The best-loved painting by Žan-Žorž Беро is An Evening (1878), which hangs in the Musée d'Orsay, Pariz. Outside the Vaudeville Theatre, Paris and La brasserie (1883) come next among the canvases readers know best. Our catalogue holds 168 works by Žan-Žorž Беро: here are the 100 most famous, each with its year, its museum and what makes it memorable.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated октобар 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
To stand before Jean Georges Béraud's "An Evening" is to be instantly transported across the threshold of time, directly into the glittering heart of late 19th-century Parisian high society. This masterful oil on canvas does more than merely depict a ballroom; it captures an atmosphere—a palpable sense of sophisticated gaiety and restrained elegance that defined the Belle Époque. The scene unfolds with breathtaking detail, presenting a tableau vivant where every…
Outside the Vaudeville Theatre, Paris, by Jean Béraud captures a specific intersection of urban movement. Painted in 1889, the work fixes a moment at the corner of rue de la Chaussée-d’Antin and boulevard des Capucines. Here, the city breathes through the stone facade of a theatre and the rhythmic passing of its inhabitants. The scene is a slice of Paris, France, caught in the steady pulse of the late nineteenth…
Step into the atmosphere of 1883, where the air in this Parisian brasserie feels thick with the scent of cigar smoke and the low hum of conversation. This oil on canvas captures a specific, restless energy of the Belle Époque, moving beyond the mere depiction of a room to record the very movement of urban life. There is a sense of immediacy here, as if we have just turned a…
The oil on canvas painting titled Meditation was executed by the artist Jean Béraud in 1894. This work functions as an allegory of Meditation, represented through the figure of a young Parisian woman. The subject is captured in a pensive and reflective attitude, a state of mind suggested by her posture and gaze.
The painting An elegant couple entering a box at the Paris Opera is a stunning work of art created by the renowned French artist Jean Georges Béraud in…
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In the heart of late nineteenth-century Paris, a period defined by grace and burgeoning modernity, Jean Georges Béraud captured a moment of profound stillness. Symphony in Red and…
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The Casino at Monte Carlo is a stunning oil on canvas painting created by the French artist Jean Georges Béraud in 1890. This beautiful piece of art is…
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In the quietude of 1877, Jean Georges Béraud captured a scene that transcends the mere depiction of figures, offering instead a profound window into the soul of the…
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The painting "On the Boulevard" by Jean Georges Béraud is a captivating depiction of urban life in the late 19th century. Created in 1890, this artwork showcases the…
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This painting shows a view of a Parisian street corner on a gray, winter day. A typical Parisian scene, as Beraud’s straightforward paintings most commonly were, this painting…
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A Glimpse into Parisian Society: "À la Salle Graffard" by Jean-Georges Béraud Jean-Georges Béraud’s “À la Salle Graffard,” painted in 1884, offers a captivating snapshot of Belle Époque…
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The four subjects that return most often on these canvases, each with its best-loved example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Žan-Žorž Беро | Paintings from this list |
|---|---|---|---|
 Muzej Carnavalet |
Pariz | 38 | The Bathtub, at the Théâtre des Variétés, Woman in Prayer, Dinner at the Ambassadors |
 Musée d'Orsay |
Pariz | 7 | An Evening, Après l'Office à l'Eglise de la Ste-Trinité, The Place and Pont de l'Europe |
 Haggin Museum |
Stockton | 4 | Scene from the Place de la Concorde, Les Halles, On the Boulevard |
 Metropoliten музеј у Њујорку |
Њујорк | 3 | A Windy Day on the Pont des Arts, Parisian Street Scene |
 Palais des Beaux-Arts de Lille |
Lille | 1 | Meditation |
 Musée des Augustins |
Tuluz | 1 | Portrait of the Poet Armand Sylvestre |
 Szépművészeti Múzeum |
Budimpešta | 1 | At the Club |
 Petit Palais |
Pariz | 1 | At the Circle |
To stand before Jean Georges Béraud's "An Evening" is to be instantly transported across the threshold of time, directly into the glittering heart of late 19th-century Parisian high…
Step into the atmosphere of 1883, where the air in this Parisian brasserie feels thick with the scent of cigar smoke and the low hum of conversation. This…
The oil on canvas painting titled Meditation was executed by the artist Jean Béraud in 1894. This work functions as an allegory of Meditation, represented through the figure…
An Evening (1878), Musée d'Orsay, Pariz. Outside the Vaudeville Theatre, Paris and La brasserie (1883) follow.
Žan-Žorž Беро, born in 1849, was 29 years old: An Evening dates from 1878.
An Evening, Outside the Vaudeville Theatre, Paris, La brasserie, La sortie du bourgeois, The Club, La Marseillaise, Meditation, A Game Of Billiards, Le Billard and Elegant Soiree. Each canvas in the ranking above comes with its year and its museum.
168 works by Žan-Žorž Беро are in our catalogue, dated 1873 to 1935.
Mostly in Muzej Carnavalet (Pariz), Musée d'Orsay (Pariz) and Haggin Museum (Stockton); the list above names each museum and its canvases.
In 1880s, which gave 38 of the 100 works on this page, La brasserie among them.
The earliest canvas here is Portrait of Alfred Auguste Frédéric Victor Labatt de Lambert (1873); the latest is At the Café (1935).
Parisian life (6), France (6) and Roads (5), across the 100 works on this page.
Oil On Canvas, used in 5 of the 100 works on this page.
Impressionism, as the canvases on this page show.
The Muzej Carnavalet, Pariz holds 33 of the works on this page, among them The Bathtub, at the Théâtre des Variétés, Woman in Prayer and Dinner at the Ambassadors.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Zakoračiti u platno Jean-Georges Bérauda znači biti prebačen u samo srce Pariza koji je disao neuporedivom elegancijom i nemirnom energijom. Rođen 1849. godine, umetnik — prvobitno poznat kao Séverin Louis Stein — bio je dete tranzicije, sazrevajući u periodu kada se grad fizički i kulturološki ponovo osmišljao. Iako neki istorijski zapisi njegove najranije početke prate u Sankt Peterburgu, gde je njegov otac radio kao vajar, upravo su živopisne, kaldrmisane ulice Pariza na kraju oblikovale njegovu dušu i njegovu četkicu. Njegov rani život obeležili su duboki preokreti kasnog 19. veka, uključujući i prekid njegovih pravnih studija usled pruska-francuskog rata, događaj koji je verovatno izoštrio njegovo oko za prolazne, dragocene trenutke stabilnosti pronađene u urbanom sjaju.
Béraudovo umetničko poreklo predstavlja fascinantnu studiju dualnosti. Pod mentorstvom majstora kao što su Gustave Courbet i Léon Bonnat, ovladao je rigoroznom disciplinom akademske preciznosti, ali nije mogao da odoli svetlucavom, atmosferskom privlačnosti impresionističkog pokreta. Ova tenzija između pedantnog detalja i efemernog igre svetlosti postala je njegov zaštitni znak. On nije samo slikao scene; on je hvatao sam puls Belle Époque ere. Bilo da su u pitanju svetlucava odsjaja na obalama Seine ili sofisticirana vrevu Champs-Élysées, Béraud je posedovao retku sposobnost da prikaže teksture modernog života — svilu haljine, paru iz kafića i zlatni sjaj gasnih svetiljki — sa gotovo filmskom jasnoćom.
Pravi genije Bérauda leži u njegovoj ulozi vizuelnog istoričara pariske noći i dana. Njegovo delo služi kao prozor u društvene hijerarhije i slobodne aktivnosti prošlog doba. Pronašao je duboku inspiraciju u najpoznatijim znamenitostima grada, pretvarajući Champs-Élysées, okrug Montmartre i raskošnu Pariz Operu u pozornice za svoje dramske kompozicije. U delima kao što je An Elegant Couple Entering a Box at the Paris Opera, može se osetiti tiho iščekivanje i težina društvenog rituala, prikazana sa izuzetnom pažnjom posvećenom raskoši okruženja.
Izvan grandioznih bulevara, Béraud je gajio duboku naklonost prema intimnim uglovima urbanog postojanja. Bio je majstor "žanrovskih" scena, pronalazeći lepotu u svakodnevnom, a ipak uzvišenom:
Dok se 19. vek ustupao 20. veku, Béraudov rad ostao je nepokolebljiv oslonac estetskih vrednosti svog vremena. Dok su noviji, radikalniji pokreti počeli potpuno da dekonstruišu formu, Béraud je nastavio da usavršava svoju sposobnost da prenese psihološku dubinu kroz gest i pogled. Njegovi portreti nikada nisu bili puki likovi; oni su bili studije karaktera, hvatajući suptilne nijanse intelektualaca, umetnika i društvenih ličnosti koje su definisale francuski kulturni pejzaž. Težio je da uhvati ne samo to kako je Pariz izgledao, već i kako se osećao — dinamiku, sofisticiranost i skrivene složenosti društva na svom zenitu.
Danas, dela Jean-Georges Bérauda stoje kao esencijalni artefakti istorije umetnosti. Ona nude više od same estetske przyjemnosti; ona pružaju nostalgičan, ali tehnički majstorski prozor u dušu Francuske. Njegovo nasleđe se nalazi u svakom potezu četkice koji slavi svetlost Belle Époque ere, podsećajući nas na vreme kada su umetnost i urbani život bili neraskidivo povezani u plesu elegancije i svetlosti. Kroz njegove oči, nastavljamo da svedočimo večnoj, svetlucavoj magiji Pariza.
