Lady Hamilton as Circe (1782) je slika po kojoj je Џорџ Ромни najpoznatiji; nalazi se u muzeju Tate Gallery, London. Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785) i Portrait of John Wesley (1789) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 1,201 dela umetnika Џорџ Ромни. Evo 100 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
George Romney's “Lady Hamilton as Circe,” painted in 1782, transcends mere portraiture; it embodies the spirit of Neoclassical art—a movement dedicated to reviving classical ideals of beauty and rationality. Housed within the Tate Gallery’s collection in London, this canvas offers a glimpse into a pivotal moment in British artistic history and illuminates the captivating allure of Emma Hamilton, Lord Nelson's mistress.
![Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785) čiji je Џорџ Ромни](/media/artworks/images-full/68/3a/683a29e4f83e98338fc73936e4787728.jpg)
A single upward glance defines this oil sketch. The subject, Emma Hart, turns her face toward a light source from above, her eyes wide with a sense of longing or awe. Her dark, voluminous hair spills around her shoulders in thick, gestural strokes of deep brown and ochre. The skin of her forehead and chin catches the light, rendered in fleshy pinks and creams that emerge from a shadowed, textured…
The face of John Wesley emerges from a deep, atmospheric darkness. Light falls from the upper left, striking the high ridge of a brow and the soft texture of white hair. This illumination catches the crisp edge of a clerical collar, a bright white anchor against the heavy, earthy tones of his clothing. The eyes look directly forward, meeting the viewer with a steady, quiet gaze. Wrinkles trace paths across…
The air feels heavy with the scent of salt and the lingering sulfur of gunpowder. Vice-Admiral Sir Hyde Parker stands in the center of this unfolding drama, his presence a steady anchor against the chaos of the sea. He is dressed in his undress uniform, the dark fabric of his coat absorbing the light, contrasted sharply by the crisp white of his trim. His right hand rests upon an unbuckled…
In this oil on canvas from around 1782, we encounter Emma Hart transformed into the mythological figure Circe. The scene is set within a rugged, rocky landscape that recedes into deep shadows, creating an atmosphere of profound mystery. At the center of the composition, the figure dominates the foreground, her form illuminated by a strong light source from the upper left. This lighting casts heavy shadows across the terrain, emphasizing…
George Romney captures a moment of profound, quiet intellect in this portrait of Ralph Willett. The sitter is positioned in a thoughtful pose, resting his chin upon his hand—a gesture traditionally associated with wisdom and the pursuit of reason. This posture, combined with his steady, inward gaze, reflects the intellectual currents of the late 18th century. The composition is asymmetrical, with the subject seated on the right, looking toward the…
George Romney’s “Portrait of Mrs. Verelst,” painted in 1773, is more than merely a likeness; it’s a meticulously crafted window into the social and aesthetic sensibilities of Georgian England. Executed with remarkable sensitivity and technical skill, this portrait captures not just the physical appearance of its subject but also an underlying sense of quiet dignity and restrained elegance – hallmarks of Romney's distinctive style. The painting depicts Mrs. Verelst, a…
In the grand tapestry of eighteenth-century British portraiture, few images capture the delicate intersection of classical myth and human vulnerability as exquisitely as George Romney’s Emma Hart (1765–18 8), as Miranda. This captivating oil on canvas serves as a profound testament to the artist's ability to breathe life into both subject and story, presenting a woman of striking presence whose gaze seems to bridge the gap between the painted world…
A man sits anchored in an armchair, his presence defined by the heavy drape of a crimson coat. The fabric catches the light, revealing the subtle textures of fine wool and the structured lines of a gentleman's station. He wears a white wig, its pale curls framing a face marked by a mustache and a steady, direct gaze. There is a stillness in his posture, a quiet composure that suggests…
George Romney’s “Lady Hamilton as Circe,” painted in 1792, is more than just a portrait; it's an exquisitely crafted tableau vivant—a frozen moment brimming with narrative and psychological depth. This captivating work, now housed within the collections of the Frick Collection, offers a glimpse into the life of Emma Hart, later Lady Hamilton, a woman whose beauty, ambition, and scandalous affair with Lord Nelson captivated Regency England. Romney’s masterful handling…
In the soft, luminous glow of George Romney’s 1791 masterpiece, Emma, Lady Hamilton, we encounter more than just a portrait; we enter a profound psychological landscape. This captivating…
Naručite ručno oslikano →
In the hallowed halls of the National Portrait Gallery in London, there exists a window into the soul of the British Enlightenment, captured through the masterful brush of…
Naručite ručno oslikano →
George Romney’s “Lady Hamilton as Nature,” painted in 1782, is more than simply a portrait; it’s an exquisitely rendered meditation on beauty, companionship, and the burgeoning Romantic sensibility…
Naručite ručno oslikano →
This 1779 oil portrait presents a bust-length view of John Robinson of Denston Hall, Suffolk. The subject is positioned in a three-quarter view, turned slightly away from the…
Unesite ovu svetlost u svoj dom →
The canvas holds a quiet moment from 1786, a pause in the life of Mary Rutledge Smith. She sits with her infant son, Edward, cradled against her. The…
Naručite ovo platno →
A young man meets the gaze of the observer with a quiet, steady confidence. He is positioned slightly off-center, his body turned toward the right while his eyes…
Unesite ovu svetlost u svoj dom →
The Portrait of Colin Dunlop of Garmyle is a significant oil on canvas by the British artist George Romney. Painted in 1754, this work captures a man of…
Naručite ovo platno →
In the masterful hands of George Romney, Sir William Hamilton emerges not merely as a portrait of a man, but as a profound window into the refined elegance…
Unesite ovu svetlost u svoj dom →
A man leans against a tree trunk, his silhouette defined by a deep blue frock coat and a crisp white waistcoat. He occupies the center of a landscape…
Naručite ručno oslikano →
The light enters from the upper left, a soft, directional glow that carves the subject out of a dark, indistinct void. Madame de Genlis is rendered in a…
Naručite ručno oslikano →
A Study in Youthful Form Three children are arranged in a stable triangular composition against a dark, atmospheric woodland. A boy stands to the left, his presence anchored…
Unesite ovu svetlost u svoj dom →
George Romney’s 1765 portrait, often referred to as “Unknown Man,” is far more than a simple likeness. It’s a carefully constructed tableau of Georgian society, brimming with subtle…
Naručite ovo platno →
A three-quarter view bust portrait captures a man positioned slightly off-center, his gaze averted toward the right of the frame. The subject is rendered with a quiet confidence,…
Naručite ručno oslikano →
To stand before this portrait is to step directly into the refined drawing rooms of late eighteenth-century England. George Romney, master chronicler of his age, has captured not…
Naručite ovo platno →
The Composition and Subject A young man occupies the center of this oil painting, positioned in a three-quarter profile view. He faces toward the left edge of the…
Unesite ovu svetlost u svoj dom →
To gaze upon George Romney's depiction of Emma Hart as The Spinstress is to step into an exquisitely rendered moment of 18th-century domestic life. This portrait transcends a…
Naručite ovo platno →
To stand before George Romney’s portrait of Shute Barrington, Bishop of Durham, is to step directly into the refined drawing rooms of late eighteenth-century British high society. This…
Naručite ovo platno →
The face of a young girl rests within a pool of light, caught between the edges of an uncertain day. She sits with a quiet poise, her features…
Naručite ručno oslikano →
The gentleman sits before us, caught in a moment of quiet poise that feels as though he might speak at any second. He is positioned in a three-quarter…
Unesite ovu svetlost u svoj dom →
In this oil on canvas portrait, a woman is positioned in a three-quarter length view, facing toward the right while her gaze meets the viewer directly. She occupies…
Unesite ovu svetlost u svoj dom →
This work is Portrait of a Gentleman by George Romney. It is a half-length portrait that captures a gentleman in a moment of quiet composure. The subject is…
Naručite ovo platno →
In the quiet splendor of George Romney’s 1785 masterpiece, Lady in a Brown Robe, we encounter more than a mere portrait; we step into the refined atmosphere of…
Naručite ručno oslikano →
George Romney painted this portrait of Major-General Sir Archibald Campbell between 1790 and 1792. The sitter, the son of the chamberlain to the Duke of Argyll, is presented…
Unesite ovu svetlost u svoj dom →
The Composition and Subject of James Romney James Romney is an oil portrait from 1760, presented in an oval vignette format. The subject is a young man shown…
Naručite ovo platno →
A heavy, white clerical robe dominates the frame, its folds catching a sharp, singular light. This brightness presses against a dark, atmospheric background where deep browns and blacks…
Naručite ručno oslikano →
In the quiet, commanding presence of George Romney’s “James Clitherow” (1780), we find more than just a mere likeness; we encounter the very soul of eighteenth-century British high…
Naručite ovo platno →
In this 1784 oil portrait, we encounter a young man seated with a composure that speaks of his social standing and the era's expectations of poise. He is…
Unesite ovu svetlost u svoj dom →
Step closer and observe the quiet intensity within this room. We find ourselves in an intimate indoor setting, where the air seems heavy with the concentration of men…
Naručite ovo platno →
In this bust-length portrait, we encounter Bartholomew Ruspini, a man whose quiet dignity suggests a life of both professional precision and philanthropic purpose. He is presented with a…
Naručite ručno oslikano →
George Romney's "Princess Anne Lady de la Pole," painted in 1786, isn’t merely a portrait; it’s a carefully constructed tableau of aristocratic grace and subtle political maneuvering. The…
Naručite ručno oslikano →
The canvas before you presents more than just a likeness; it’s a carefully constructed tableau of the late 18th century, capturing the essence of a celebrated poet and…
Naručite ručno oslikano →
The artwork is titled Portrait of a woman and is attributed to the artist George Romney. This oil on canvas depicts a young woman. The piece is dated…
Naručite ručno oslikano →
The portrait titled Elizabeth, Duchess-Countess of Sutherland captures a moment of quiet poise from 1782. George Romney, the artist, rendered the subject with a focus on the dignity…
Unesite ovu svetlost u svoj dom →
George Romney captures a young woman in 1782. This portrait, titled Miss Clavering, presents the sitter in a three-quarter length composition. She sits against a naturalistic landscape, a…
Naručite ručno oslikano →
In this portrait from 1789, we encounter a young woman captured in a moment of quiet composure. She is presented in a three-quarter view, her gaze directed toward…
Naručite ručno oslikano →
In this 1767 oil on canvas, we encounter Mary Hyde, née Foxcroft, presented in a bust-length portrait that emphasizes a quiet, poised elegance. The composition is framed within…
Naručite ručno oslikano →
George Romney’s “Lady Altamont,” painted in 1788, is more than just a likeness; it's a meticulously crafted distillation of Georgian elegance and social standing. This captivating portrait offers…
Naručite ručno oslikano →
U tihoj intimnosti dela Džordža Romneja „Gospođa Hamilton kao vestalka”, ne susrećemo se sa običnim portretom; mi zakoračujemo u trenutak duboke, šaputane istorije. Naslikano 1800. godine, ovo izvrsno…
Unesite ovu svetlost u svoj dom →
The 1777 oil painting on canvas, titled Portrait of Colin MacKenzie, presents a bust-length view of a young man positioned slightly off-center. He faces toward the right side…
Unesite ovu svetlost u svoj dom →
The air in the room feels heavy and still, as if the subject has just paused mid-breath to meet our gaze. She emerges from a dark, atmospheric background,…
Naručite ručno oslikano →
George Romney painted Portrait of Mrs. Tickell in 1792. This oil on canvas work belongs to the Philadelphia Museum of Art collection. It represents a significant example of…
Unesite ovu svetlost u svoj dom →
Sir John Reade, 6th Baronet, appears in this 1788 oil on canvas seated within a soft-focus landscape. He is positioned in a three-quarter length pose, leaning slightly against…
Naručite ručno oslikano →
In this intimate portrait study, we find a woman caught in a moment of profound emotional turbulence. The composition is tightly focused, a tondo-style arrangement within a square…
Naručite ručno oslikano →
In the quiet depths of George Romney’s 1784 masterpiece, Mrs Siddons, one encounters more than a mere likeness; one meets a soul captured in a moment of profound…
Naručite ovo platno →
In this oil on canvas painting from 1783, three children are positioned in a tight, vertical arrangement against a dark, atmospheric background. A boy occupies the left side…
Naručite ručno oslikano →
In this 1780 oil on canvas, Sarah Phipps, formerly known as Mrs. Thomas Phipps, is presented in a bust-length portrait. She is positioned slightly off-center, facing toward the…
Naručite ručno oslikano →
The Willett Children is a monumental oil on canvas by George Romney. Created between 1789 and 1791, this portrait captures three siblings within a quiet, natural setting. The…
Naručite ručno oslikano →
George Romney's “Portrait of a Lady (probably Mrs. James Collingwood)” is more than just a painted likeness; it’s a meticulously crafted window into the refined world of 18th-century…
Naručite ovo platno →
This oil portrait, titled Sir John Orde, was executed by the British artist George Romney. The work dates to 1785. The subject of the painting is likely Sir…
Unesite ovu svetlost u svoj dom →
The Portrait of Sir John Papillon Twisden, 7th Baronet by George Romney captures a man of significant standing during the height of the Georgian era. Painted in 1782,…
Naručite ovo platno →
The Neue Pinakothek in Munich, Germany, proudly houses a captivating portrait of Catherine Clemens, masterfully rendered by the esteemed English artist George Romney in 1788. This artwork exemplifies…
Unesite ovu svetlost u svoj dom →
In the quiet, commanding presence of George Romney’s 1783 portrait, William Pitt the Younger, one finds more than a mere historical record; one encounters the very soul of…
Naručite ručno oslikano →
The oil on canvas work titled Portrait of Maria and Catherine, the Daughters of Edward Thurlow, 1st Baron Thurlow was executed by the artist George Romney in 1783.…
Naručite ručno oslikano →
George Romney captures the likeness of David Scott, Esq., of Dunniald in this 1794 oil on canvas. The subject is presented in the formal attire of the late…
Unesite ovu svetlost u svoj dom →
This oil on canvas portrait presents a woman from the waist up, positioned in a three-quarter length view against a dark, muted background. The subject is centered, with…
Naručite ovo platno →
George Romney's "Thomas Paine" isn’t merely a portrait; it’s a distillation of the Enlightenment, a visual embodiment of revolutionary fervor captured with remarkable precision and emotional depth. Completed…
Unesite ovu svetlost u svoj dom →
In the grand tapestry of eighteenth-century British portraiture, few works capture the delicate intersection of social prestige and quiet introspection as beautifully as George Romney’s 1786 masterpiece, Esther…
Naručite ovo platno →
George Romney's “Mrs. Musters,” painted in 1780, is more than just a portrait; it’s a meticulously crafted window into the elegance and social intricacies of Georgian England. This…
Naručite ručno oslikano →
In this 1776 oil on canvas, George Romney presents two figures positioned centrally against an indistinct, dark background. The composition is vertical and captures a three-quarter length view…
Naručite ovo platno →
George Romney’s “Henrietta, Countess of Warwick, and Her Children,” painted in 1787, offers a captivating glimpse into the refined world of late 18th-century British society. This exquisite portrait…
Naručite ovo platno →
Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Џорџ Ромни | Slike iz ovog spiska |
|---|---|---|---|
 Philadelphia Museum of Art |
Filadelfija | 12 | Portrait of Emma Hart [later Lady Hamilton] as Miranda, Portrait of John Wesley, Portrait of the Willett Children |
 Yale Center for British Art |
New Haven | 11 | Portrait of a Man, James Romney, John Flaxman Modeling the Bust of William Hayley |
 Tate Gallery |
London | 17 | Lady Hamilton as Circe, Lady in a Brown Robe, Lady Altamont |
 The Frick Collection |
Њу Јорк | 5 | Lady Hamilton as, Lady Hamilton as Nature, Henrietta, Countess of Warwick, and Her Children |
 National Portrait Gallery |
London | 18 | Charles Lennox, 3rd Duke of Richmond and Lennox, Peter Romney, Thomas Paine |
 Muzej finih umetnosti u Bostonu |
Boston | 7 | Princess Anne Lady de la Pole, William Chafyn Grove (1731–1793), Portrait of Emma Hart, later Lady Hamilton |
 English Heritage |
London | 6 | Emma Hart as The Spinstress, Gospođa Hamilton kao vestalka, Mrs Musters |
 Fine Arts Museums of San Francisco |
San Francisco | 4 | William Sotheron, The Younger, of Darrington, Madame de Genlis, David Scott, Esq., of Dunniald |
The Portrait of Colin Dunlop of Garmyle is a significant oil on canvas by the British artist George Romney. Painted in 1754, this work captures a man of…
The Composition and Subject of James Romney James Romney is an oil portrait from 1760, presented in an oval vignette format. The subject is a young man shown…
George Romney’s “Portrait of Mrs. Verelst,” painted in 1773, is more than merely a likeness; it’s a meticulously crafted window into the social and aesthetic sensibilities of Georgian…
George Romney's “Lady Hamilton as Circe,” painted in 1782, transcends mere portraiture; it embodies the spirit of Neoclassical art—a movement dedicated to reviving classical ideals of beauty and…
In the soft, luminous glow of George Romney’s 1791 masterpiece, Emma, Lady Hamilton, we encounter more than just a portrait; we enter a profound psychological landscape. This captivating…
George Romney captures a moment of profound, quiet intellect in this portrait of Ralph Willett. The sitter is positioned in a thoughtful pose, resting his chin upon his…
Lady Hamilton as Circe (1782), Tate Gallery, London. Prate ih Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785) i Portrait of John Wesley (1789).
Џорџ Ромни, rođen/a 1734, imao/la je 48 godina: Lady Hamilton as Circe datira iz 1782.
Lady Hamilton as Circe, Portrait of Emma Hart [later Lady Hamilton] as Miranda, Portrait of John Wesley, Portrait of Vice-Admiral Sir Hyde Parker, 5th Baronet, Emma Hart (c.1765–1815), Lady Hamilton, as Circe, Portrait of Ralph Willett, Portrait of Mrs. Verelst, Emma Hart (1765–1815), as Miranda, Sir Thomas Rumbold (1736–1791), Bt i Lady Hamilton as. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu se nalazi 1,201 dela umetnika Џорџ Ромни, datiranih od 1750 do 1800.
Većinom u Philadelphia Museum of Art (Filadelfija), Yale Center for British Art (New Haven) i Tate Gallery (London); gornja lista navodi svaki muzej i njegova platna.
U 1780s, koji obuhvata 52 od 100 dela na ovoj stranici, među njima je i Lady Hamilton as Circe.
Najstarije platno ovde je iz Millicent Watson (1750) godine; najnovije je iz Portrait of Ralph Willett (1800) godine.
Portraiture (24), Man (21) i Portrait (19), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, korišćeno u 63 od 100 dela na ovoj stranici.
Neoklasicizam, kao što pokazuju platna na ovoj stranici.
Muzej Philadelphia Museum of Art, Filadelfija čuva 8 dela sa ove stranice, među kojima su i Portrait of Emma Hart [later Lady Hamilton] as Miranda, Portrait of John Wesley i Portrait of the Willett Children.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Rođen 26. decembra 1734. godine u Beksajdu, Dalton-in-Furness, u Lancoširu, Џорџ Ромејн ušao je u svet praktičnog zanatstva. Bio je treće od jedanaestoro dece koju su rodili John Romney, proizvođač ormarija, i Anne Simpson. Njegove rane godine oblikirali su kućni ritmovi velike porodice na severozapadu Engleske. Iako je pohađao školu u obližnjem Dendronu, njegovo formalno obrazovanje bilo je kratko. Sa jedanaest godina je izvučen iz škole kako bi započeo zanatski staž u očevevoj radionici za izradu nameštaja.
Preciznost koju je zahtevao očev zanat verovatno je uticala na njegov kasniji izuzetan fokus na detalje, ali su njegove sklonosti naginjuale ka nečem što je bilo više ilustrativno. Lokalni časovničar probudio je njegovo rano interesovanje za crtanje, pružajući mu suptilno skretanje pažnje od drvenih alata koji su dominirali njegovim domaćinstvom. Taj rani talenat na kraju ga je odveo iz radionice nameštaja ka proučavanju portretizma. Potražio je Christopher Steele, putujućeg portretiste iz Kendala, kako bi usavršio svoje veštine. Pod mentorstvom Steelea, Џорџ Ромејн je počeo da prelazi put od zanatskog šegrta ka učeniku koji istražuje ljudsku formu.
Do 1762. godine, Џорџ Ромејн је napustio severne predele Lankšira kako bi se suočio sa nadometnim i kompetitivnim ambijentom Londona. Stigavši u prestonicu, tražio je i sreću i priznanje, vođen ambicijom koja je prevazilazila okvire njegovog početnog učenja. London je bio težak toplilni kovač za svakog novonastalog umetnika, ali je on društvene složenosti grada navigirao sa prirodnom lakoćom. Ubrzo se utvrdio kao vešt portretista, pronašavši svoje mesto u krugovima visokog društva koji su diktirali estetski ukus tog doba.
Njegov uspon obeležila je direktna konkurencija sa najistaknutijim figurama epohe, uključujući Thomas Gainsborough i Joshua Reynolds. Iako su ovi savremenici imali ogroman uticaj, Џорџ Ромејн je uspeo da izkuje sopstveni, jedinstveni prostor. Postao je jedan od najpopularnijih britanskih portretista kasnog osamnaestog veka, udovoljavajući kako rastućoj trgovačkoj klasi, tako i ustaljenom plemićstvu. Njegova sposobnost da se snađe kroz promene društvenih hijerarhija georgijanske ere osigurala je njegovo prisustvo u najmodernijim salonima tog vremena.
Romnejnov pristup platnu definiisan je delikatnim balansom između pedantnog detalja i ekspresivnog poteza četkicom. Njegova tehnika bila je prefinjena, izbegavajući težinu i preteranu dramatičnost koja je karakterisala neke od njegovih savremenika; umesto toga, birao je meke poteze koji su stvarali osećaj nežnog realizma. Ova metoda omogućavala mu je da sa tihom sofisticiranošću dočara suptilne teksture tkanine i kože. Paleta boja koju je koristio često se oslanjala na prigušene tonove, što je u njegove kompozicije unosilo atmosferu smirenosti i dostojanstva. Umesto da se oslanja na teatralnu veštačku predstavu, Џорџ Ромејн je težio da uhvati samu esenciju svojih subjekata kroz duboko razumevanje ljudske psihologije, što se ogledalo u nijansiranim izrazima lica koje je uspevao da postigne.
Njegov tehnički repertoar bio je izuzetno širok, prevazilazeći okvire gotovih uljanih slika na platnu. Bio je izuzetan crtač koji je koristio skice, kartone, pa čak i male studije u malom formatu kako bi razradio svoje ideje. Ova disciplinovana praksa omogućavala mu je da eksperimentiše sa formom i svetlošću pre nego što se posveti radu u većoj razmeri. Sposobnost da ove preliminarne studije pretvori u polirane portrete pomagala mu je da se snađe u konkurentnom društvenom okruženju Londona, gde je često bio pozivan da portretiše vodeće ličnosti tog doba, sa istovremenom preciznošću i elegancijom.
Tok rada Џорџ Ромејн-а doživeti je duboku promenu onog trenutka kada je upoznao Emmu Hart, ženu koja će kasnije postati poznata kao ledi Hamilton. Ona je postala mnogo više od običnog modela; bila je njegova najslavnije muza, entitet koji je snažno uticao na njegovu maštu. Njihova veza bila je intenzivna i apsolutna, povezanost koja je duboko protresela lični život umetnika i njegov profesionalni fokus. Kroz nju, Џорџ Ромејн je pronašao put da prevaziđe okvire standardnog portretizma i zakorači u prostore mašte i poezije.
Pod očaravajući uticaj Emme, Џорџ Ромејн je stvorio niz dela inspirisanih Šekspirovskim motivima i drugim fantastičnim temama. Ova dela omogućila su mu da istražuje teme fantazije i književnog narativa, koristeći njen izražajni raspon kako bi dramatskim likovima odao život. Naslikao je preko osamdeset portreta nje, pri čemu je svaki pokušaj beležio drugu nijansu njene ličnosti. Ovaj period intenzivne saradnje obeležio je njegovo eksperimentisanje sa kompozicijom i simbolizmom, vodeći ka onim maštovitim i poetskim platnima koja su definisala njegove kasnije godine.
Poslednja decenija života koji je proživao Џорџ Ромејн bila je obeležena postepenim povlačenjem iz društvenih krugova koji su nekada pokretali njegovu karijeru. Godine 1794. bolest je počela ozbiljno da ograničava njegov portretni rad, usporavajući plodnu kreativnost koja je definisala njegove vrhunske godine. Ovaj pad produktivnosti nije bio samo pitanje opadanja interesovanja, već teška fizička borba koja je pratila njegove kasne godine. Čovek koji se nekada direktno nadoklađivao najistaknutijim figurama georgijanske ere, našao se sve više potisnutim u senku sopstvenog zdravlja.
Do 1799. godine, potreba za odmorom postala je neobhodna. Џорџ Ромејн se, u slabom zdravstvenom stanju, vratio u Kendal kako bi bio pored svoje supruge, Moli. Ovaj period oporavka na severu Engleske bio je tiha koda životu provedenom u užurbanim umetničkim centrima Londona i Pariza. Čak i kada mu je sposobnost za rad na velikim, značajnim narudžbinama opadala, ostao je izuzetan crtač. Preminuo je u Kendalu, u Vestmorlandu, u Engleskoj, 15. novembra 1802. godine. Njegovi ostaci su sačuvani u Daltonu, čime je vraćen u pejzaž svog rođenja.
Raspoređenost preostalih platna koja je ostavio Џорџ Ромејн odražava geografski luk njegovog života, od njegovih severnih korena do konačnog uspona u prestonici. U Londonu, njegovo prisustvo je najsnažnije osetno u kolekcijama Tate Gallery, koja čuva sedamnaest njegovih dela, kao i u National Portrait Gallery, koja poseduje deset radova. Ove institucije nude uvid u umetnika u vrhuncu njegovog društvenog uticaja, hvatajući lica georgijanske ere sa psihološkom dubinom koja je definisala njegovu karijeru.
Izvan glavnog grada, njegova povezanost sa severozapadom ostaje vidljiva kroz kolekcije Abbot Hall Art Gallery u Kendalu, koja čuva devet njegovih slika. Ova kolekcija pruža nit koja povezuje mesto gde je njegov život počeo sa onim gde je pronašao svoj tihi završetak. Njegov uticaj se proteže i preko Atlantika, sa nekoliko dela koja se nalaze u Metropolitan Museum of Art u Njujorku. Među njima je i rad iz 1782. godine, Portrait of Sir Chaloner Ogle, 1st Baronet.
![Portrait of Emma Hart [later Lady Hamilton] as Miranda (1785), Џорџ Ромни](/media/artworks/images-thumb/d9/52/d9529a75a306936d6b7034684957c1e3.jpg)
