soft drape…
Naručite ručno oslikano →
A Portrait Steeped in Symbolism: Ferdinand Hodler’s Berthe Hodler Ferdinand Hodler, a name inextricably linked to the landscape of Swiss painting and the evocative realm of symbolism, ascended…
Naručite ovo platno →
Ferdinand Hodler’s paintings stand apart not merely for their aesthetic beauty but for the profound psychological depth they convey—a characteristic that cemented his place as a titan amongst…
Unesite ovu svetlost u svoj dom →
In the quiet majesty of the Swiss Alps, where the earth meets the sky in a breathless embrace, Ferdinand Hodler captured a moment of profound stillness in his…
Unesite ovu svetlost u svoj dom →
Фердинанд Холер, са својом неумољивом потрагом за хармонијом и налом, концептима које је назвао “паралелизмом”, ствара већина своје слике у духу тишине и меланхолије. ‘Портрет Агстена Дапњена’, саслушано…
Naručite ovo platno →
Ferdinand Hodler's "The Cobbler by the Window," painted in 1882, is more than a simple depiction of an elderly man; it’s a poignant meditation on time, memory, and…
Unesite ovu svetlost u svoj dom →
Nature reveals itself through a structured geometry in this 1916 landscape. A forest stream flows through a rugged terrain of rocks and trees, its movement punctuated by a…
Naručite ručno oslikano →
Ferdinand Hodler's "The Shoemaker," painted in 1878, is more than just a depiction of a craftsman at work; it’s a poignant meditation on labor, mortality, and the enduring…
Unesite ovu svetlost u svoj dom →
To gaze upon Ferdinand Hodler’s depiction of The Beech Forest is to step through a veil and into a moment suspended between vibrant life and quiet contemplation. This…
Naručite ručno oslikano →
Untitled (529) by Ferdinand Hodler is a landscape painting. The work captures a specific moment of natural stillness through the lens of the Art Nouveau style. It presents…
Naručite ovo platno →
To gaze upon this depiction of Lake Thun Landscape is to be transported to a realm where nature’s grandeur meets profound tranquility. The composition immediately draws the eye…
Unesite ovu svetlost u svoj dom →
Ferdinand Hodler's "Female Figure with Garland," painted in 1895, is more than a simple portrait; it’s a carefully constructed meditation on femininity, nature, and the ephemeral beauty of…
Unesite ovu svetlost u svoj dom →
This oil on canvas painting, created in 1916, features a man with a beard and mustache. The subject is depicted wearing a tie and a scarf around his…
Naručite ručno oslikano →
Ferdinand Hodler, a renowned Swiss artist, created the captivating oil on canvas painting titled Prayer in the Saint Pierre Cathedral in Geneva in 1882. This piece is a…
Naručite ručno oslikano →
Rhythmic Landscape on Lake Geneva: A Symphony of Symbolism Artist: Ferdinand Hodler Year: 1908 Size: 67 x 91 cm Medium: Oil on Canvas Ferdinand Hodler’s *Rhythmic Landscape on…
Naručite ručno oslikano →
A tender moment unfolds within a muted, intimate setting. A mother bends toward her young child, who sits at a small, round table. The composition is vertical, drawing…
Unesite ovu svetlost u svoj dom →
In the delicate, charcoal-etched world of Ferdinand Hodler’s 1908 study, "Pulling soldiers", we encounter a moment frozen in the raw, unadorned language of preparatory art. This intimate work,…
Naručite ručno oslikano →
A woman moves along a path at the edge of a forest, her figure positioned amidst a dense arrangement of vertical tree trunks. She wears a long dress…
Unesite ovu svetlost u svoj dom →
Ferdinand Hodler’s Serene Vision of Lake Geneva A Moment Frozen in Time: Ferdinand Hodler's “Lake Geneva on the evening in Chexbres,” painted in 1895, isn't merely a depiction…
Naručite ovo platno →
To gaze upon Ferdinand Hodler's "Lake Thun, Symmetric reflection" is to be enveloped in a profound hush, the kind that only vast, unspoiled nature can bestow. This painting…
Naručite ručno oslikano →
Gazing upon this depiction of The river Aare in Solothurn is to step directly into a moment suspended between profound tranquility and gentle activity. Ferdinand Hodler, master chronicler…
Naručite ovo platno →
To stand before The Orator is to be caught in a moment of pure, unbridled eloquence. This painting captures not merely a man speaking, but the very act…
Naručite ovo platno →
To stand before Ferdinand Hodler’s What are Flowers Saying is to step into a moment suspended between the earthly and the ethereal. This painting, executed in 1893, is…
Unesite ovu svetlost u svoj dom →
Gazing upon this depiction of Lake Geneva with Mont Blanc in the morning light is to witness nature's most profound meditation rendered in oil on canvas. It is…
Naručite ručno oslikano →
To gaze upon Ferdinand Hodler's depiction of The Lake Geneva from Chexbres is to be invited into a moment suspended between the grandeur of nature and the quiet…
Unesite ovu svetlost u svoj dom →
To gaze upon Ferdinand Hodler’s Spring is to step directly into a moment suspended between dreams and reality. This painting, executed in 1901, is not merely a depiction…
Naručite ovo platno →
To stand before Ferdinand Hodler’s Transfiguration is to step across a threshold into a realm suspended between earthly beauty and spiritual rapture. This oil on canvas, dating from…
Naručite ručno oslikano →
The day after his model and mistress Valentine Godé-Darel died of cancer, Hodler painted a portrait of her on her deathbed. The work, executed in an incomplete and…
Unesite ovu svetlost u svoj dom →
“Emotion (Study)” by Ferdinand Hodler is a captivating artwork that exemplifies the artist's mastery of capturing human emotion within a natural setting. Created in 1902, this oil painting…
Naručite ovo platno →
Gazing upon The Black Lutschina is to step directly into a moment suspended between memory and dream. This breathtaking landscape does not merely depict a scene; it captures…
Naručite ručno oslikano →
In the quietude of 1875, Ferdinand Hodler captured a moment that transcends mere landscape painting, offering instead a window into the very soul of the Swiss Alps. A…
Naručite ručno oslikano →
Ferdinand Hodler’s "Dying Cadet," painted in 1896, is not merely a depiction of an event; it is a profound meditation on vulnerability, fate, and the inescapable passage of…
Unesite ovu svetlost u svoj dom →
In the quietude of 1911, Ferdinand Hodler captured a moment of profound tranquility in his masterpiece, Lake Geneva in Chexbres. This breathtaking landscape serves as more than just…
Naručite ručno oslikano →
In the heart of the Swiss landscape, where the earth meets the heavens in a dramatic display of geological majesty, lies Ferdinand Hodler’s Thun, Stockhornkette. This breathtaking composition…
Unesite ovu svetlost u svoj dom →
In the breathtaking masterpiece Thunersee with Niesen, Ferdinand Hodler invites the viewer into a realm where the terrestrial and the ethereal converge. The canvas unfolds as a profound…
Naručite ručno oslikano →
To gaze upon Ferdinand Hodler’s "The road to a particular interest" is to step across the threshold of time and into a deeply contemplative landscape. This painting, executed…
Unesite ovu svetlost u svoj dom →
The painting titled Portrait of Berthe Jacques, wife of the artist is a work by Ferdinand Hodler. Created in 1894, the oil on canvas captures a specific presence…
Unesite ovu svetlost u svoj dom →
Ferdinand Hodler's “Figure Study,” painted in 1901, isn’t merely a sketch; it’s a distilled essence of late 19th-century Swiss Symbolism. Born amidst profound personal loss – the untimely…
Unesite ovu svetlost u svoj dom →
To gaze upon Ferdinand Hodler's "Sensation" is to step into a moment suspended between vibrant life and profound introspection. The scene unfolds in a sun-drenched meadow, a tapestry…
Naručite ovo platno →
Lake Silvaplana in Autumn is a painting by Ferdinand Hodler. The work was completed in 1907. It is a representation of the Swiss landscape, specifically the area around…
Naručite ovo platno →
To gaze upon Ferdinand Hodler’s Dents du Midi in Clouds is to be enveloped by a sublime vision where the raw power of nature meets the delicate touch…
Naručite ručno oslikano →
Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Фердинанд Ходлер | Slike iz ovog spiska |
|---|---|---|---|
 National Gallery of Bosnia and Herzegovina |
Sarajevo | 74 | Study of two figures, Composition study, Portrait of Berthe Hodler |
 Kunsthaus Zürich |
Zrich | 16 | Sunset on Lake Geneva, The fall in Silvaplana, Gymnasts' Banquet |
 Kunstmuseum Basel |
Basel | 5 | View of Lake Leman from Chexbres, The Patient, Valentine Godé-Darel one day before her death |
 Musée d'Art et d'Histoire de Genève |
Ženeva | 8 | Thun with symmetric mirroring, The Miller, his Son and the Donkey |
 Art Institute of Chicago |
Čikago | 3 | Day (Truth), Head of a Soldier |
 Von der Heydt Museum |
Wuppertal | 3 | From Le Grand Muveran Villars, The Woodcutter |
 Kunst Museum Winterthur | Reinhart am Stadtgarten |
Winterthur | 2 | Self-portrait with stand, The road to a particular interest |
 Kunstmuseum Solothurn |
Solothurn | 4 | The Beech Forest |
To stand before Ferdinand Hodler’s Self-portrait with stand is to encounter a moment suspended between public presentation and private contemplation. This striking work, dating from 1879, captures the…
Ferdinand Hodler's "Composition Study," created in 1887, isn’t merely a sketch of three figures engaged in strenuous activity; it’s a profound meditation on the human condition, rendered with…
Ferdinand Hodler’s “Study of Two Figures” is not a grand, dramatic statement; rather, it's an invitation to linger in the quiet intimacy of a shared moment. Painted in…
In the quietude of 1908, Ferdinand Hodler captured a nocturnal moment in his painting, Eiger, Monch and Jungfrau in Moonlight. The scene is dominated by three majestic mountains,…
To encounter Ferdinand Hodler’s Woman in Ecstasy is to step into a realm where the boundaries between the physical form and the ethereal spirit dissolve. Painted in 1911,…
Eiger, Monch and Jungfrau in Moonlight (1908), a zatim Woman in Ecstasy (1911) i Eiger, Monch and Jungfrau in Moonlight (1908).
Фердинанд Ходлер, rođen/a 1853, imao/la je 55 godina: Eiger, Monch and Jungfrau in Moonlight datira iz 1908.
Eiger, Monch and Jungfrau in Moonlight, Woman in Ecstasy, Eiger, Monch and Jungfrau in Moonlight, Sunset on Lake Geneva, Study of two figures, Unity, Lake Geneva in Chexbres, Composition study, Self-portrait with stand i The Wetterhorn. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu se nalazi 609 dela umetnika Фердинанд Ходлер, datiranih od 1873 do 1918.
Većinom u National Gallery of Bosnia and Herzegovina (Sarajevo), Kunsthaus Zürich (Zrich) i Kunstmuseum Basel (Basel); gornja lista navodi svaki muzej i njegova platna.
U 1910s, koji obuhvata 30 od 100 dela na ovoj stranici, među njima je i Woman in Ecstasy.
Najstarije platno ovde je iz Portrait of Fraulein Kyburz (1873) godine; najnovije je iz Landscape of the Swiss Alps (1918) godine.
Landscape (21), Mountains (13) i Swiss alps (8), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, korišćeno u 40 od 100 dela na ovoj stranici.
Romantic symbolism i Art nouveau, kao što pokazuju platna na ovoj stranici.
Muzej National Gallery of Bosnia and Herzegovina, Sarajevo čuva 5 dela sa ove stranice, među kojima su i Study of two figures, Composition study i Portrait of Berthe Hodler.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Rođen u Bernu, u Švajcarskoj, 1853. godine, rani životni period koji je proživao Фердинанд Ходлер, bio je definisan tihim, upornim bolom. Pre nego što je ušao u pubertet, tuberkuloza koja je odnela njegovog oca i dva mlađa brata ostavila je prazninu u njegovom domu. Taj rani susret sa gubitkom postao je ponavljajući motiv u njegovom radu, senka koja će ga pratiti od skromnih početaka njegovog zanatstva pa sve do vrhovaca njegove profesionalne karijere. Svoje obezbeđivanje je započeo kao dekorativni slikar, pomažući očuhu u komercijalnim poslovima sa natpisima, što je bila praktična edukacija koja je u njemu usadila preciznu kontrolu linije i forme. Ovaj temelj zanatstva obezbedio je tehničku rigoroznost koja će kasnije podupreti njegova složenija filozofska istraživanja.
Njegov odlazak u Ženevu 1871. godine označio je odmak od komercijalnih zahteva njegove mladosti. U gradu je tražio dublji angažman sa umetnošću, pohađajući naučne predavanja i prepisujući dela majstora u lokalnom muzeju. Upravo je tu počeo da se udaljava od pedantnog realizma svojih ranih pejzaža i portreta. Više nije bio zadovoljan samim reprodukovanjem prizora Švajcarskih Alpa ili sličja modela; težio je da uhvati suštinske ritmove postojanja. Ovaj prelazak sa objektivnog na subjektivno na kraju će ga voditi ka razvoju potpuno sopstvenog vizuelnog jezika.
Najznačajniji doprinos Hodlerovog rada evoluciji moderne slikarstva bio je njegovu teoriji paralelizma. To nije bila samo kompoziciona tehnika, već način posmatranja sveta kao niza međusobno povezanih, ritmičnih obrazaca. Primećivao je kako se oblici u prirodi—nagib planine, krivina ljudskog uda ili odraz u vodi—često ogledaju jedan u drugom u strukturiranoj, geometrijskoj harmoniji. Aranžiranjem figura i elemenata pejzaža u ovim repetitivnim, ritmičnim kadencama, pokušavao je da prikaže strukturni red koji je verovao da upravlja prirodnim svetom. Ovaj pristup omogućio mu je da premosti jaz između fizičke stvarnosti scene i emocionalnog stanja posmatrača.
Njegov rad je često zauzimao prostor između simbolizma i senzibiliteta koji je bio više strukturiran i moderan. U delima kao što je Noć, dovršenom 1890. godine, istraživao je teme odmora i smrtnosti kroz položene figure, što je bila tema koja je izazivala tadašnje prevaziđeno ukuse. Njegova sposobnost da spoji klasičnu formu sa modernim, gotovo strukturnim intenzitetom vidljiva je u delu Istina II (1897). Nije se oslanjao na haotične poteze četkicom svojih savremenika; umesto toga, koristio je promišljenu, često prigušenu paletu okra, braon i zelenih tonova kako bi stvorio osećaj trajnosti i težine. Njegova platna nisu bila samo prozori u scenu, već organizovana okruženja gde su ljudski duh i pejzaž bili povezani zajedničkom geometrijom.
Švajcarski pejzaž ostao je konstantno prisutan u njegovom delu, posebno veličanstveni Alpi. Planine nije posmatrao samo kao topografske karakteristike, već kao duhovna bića. Njegovi prikazi Ajgera, Monha i Jungfraua, ili pogledi sa Dents du Midi, odražavaju želju da se veličina planina prevede u jezik emocionalnog odjeka. Često je koristio proces slojevitosti, nanoseći tanke slojeve boje preko debljeg impasta kako bi postigao specifičnu luminoznost, naročito u svojim kasnijim studijama svetlosti nad Ženevskim jezerom. Ova dela pokazuju majstorstvo u stvaranju atmosfere, hvatajući magličnu, eteričnu kvalitet svetlosti Alpa bez žrtvovanja strukturnog integriteta terena.
Do trenutka svoje smrti u Ženevi 1918. godine, Hodler se utvrdio kao centralna figura u švajcarskoj istoriji umetnosti. Njegov uticaj se može videti u razvoju ekspresionizma, jer je njegov naglasak na subjektivnoj emociji i ritmičkoj formi pružio temelj onima koji su želeli da se kreću izvan tradicionalnog predstavljanja. Ostao je slikar duboke psihološke dubine, koristeći alate svog zanata da se suoči sa fundamentalnim pitanjima života i smrti. Njegovo nasleđe nalazi se u načinu na koji je primoravao gledača da pogleda izvan površine sveta kako bi pronašao tihe, ponavljajuće obrasce koji ga drže na okupu.
