Of all Лука Сињорели's paintings, Portret Starača (1492) is the most famous; it hangs in the Staatliche Museen zu Berlin, Berlin. Close behind come St Augustine Altarpiece (left wing) (1498) and Christ and the Doubting Thomas (1477). Among the 215 works by Лука Сињорели in our catalogue, these 100 are the most celebrated, each shown with its date, its museum and its story.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated октобар 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
Portret Starača: Svedočanstvo o Renesanse i Dubini Čovjekovog Srca U srcu 15. stoljeća, u godini 1492., umjetnik Luka Signorelli stvorio je djelo koje nadilazi samo portret – to je svedočenje o ljudskoj duši, o mudrosti dobijućoj sa godinama i o složenosti svijeta oko nas. Ovaj portret stareča, oslikan u stilu ranog renesansnog slikarstva, nije samo vizualna reprezentacija pojedinca; on je windows into a world of allegorical narratives and profound symbolism.…
The left wing of Luca Signorelli's “St Augustine Altarpiece,” completed in 1498 for the Bichi Chapel within the church of Sant’Agostino in Siena, is more than just a beautiful painting; it’s a profound meditation on faith, charity, and the intertwined destinies of earthly and divine figures. Measuring a modest 146 x 76 centimeters, this panel offers an intimate glimpse into the artistic sensibilities of a master navigating the complexities of…
Within the Loreto basilica, Signorelli’s 1482 fresco, Christ and the Doubting Thomas, captures a heavy, singular instant. We witness Thomas Aquinas reaching out to touch the wounds of Jesus Christ, a gesture bridging skepticism and faith. There is a tension in the air, a meeting of the physical and the spiritual as the apostle seeks tangible proof. The composition draws the eye toward the interaction of hands, where the vulnerability…
Luca Signorelli’s 1505 “Madonna and Child” is more than just a religious painting; it’s a profound meditation on motherhood, faith, and the enduring power of human connection. Born in Cortona, Italy, around 1441-1445, Signorelli was a pivotal figure in the late Renaissance, renowned for his meticulous draftsmanship and his ability to seamlessly blend classical ideals with deeply felt emotion. This particular work, gifted to his daughter, offers a rare glimpse…
The Hell is a fresco by Luca Signorelli. Painted in 1502, this work captures a vision of the underworld. It occupies a space of profound movement and spiritual weight. The scene is populated by a multitude of figures, specifically a vast assembly of demons and angels. These entities occupy the air and the ground in a state of constant, restless interaction.
The painting depicts a crowded, chaotic scene of divine retribution set against a structured architectural backdrop. In the center, a figure of Jesus Christ is positioned, surrounded by a gathering of angels and demons. The composition is divided by the movement of various figures, some ascending and others descending. To the right, the focus shifts toward the damned, as humans are shown being cast into a dark, subterranean space. Figures…
The fresco presents a bifurcated view of the afterlife, divided by a central archway. On the left side, the composition depicts the blessed being led into Paradise. These figures move toward a celestial realm, characterized by a sense of upward motion and light. On the right side, the scene shifts to the damned being consigned to Hell. This section contains a convoluted mass of human forms, many of them naked,…
In this 1492 oil on panel, the Virgin Mary cradles the Christ Child within a tight, pyramidal composition. Behind them, Saint Joseph is positioned to complete the group, creating a sense of enclosure and quietude. The figures emerge from a dark, undifferentiated background, a technique that utilizes chiaroscuro to push the subjects toward the viewer. Light enters from the upper left, catching the soft skin of the infant and the…
The world holds its breath as a single figure climbs. A man, caught in mid-motion, pulls himself upward along a wooden ladder that cuts vertically through the frame. He leans forward, his body tensed with the physical effort of the ascent. His face, seen in profile, carries a look of deep focus, perhaps even a hint of strain, as he navigates the rungs. A bright red tunic, trimmed in white,…
The sun hangs suspended in a hazy sky, casting a diffused light over a rugged, rocky landscape. Two young men exist in this stillness, their bodies rendered with a sculptural weight that feels immediate and tangible. One youth stands with his back turned, a large piece of light blue drapery caught in a moment of movement as he holds it up, partially veiling his head and upper back. His musculature…
The Adoration of the Magi by Luca Signorelli depicts the biblical scene in which the three Magi offer their gifts to the infant Christ Child. This work was…
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Luca Signorelli: A Titan of Renaissance Foreshortening Luca Signorelli (c. 1450 – 1523) stands as one of the most influential figures in High Renaissance art, primarily recognized for…
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The tempera on panel painting, dated 1475, presents a centralized and vertical arrangement of the Madonna and Child. The Virgin Mary is depicted wearing a dark teal or…
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Luca Signorelli’s “The Apostles Peter and John the Evangelist”: A Symphony of Foreshortening and Faith Luca Signorelli (c. 1450–1523) stands as a titan amongst Renaissance artists, celebrated primarily…
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In the quiet, hallowed atmosphere of the Early Renaissance, few works capture the profound intersection of human agony and divine tragedy as poignantly as Luca Signorelli’s Lamentation over…
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The painting titled Figures in a Landscape: Man, Woman and Child was created by the artist Luca Signorelli. This work is dated 1490. It is currently held at…
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In the quiet sanctity of the Bichi Chapel within Siena Cathedral, there exists a window into the spiritual fervor of the High Renaissance. Luca Signorelli’s St Augustine Altarpiece…
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The painting presents a religious scene centered on Mary holding the infant Jesus. Several angels occupy the space around the central figures, positioned at varying heights and distances.…
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Luca Signorelli’s “View of the Sacristy of St John”: A Renaissance Vision of Divine Order The fresco, “View of the Sacristy of St John,” painted in 1477 by…
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To stand before this fresco depicting the Life of St Benedict, Scene 28 is to step directly into the vibrant narrative tapestry of the Italian Renaissance. Luca Signorelli…
Luca Signorelli’s “Virgin and Child with Sts Jerome and Bernard of Clairvaux,” painted in 1492, is a captivating window into the spiritual heart of the Italian Renaissance. This…
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The painting presents a central grouping of the Virgin Mary and the infant Jesus, positioned as the focal point of a circular arrangement. Mary holds the child against…
Stepping into the world of Luca Signorelli’s The Great Cloister is akin to walking through a portal into the heart of the Italian Renaissance. This breathtaking masterpiece, dating…
To step into the Basilica of Santa Casa in Loreto is to encounter a space where the physical and the divine are intended to meet. Within the Sacristy…
This altarpiece combines the Assumption of the Virgin with two saints—the Archangel Michael subduing Satan, and Benedict. It was painted about 1493–95 for the Olivetan convent of Saint…
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The fresco titled Self-portrait of Luca Signorelli (left) captures the artist, Luca Signorelli, within a larger narrative. Created in 1503, this work exists as a specific component of…
The four subjects that return most often on these canvases, each with its best-loved example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Лука Сињорели | Paintings from this list |
|---|---|---|---|
 Bazilika Santa Casa |
Loreto Marches | 7 | Christ and the Doubting Thomas, The Apostles Peter and John the Evangelist, View of the Sacristy of St John |
 National Gallery |
London | 9 | The Holy Family, Man on a Ladder, The Triumph of Chastity - Love Disarmed and Bound |
 Staatliche Museen zu Berlin |
Berlin | 4 | Portret Starača, St Augustine Altarpiece (left wing), St Augustine Altarpiece (right wing) |
 Metropoliten музеј у Њујорку |
Њујорк | 2 | Madonna and Child, The Assumption of the Virgin with Saints Michael and Benedict |
 Toledo Museum of Art |
Toledo | 2 | Figures in a Landscape: Two Nude Youths, Figures in a Landscape: Man, Woman and Child |
 Museo dell'Opera del Duomo |
Orvieto | 2 | Марија Магдалена, Self-Portrait with Niccolò d'Angeli Franceschi |
 Detroit Institute of Arts |
Detroit | 2 | The Resurrected Christ Appearing to His Disciples, The Resurrected Christ Appearing to St. Magdalene |
 National Gallery of Art |
Washington | 3 | Marriage of the Virgin |
Within the Loreto basilica, Signorelli’s 1482 fresco, Christ and the Doubting Thomas, captures a heavy, singular instant. We witness Thomas Aquinas reaching out to touch the wounds of…
Portret Starača: Svedočanstvo o Renesanse i Dubini Čovjekovog Srca U srcu 15. stoljeća, u godini 1492., umjetnik Luka Signorelli stvorio je djelo koje nadilazi samo portret – to…
Luca Signorelli’s 1505 “Madonna and Child” is more than just a religious painting; it’s a profound meditation on motherhood, faith, and the enduring power of human connection. Born…
Portret Starača (1492), Staatliche Museen zu Berlin, Berlin. St Augustine Altarpiece (left wing) (1498) and Christ and the Doubting Thomas (1477) follow.
Лука Сињорели, born in 1450, was 42 years old: Portret Starača dates from 1492.
Portret Starača, St Augustine Altarpiece (left wing), Christ and the Doubting Thomas, Madonna and Child, The Hell, The Last Judgment (The right part of the composition - The Damned Consigned to Hell), The Last Judgment (The right part of the composition - The Damned Consigned to Hell; the left part of the composition - The Blessed Taken into Paradise), The Holy Family, Man on a Ladder and Figures in a Landscape: Two Nude Youths. Each canvas in the ranking above comes with its year and its museum.
215 works by Лука Сињорели are in our catalogue, dated 1475 to 1523.
Mostly in Bazilika Santa Casa (Loreto Marches), National Gallery (London) and Staatliche Museen zu Berlin (Berlin); the list above names each museum and its canvases.
In 1490s, which gave 64 of the 100 works on this page, Portret Starača among them.
The earliest canvas here is Madonna of the milk in glory (1475); the latest is Prophet holding a Scroll (1523).
Religious (13), Renaissance (9) and People (9), across the 100 works on this page.
Fresco, used in 10 of the 100 works on this page.
Renesansa, as the canvases on this page show.
The Bazilika Santa Casa, Loreto Marches holds 5 of the works on this page, among them Christ and the Doubting Thomas, The Apostles Peter and John the Evangelist and View of the Sacristy of St John.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
