The Marriage at Cana (1655) je slika po kojoj je Matije Preti najpoznatiji; nalazi se u muzeju National Gallery, London. Tribute Money (1640) i St. John the Baptist Preaching upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 99 dela umetnika Matije Preti. Evo 99 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
The air in the room feels heavy, thick with the scent of spilled wine and the heat of a crowded celebration. At the center of this bustling gathering, a miracle unfolds in silence. A long banquet table, draped in a stark white cloth, cuts through the darkness, acting as a stage for a divine transformation. Figures press against one another, their bodies overlapping in a dense, rhythmic movement that pulls…
To stand before Mattia Preti's Tribute Money is to step directly into the charged atmosphere of 17th-century Italian devotion. This magnificent oil on canvas, executed in 1640, pulses with the dramatic energy characteristic of the Baroque period. It is not merely a depiction of an event; it is an immersive experience, masterfully orchestrated by Preti’s hand. The scene gathers a group of men around a central table, their gestures and…
To stand before this depiction of St. John the Baptist is to be enveloped by the very breath of divine revelation. The scene pulses with an almost palpable energy, capturing that electrifying moment when sacred truth breaks through the mundane. At the heart of the composition stands St. John, a figure radiating both ascetic power and profound spiritual authority. He commands attention not merely through his central placement, but through…
A Triumph of Baroque Faith: Exploring Mattia Preti’s ‘Christ in Glory’ Mattia Preti, a Calabrian Knight of the Baroque, stands as an emblem of artistic dynamism and fervent devotion during his era. Born in Taverna, Calabria, on February 24, 1613, his journey was marked by absorbing diverse influences—primarily from Caravaggio—resulting in a uniquely expressive style characterized by dramatic chiaroscuro and meticulous realism that would define his oeuvre. Before 1630, he…
The air in the painting feels heavy, thick with the scent of iron and dust. A single, theatrical light cuts through the murky atmosphere, striking the pale skin of a woman seated on the right. She is the center of a storm, a figure of vulnerability amidst a crowded, muscular arrangement of limbs and steel. Around her, the composition erupts in a series of sweeping diagonals. Weapons and reaching arms…
In this treatment of Ecce Homo, Mattia Preti employs a highly theatrical arrangement to command the viewer's attention. The composition is built upon a balcony placed transversely, a clever spatial device that pushes the figure of Christ into the immediate foreground. This positioning creates an intimate, almost confrontational proximity between the subject and the observer. The artist’s style here is both dramatic and heroic, moving beyond simple naturalism to imbue…
The shadows press in from every corner, leaving only a sliver of light to illuminate the weathered face of Saint Paul the Hermit. He sits in a profound, heavy silence, his body a map of ascetic devotion. Every line etched into his skin tells a story of years spent in the desert, away from the clamor of the world. His eyes are turned upward, searching the darkness for a light…
Mattia Preti’s Wedding at Cana: A Testament to Divine Grace The painting “Wedding at Cana” by Mattia Preti, completed in 1655-60, transcends mere depiction; it embodies the profound spiritual significance of Baroque art and serves as a poignant reminder of faith's transformative power. Executed during Preti’s prolific period in Malta—a nation deeply invested in Catholic piety—this monumental canvas captures a pivotal biblical narrative with breathtaking realism and masterful compositional artistry.…
In this oil on canvas, we find ourselves pulled into an intimate, almost uncomfortable proximity to a profound biblical encounter. The scene captures the precise second when the apostle Thomas seeks physical verification of the resurrection, reaching out to touch the wound in Christ's side. There is a heavy, palpable tension in the way the figures are arranged along a diagonal axis, guiding our gaze directly toward that central point…
The crucifixion of St Andrew is an oil on canvas work by Mattia Preti. Created about 1651, this piece belongs to the Baroque movement of seventeenth-century Italy. The scene captures a moment of profound religious significance, focusing on the martyrdom of the saint. It is a heavy, physical depiction of faith under the weight of wood and shadow.
The tension of a divine confrontation unfolds in St John the Baptist before Herod, a powerful work by the Italian Baroque painter Mattia Preti. This scene captures a…
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Saint Veronica with the Veil is an oil on canvas painting by the artist Mattia Preti. This work originated in Italy, circa 1655-1660. The piece is currently held…
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This formal Baroque-style portrait is a bust-length depiction of an elderly man, identified as Martin de Redin, a Grand Master of the Knights of Malta. The subject is…
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The air in the room feels heavy, thick with the scent of dust and the weight of a life once lived in the glare of imperial glory. A…
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The air in the room feels heavy, thick with the scent of old wood and the quiet tension of a contest in progress. Three figures lean into a…
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is an oil on canvas work by the Italian Baroque painter Mattia Preti. Executed between 1655 and 1656, the painting captures a significant biblical moment: the presentation of…
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In Mattia Preti's Dice Players, the viewer is pulled into a tight, claustrophobic circle where the air feels heavy with anticipation. The composition is tightly cropped, stripping away…
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The air hangs heavy with tension in Vocation of the Apostle Matthew, a work painted by Mattia Preti about 1637. A sudden, divine interruption breaks the quiet of…
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is an oil on canvas by the Italian artist Mattia Preti. Created about 1650, the work belongs to the artist's Neapolitan period. It is currently held in the…
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Mattia Preti’s “The Concert,” painted in 1630, isn't merely a depiction of musicians; it’s a meticulously crafted tableau brimming with the drama, intensity, and opulent color characteristic of…
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A Man Cutting Tobacco is a work by Mattia Preti. The artist, born in 1613 in Taverna, Italy, captured this scene during the 1660s. His hand moved across…
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Feast of Herod – A Baroque Drama Illuminated by Light Mattia Preti’s “Feast of Herod” is more than just a depiction of an opulent banquet; it's a masterful…
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is an oil on canvas work by the Italian Baroque painter Mattia Preti. The composition centers on the legendary artist Apelles as he captures the likeness of Campaspe,…
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This ceiling fresco, created in 1661, depicts the biblical scene of Jesus being baptized by John the Baptist in the River Jordan. At the center of the composition,…
In the grand tradition of the Baroque era, few works capture the raw, visceral tension of moral confrontation as masterfully as Mattia Preti’s 1662 masterpiece, St John Reproaching…
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In the dramatic theater of the Italian Baroque, few moments capture the tension between the sacred and the profane as poignantly as Mattia Preti’s Christ and the Money…
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In the quiet intensity of Mattia Preti’s Concert (detail), we are invited into a world where light does not merely illuminate, but performs. Created circa 1630, during the…
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Mattia Preti's "Flying Angel," painted in 1630, is more than just a depiction of physical labor; it’s a potent distillation of Baroque drama and the human spirit’s capacity…
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Mattia Preti’s 1699 masterpiece, *The Adoration of the Shepherds*, is a profoundly moving and dramatically rendered depiction of one of the most poignant episodes in Christian scripture. Measuring…
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The oil on canvas work titled Christ and the Woman Taken in Adultery presents a heavy, dramatic scene of religious art. Mattia Preti, the Calabrian artist, rendered this…
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Mattia Preti's "The Visitation," painted in 1649, is more than just a religious scene; it’s a meticulously crafted tableau brimming with emotional intensity and the hallmarks of the…
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Mattia Preti’s “Pilate Washing His Hands,” painted in 1663, is not merely a depiction of a biblical scene; it's a profound meditation on guilt, responsibility, and the corrosive…
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Four men and one woman gather around a dead man who is dressed in a bright honey-gold cape and pointed hat, his stone-gray face resting on a stump…
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In this oil on canvas, we find ourselves witnessing a scene of intense physical and spiritual struggle. The composition centers on the figure of St. Bartholomew, tied to…
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Saint John the Baptist is shown seated in the wilderness exhorting the viewer to repentance, his right hand pointing heavenwards, his skin tanned through years in the desert.…
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Within the hushed confines of the Conventual Church of St. John in Valletta, Malta, hangs a fresco that transcends mere depiction; it is a visceral embodiment of suffering,…
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In the hallowed stillness of Malta’s St John’s Co-Cathedral, there exists a moment frozen in time, captured by the masterful hand of Mattia Preti. His monumental canvas, "A…
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Mattia Preti's "Beheading of St. Catherine," painted circa 1650, is not merely a depiction of martyrdom; it’s a visceral exploration of suffering, faith, and the precarious balance between…
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In the evocative realm of the Italian Baroque, few works capture the raw, visceral tension of spiritual struggle as effectively as this masterful drawing by Mattia Preti. Titled…
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Flying Angel - A Baroque Masterpiece Mattia Preti’s “Flying Angel” stands as a testament to the fervor of the Baroque era in Malta and Italy, embodying its dramatic…
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Mattia Preti's "St Sebastian" (c. 1660) is not merely a depiction of a biblical martyr; it’s a profoundly moving exploration of human suffering and faith, rendered with the…
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Sophonisba Receiving the Goblet by PRETI, Mattia The painting “Sophonisba Receiving the Goblet” by Mattia Preti stands as a testament to Baroque drama and masterful observation—a scene plucked…
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In the profound depths of the seventeenth century, few masters could command the shadows as masterfully as Mattia Preti. His work, St. Nicholas of Bari, serves as a…
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This arresting depiction, capturing the moment of Aeneas, Anchises and Ascanius Fleeing Troy, plunges the viewer directly into the heart of mythic catastrophe. The scene is not merely…
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Mattia Preti executed this religious work, Saint John the Baptist, between 1653 and 1656 ca. The composition centers on the figure of the saint, accompanied by a lamb…
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The tension of a single, violent moment hangs in the air within Judith and Holofernes. This oil on canvas by the Italian artist Mattia Preti captures the immediate…
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A Moment Frozen in Time: Mattia Preti’s ‘The Concert’ Mattia Preti's “The Concert,” painted in 1630, transcends mere depiction; it embodies the spirit of Baroque artistry—a dramatic exploration…
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Mattia Preti's "Absalom’s Feast," completed in 1653, isn’t merely a painting; it’s a meticulously constructed tableau of betrayal and despair, born from the heart of the Italian Baroque.…
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Mattia Preti’s “The Madonna of Costantinople,” painted in 1656, isn't merely a religious depiction; it’s a vibrant tableau vivant—a snapshot of a moment suspended in time. This arresting…
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Within the opulent confines of St. John's Co-Cathedral in Valletta, Malta, resides an arresting masterpiece – Mattia Preti’s “St. George on Horseback,” painted in 1658. More than simply…
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Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Matije Preti | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 7 | Bearded Old Man's Head, Return of the Prodigal Son, Mary Magdalene |
 Museo di Capodimonte |
Napulj | 7 | Christ and the Money Changers, St Sebastian, St. Nicholas of Bari |
 Konventualna crkva Svetog Jovana |
Valletta | 3 | The Baptism of Christ, St John Cast into Prison, St. George on Horseback |
 National Gallery |
London | 2 | The Marriage at Cana, Wedding at Cana |
 Pinacoteca di Brera |
Milan | 2 | Tribute Money, A Mother Entrusting Her Sons to Christ |
 Kunsthistorisches Museum |
Beč | 2 | Doubting Thomas, Vocation of the Apostle Matthew |
 Toledo Museum of Art |
Toledo | 2 | Feast of Herod, Feast of Herod |
 MUŻA |
Valletta | 2 | The Martyrdom of Saint Catherine, Saint John the Baptist Wearing the Red Tabard of the Order of Saint John |
The air in the room feels heavy, thick with the scent of old wood and the quiet tension of a contest in progress. Three figures lean into a…
To stand before Mattia Preti's Tribute Money is to step directly into the charged atmosphere of 17th-century Italian devotion. This magnificent oil on canvas, executed in 1640, pulses…
The air in the room feels heavy, thick with the scent of spilled wine and the heat of a crowded celebration. At the center of this bustling gathering,…
A Triumph of Baroque Faith: Exploring Mattia Preti’s ‘Christ in Glory’ Mattia Preti, a Calabrian Knight of the Baroque, stands as an emblem of artistic dynamism and fervent…
Four men and one woman gather around a dead man who is dressed in a bright honey-gold cape and pointed hat, his stone-gray face resting on a stump…
The Marriage at Cana (1655), National Gallery, London. Prate ih Tribute Money (1640) i St. John the Baptist Preaching.
Matije Preti, rođen/a 1613, imao/la je 42 godina: The Marriage at Cana datira iz 1655.
The Marriage at Cana, Tribute Money, St. John the Baptist Preaching, Christ in Glory, Clorinda Rescuing Sofronia and Olindo, Ecce Homo, Saint Paul the Hermit, Wedding at Cana, Doubting Thomas i The crucifixion of St Andrew. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu se nalazi 99 dela umetnika Matije Preti, datiranih od 1628 do 1699.
Većinom u Bavarske državne slikopisne kolekcije (Minhen), Museo di Capodimonte (Napulj) i Konventualna crkva Svetog Jovana (Valletta); gornja lista navodi svaki muzej i njegova platna.
U 1650s, koji obuhvata 22 od 99 dela na ovoj stranici, među njima je i The Marriage at Cana.
Najstarije platno ovde je iz Saint Anthony Abbot (1628) godine; najnovije je iz The Adoration of the Shepherds (1699) godine.
Man (15), People (8) i Religious (7), kroz svih 99 dela na ovoj stranici.
Oil On Canvas, korišćeno u 34 od 99 dela na ovoj stranici.
Baroque dramatic style, kao što pokazuju platna na ovoj stranici.
Muzej Bavarske državne slikopisne kolekcije, Minhen čuva 7 dela sa ove stranice, među kojima su i Bearded Old Man's Head, Return of the Prodigal Son i Mary Magdalene.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
