Od svih slika umetnika Иван Крамској, Portret žene je najpoznatija; nalazi se u muzeju Tretyakovljeva galerija, Moskva. Odmah za njima su Hrist u pustinji i Christ in the Wilderness. Od 109 dela umetnika Иван Крамској u našem katalogu, ovih 100 su najpoznatija, a svako od njih prikazano je sa datumom nastanka, muzejom i pričom.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
autora Ivana Kramskog predstavlja tih, introspektivan susret sa mladom ženom. Ovo delo, datirano oko 1885. godine, hvata jedan jedinstven trenutak nepomičnosti. Subjekat gleda napred sa osećajem unutrašnjeg promišljanja, a njeno prisustvo ispunjava prostor teškom, promišljenom energijom. To je studija karaktera i pogleda, u kojoj se čini da unutrašnji život pojedinca pritiska samu površinu platna.
je remek-delo Ivana Nikolajeviča Kramskog koje prikazuje Isusa Hrista tokom Njegovog četrdesetodnevnog posta u pustinji, prema opisu iz Jevanđelja po Mateju (Matej 4:1-11). Ovo snažno i emotivno delo je završeno 1872. godine, a danas se nalazi u kolekciji Tretyakov galerije u Moskvi.
The heavy silence of the desert hangs over Christ in the Wilderness, a profound religious painting that captures a moment of profound spiritual isolation. Created by the Russian artist Ivan Kramskoi, the work emerges from the year 1872. It presents a scene of deep contemplation, where the weight of the divine meets the stark reality of the physical world. The figure of Christ sits amidst a desolate landscape, caught in…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures a moment of profound stillness. Though the title suggests a specific person, she remains a mystery to history. She is widely recognized as an unknown subject, a woman whose identity remains veiled by time and the artist's own silence. This sense of…
The Empress Maria Feodorovna sits in a quiet, commanding stillness, her figure emerging from a dark, indistinct background that pushes her presence into the immediate space of the viewer. She is draped in a gown of luminous whites and creams, the fabric heavy with the weight of silk and the delicate, intricate textures of fine lace. A deep crimson sash cuts across her torso, providing a sharp, singular contrast to…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl. Painted in 1870, this masterpiece transcends a mere physical likeness, offering instead a window into a soul caught in the quiet transition of childhood. The subject, presented within an elegant oval frame that evokes the intimacy of a cherished heirloom, sits with…
The oil portrait depicts Yevgeny Lamansky, an elderly man seated in a three-quarter length pose. He is positioned slightly off-center within a room defined by a desk and leather-bound books. The subject possesses prominent white mutton-chop whiskers and a smooth silk waistcoat beneath a heavy, dark suit. His hands are positioned near a desk, holding a pen and papers. The lighting originates from the upper left, casting shadows that define…
The painting titled Somnambula was executed by the artist Ivan Nikolaevich Kramskoy. This work is an oil on canvas created in 1871. The object is a painting that measures 135 cm in height and 86 cm in width.
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen dignity from the heart of 1867 Russia. The painting serves as a masterful window into the mid-19th century, capturing the essence of a noblewoman whose very posture speaks of an era defined by rigid social hierarchies and refined elegance. As the viewer…
A dignified and somber realist portrait, this work captures a middle-aged man in a moment of quiet introspection. Positioned in a three-quarter length composition, the subject faces the viewer's right, yet his gaze meets the observer with a steady, penetrating clarity. The lighting is low-key, emerging from a shadowy, indistinct background to illuminate the face and a crisp white collar. This chiaroscuro effect creates a profound sense of three-dimensionality, pulling…
The air in the room feels heavy, thick with the silent authority of a man who has navigated the complexities of empire. Count Frederick Maurice van Heiden sits…
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The artwork titled Portrait of Nikolai Ivanovich Kramsky was executed by the artist Ivan Kramskoi. This oil on canvas painting depicts Nikolai Ivanovich Kramsky, who was the son…
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In the quiet, contemplative depths of Ivan Nikolaevich Kramskoy’s 1870 masterpiece, Portrait of Sonya Kramskaya, the Artist's Daughter, we are invited into a moment of profound stillness. This…
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The Portrait of Pavel Tretyakov is a painting by the artist Ivan Kramskoi. Created in 1876, this work captures the likeness of Pavel Mikhailovich Tretyakov. The oil on…
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The portrait presents a young man in a bust-length view, positioned slightly off-center against a dark, indistinct background. The subject faces forward, though his gaze is directed toward…
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In this 1872 oil portrait, we encounter Count Alexei Bobrinskiy not as a mere figure of state, but as a man defined by the gravity of his station.…
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The gaze of Vera Nikolayevna Tretyakova meets us from across the years, held within the frame of the Portrait of Vera Nikolayevna Tretyakova. This work, painted in 1879,…
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The artwork titled Portrait of Sofia Sergeyevna Botkina is a painting by the artist Ivan Kramskoi. This oil on canvas work was executed in 1879. The subject of…
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A somber psychological tension defines this oil on canvas, capturing the grim aftermath of a biblical execution. The composition centers on a seated woman, her gaze cast downward…
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This realistic portrait of Sergey Botkin was painted by Ivan Kramskoi in 1881. It presents the subject in a three-quarter length view, capturing a sense of quiet authority…
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This oil portrait by Ivan Kramskoi depicts the artist Arkhip Kuindzhi. Created in 1872, the work presents a bust-length view of the subject. The composition positions Kuindzhi slightly…
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Sofia Nikolaevna Kramskaya sits upon a stone wall, her attention anchored to the pages of a book. The composition captures a quiet departure from the physical world, focusing…
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The Portrait of Vera Nikolayevna Tretyakova is a significant work by the Russian artist Ivan Kramskoi. Painted in 1876, this oil on canvas captures the sitter, Vera Nikolayevna…
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The "Portrait of Taras Shevchenko" by Ivan Kramskoi brings the presence of a significant figure directly into the viewer's space. Created in 1871, this work captures the likeness…
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In the quiet, profound depths of Ivan Nikolaevich Kramskoy’s Portrait of Doctor Karl Rauchfus, one finds more than a mere likeness; one encounters a psychological landscape. This masterpiece…
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In the quiet, contemplative depths of Ivan Nikolaevich Kramskoy’s Portrait of Art Critic Pavel Kovalevsky, we encounter more than just a likeness; we meet the very essence of…
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In the quiet, evocative depths of Ivan Nikolaevich Kramskoy’s Portrait of Sophia Kramskaya, the Artist's Daughter, we encounter more than just a family likeness; we enter a profound…
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In the intimate confines of Ivan Nikolaevich Kramskoy’s Portrait of an Old Peasant (study), we are not merely looking at a face, but witnessing the profound weight of…
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In the quiet majesty of Ivan Nikolaevich Kramskoy’s Portrait of the Empress Maria Feodorovna, we encounter more than just a likeness of royalty; we enter a realm of…
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In the quiet, shadowed corridors of nineteenth-century Russian art, few portraits command as much silent authority as Ivan Nikolaevich Kramskoy’s Portrait of the Artist Konstantin Savitsky. This masterpiece…
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In the quiet intersection of nature and intellect, Ivan Nikolaevich Kramskoy’s Poet Apollon Maikov Fishing offers a profound window into the contemplative spirit of the nineteenth century. This…
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In the dimly lit corridors of memory, Ivan Nikolaevich Kramskoy’s "Viewing an Old House" stands as a profound meditation on time and the weight of history. The scene…
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In the quiet, somber depths of Ivan Nikolaevich Kramskoy’s Head of an Old Ukrainian Peasant, one finds more than just a portrait; one encounters a profound testament to…
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In this quiet arrangement, we find Bouquet of Flowers. Phlox, a work created by the Russian artist Ivan Kramskoi. Painted in 1884, the piece offers a moment of…
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In the quiet intensity of Self-Portrait 1, we are not merely looking at a likeness, but peering into the very psyche of Ivan Nikolaevich Kramskoy, one of the…
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In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Admiral Login Loginovich Heyden, one finds more than a mere likeness of a military officer; one encounters…
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The Water Nymphs painting by Ivan Nikolaevich Kramskoy is a captivating piece of art that showcases the artist's skill in capturing the beauty of nature and the human…
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The gaze of the subject meets the viewer through a quiet, heavy stillness in Portrait of a Man. Painted by Ivan Kramskoi, this work captures a man in…
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In the heart of a bustling nineteenth-century concert hall, a single figure emerges from the shadows of the orchestra pit to command the stage. Ivan Nikolaevich Kramskoy, a…
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In the quiet intimacy of Ivan Nikolaevich Kramskoy’s Russian Girl in a Blue Shawl, we encounter more than just a portrait; we meet a moment of profound stillness…
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Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Иван Крамској | Slike iz ovog spiska |
|---|---|---|---|
 Tretyakovljeva galerija |
Moskva | 38 | Portret žene, Hrist u pustinji, Portrait of a Woman |
 Ermitaž |
Sankt Peterburg | 6 | Portrait of Empress Maria Feodorovna, Portrait of the Banker Yevgeny Lamansky, Portrait of Count Frederick Maurice van Heiden |
 Kramskoy Museum of Fine Arts |
Voronezh | 5 | In the country. Siverskaya, Portrait of the Artist Konstantin Savitsky, Suburb of Paris. The Bois de Boulogne |
 Државни руски музеј |
St. Petersburg | 5 | Portrait of the Publisher and Publicist Alexey Suvorin, Portrait of V. S. Solovyov, Mina Moiseyev |
 Perm State Arts Gallery |
Perm | 2 | Portrait of Princess Catherine Alekseevny Vasilchikova, Portrait of Roftopulo O.A. |
 Kiev National Picture Gallery |
Kyiv | 2 | Mina moiseev |
 Yekaterinburg Museum of Fine Arts |
Yekaterinburg | 1 | Portrait of a Woman |
 Feodosia National Gallery I. K. Aivazovsky |
Feodosiia | 1 | Portrait of I.K. Aivazovsky |
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl.…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures…
Portret žene, Tretyakovljeva galerija, Moskva. Prate ih Hrist u pustinji i Christ in the Wilderness.
Portret žene, Hrist u pustinji, Christ in the Wilderness, Portrait of a Woman, Portrait of Empress Maria Feodorovna, Portrait of a Girl, Portrait of the Banker Yevgeny Lamansky, Somnambula, Portrait of Princess Catherine Alekseevny Vasilchikova i Portrait of the writer Y.F. Samarin. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu se nalazi 109 dela umetnika Иван Крамској, datiranih od 1866 do 1886.
Većinom u Tretyakovljeva galerija (Moskva), Ermitaž (Sankt Peterburg) i Kramskoy Museum of Fine Arts (Voronezh); gornja lista navodi svaki muzej i njegova platna.
U 1870s, koji obuhvata 19 od 100 dela na ovoj stranici, među njima je i Portrait of a Girl.
Najstarije platno ovde je iz Portrait of the Artist Nikolai Dmitrievich Dmitriev-Orenburg (1866) godine; najnovije je iz Portrait of the Banker Yevgeny Lamansky (1886) godine.
Portrait (30), Russian art (15) i Man (14), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, korišćeno u 42 od 100 dela na ovoj stranici.
Realism, kao što pokazuju platna na ovoj stranici.
Muzej Tretyakovljeva galerija, Moskva čuva 30 dela sa ove stranice, među kojima su i Portret žene, Hrist u pustinji i Portrait of a Woman.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Ivan Nikolajevič Kramskoj, rođen 27. maja 1837. godine u mirnom gradu Ostrogožsku, predstavlja monumentalnu figuru unutar pejzaža ruske umetničke istorije. Njegov život obeležili su intelektualni žar i nepokolebljiva posvećenost umetničkim principima utemeljenim u socijalnom realizmu, ostavljajući neizbrisiv trag kako na njegove savremenike, tako i na buduće generacije. Odrastajući u Voronežskoj oblasti, Kramskojevo rano detinjstvo oblikovalo je odgoje prožet intelektualnom radoznalošću i dubokim angažovanjem u novonastalim idejama ruske revolucionarne demokratije. Pod uticajem radikalnih mislilaca svog vremena, poput Černovskog i Hercena, on je prihvatio uverenje da umetnost poseduje moralnu obavezu — dužnost da istinito odrazi društvo i zastane za njegovo unapređenje.
Ovo duboko ukorenjeno verovanje u transformativnu moć umetnosti gurnulo ga je ka Sankt Peterburškoj akademiji umetnosti, ali upravo je tamo njegov buntovnički duh istinski oganio. Kramskoj je postao poznat po predvođenju „Pobune četrnaest“, istorskog studentskog ustanka protiv restriktivnih i zastarelih umetničkih standarda akademije. Ovaj čin prkosa doveo je do njegovog izbacivanja, ali umesto da uguši njegov talenat, on je učvrstio njegovu posvećenost nezavisnom izražavanju. Pod vođstvom mentora poput Mihaila Borisoviča Tulinova, koji je prepoznao njegov rastući genije, Kramskoj je počeo da gradi put koji će ga na kraju učiniti jednim od stubova pokreta Peredvizhnika, ili Pokreta lutalica.
Formiranje pokreta Peredvizhniki označilo je odlučujuću prekretnicu u Kramskojevom umetničkom putu. Zajedno sa luminarima poput Ilje Repina, on je nastojao da odbaci zvanično pokroviteljstvo i poučavanje Imperijalne akademije u korist demokratskog i društveno svesnog pristupa slikarstvu. Njegov rad postao je posrednik za društvenu komentarisanje, beležeći psihološku dubinu ruskog naroda i surove realnosti njihovog postojanja. Kramskoj nije bio samo slikar, već i duboki umetnički kritičar i vođa, oblikujući estetski diskurs svog vremena kroz sposobnost da spoji tehničko majstorstvo sa intenzivnim emocionalnim odjekom.
Njegov repertoar karakteriše izuzetna svestranost koja se kreće od duboko introspektivnog do simbolički veličanstvenog:
Kramskojev doprinos umetnosti proteže se daleko izvan platna. Kao organizator i kritičar, on je obezbedio intelektualnu strukturu na kojoj je izgrađen ruski realizam. Verovao je da umetnik mora biti svedok svog vremena, ulogu koju je ispunjavao sa neprevaziđenim integritetom. Njegova sposobnost da navigira kroz složenosti političkih previranja, dok zadržava fokus na ljudskom stanju, omogućila je njegovom radu da prevaziđe trenutnu politiku 19. veka.
Nasleđe Ivana Nikolajeviča Kramskog nalazi se u samoj tkanini ruskog identiteta. Borbom za istinu o zajedničkom iskustvu i izazivanjem elitizma akademskih institucija, pomogao je demokratizaciji umetnosti, pretvarajući je u alat za nacionalnu refleksiju. Danas njegova dela nastavljaju da očaravaju publiku širom sveta, nudeći prozor u period intenzivnog duhovnog i društvenog transformacije. Njegov život ostaje svedočanstvo ideje da umetnost, kada se koristi sa hrabrošću i istinom, može poslužiti kao moćan katalizator promene.
