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      Pompejo Batoni, 1708 – 1787

      100 najpoznatijih dela umetnika Pompejo Batoni

      Hercules at the Crossroads (detail) (1748) je slika po kojoj je Pompejo Batoni najpoznatiji; nalazi se u muzeju Liechtenstein Museum, Beč. A Knight in Rome: Charles Cecil Roberts (1778) i Gaetano II Sforza Cesarini, Duke of Segni (1768) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 164 dela umetnika Pompejo Batoni. Evo 100 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.

      Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.

      Portret Pompejo Batoni
      Pompejo Batoni · 1708 – 1787
      Rođen · umro
      1708 – 1787, Лука
      Pokret
      Neoclassicism
      Radovi u našem katalogu
      164
      Najpoznatije
      Hercules at the Crossroads (detail) (1748)
      Najviše dela u
      Uppark

      Deset najomiljenijih slika umetnika Pompejo Batoni

      Hercules at the Crossroads (detail) (1748) čiji je Pompejo Batoni
      1

      Hercules at the Crossroads (detail)

      1748 · Oil On Canvas · Liechtenstein Museum, Beč

      To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from 1748, transcends mere portraiture or mythological illustration; it captures the very essence of decision-making—that fraught, beautiful space where potential futures diverge. The central figure, Hercules, is rendered not in the throes of battle, but in deep, almost agonizing contemplation. His posture, with…

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      A Knight in Rome: Charles Cecil Roberts (1778) čiji je Pompejo Batoni
      2

      A Knight in Rome: Charles Cecil Roberts

      1778 · Oil On Canvas · Музеј Прадо, Мадрид

      Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere of refined grandeur and intellectual contemplation. Painted in 1778, this monumental canvas—measuring 221 x 157 cm—currently resides within the hallowed halls of the Museo del Prado in Madrid, Spain, ensuring its legacy continues to inspire awe and admiration.

      Naručite ručno oslikano Priča o slici
      Gaetano II Sforza Cesarini, Duke of Segni (1768) čiji je Pompejo Batoni
      3

      Gaetano II Sforza Cesarini, Duke of Segni

      1768 · Oil On Canvas · Nacionalna galerija Viktorije, Melburn

      The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant lineage, appearing as the second son to survive to adulthood of Giuseppe Sforza. His presence in the frame reflects the prominence he held as a Papal politician throughout the 1750s and 1760s. Every detail of his bearing suggests a man deeply embedded…

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      Time Unveiling Truth (1742) čiji je Pompejo Batoni
      4

      Time Unveiling Truth

      1742 · Oil · Art Institute of Chicago, Čikago

      A Celestial Ascent of Allegory The air feels thick with the movement of a cosmic drama, a swirling ascent where the terrestrial and the divine collide. In this 1742 oil painting, figures rise through a luminous sky, their bodies caught in a rhythmic, upward surge that defies gravity. Drapery flows in heavy, silken waves, catching a light that seems to pour from the upper left, casting soft shadows across porcelain…

      Unesite ovu svetlost u svoj dom Pogledajte bliže
      Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764) čiji je Pompejo Batoni
      6

      Alexander Gordon, 4th Duke of Gordon (1743 - 1827)

      1764 · Oil On Canvas · Scottish National Gallery, Edinburgh

      Alexander Gordon, 4th Duke of Gordon, is presented in a formal grand manner portrait that emphasizes his status and connection to the natural world. He is positioned centrally within a landscape, his presence anchored by a large brown horse to his left and hunting dogs at his feet. The composition is vertical, drawing the eye from the upward gesture of his arm toward the sky. A saturated red frock coat…

      Naručite ručno oslikano Priča o slici
      John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761) čiji je Pompejo Batoni
      7

      John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile

      1761 · Oil On Canvas · Scottish National Portrait Gallery, Edinburg

      The Duke of Roxburghe occupies the center of the frame, a figure of quiet authority amidst a setting of classical grandeur. He sits with an upright, stately posture, his presence commanding the space through a combination of velvet and light. A heavy crimson cloak, deep and saturated, drapes around him, its texture suggesting the weight of fine velvet. The ermine fur at his collar provides a sharp, creamy contrast to…

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      Portrait of John Woodyeare (1750) čiji je Pompejo Batoni
      8

      Portrait of John Woodyeare

      1750 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

      The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in the heavy, luxurious textures of the mid-eighteenth century, where deep forest green and crimson red collide against a dark, atmospheric background. Light falls across his features with a dramatic chiaroscuro effect, catching the soft sheen of his silk attire and the delicate,…

      Naručite ručno oslikano Priča o slici
      Peter Beckford (1740-1811), godsejer, Dorset. (1766) čiji je Pompejo Batoni
      9

      Peter Beckford (1740-1811), godsejer, Dorset.

      1766 · Oil On Canvas · Statens Museum For Kunst, Kopenhagen

      A full-length figure of Peter Beckford occupies the center-right of this vertical composition. He is depicted standing in a landscape, wearing a red frock coat with silver applications, paired with breeches and stockings. His pose is elegant, with one hand holding a paper and the other a walking stick. At his feet sits a small dog. To the left, a large stone pedestal provides a vertical counterweight to the subject.…

      Naručite ručno oslikano Priča o slici
      The Rotterdam tobacco trader Pieter Caarten (1778) čiji je Pompejo Batoni
      10

      The Rotterdam tobacco trader Pieter Caarten

      1778 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

      Pieter Caarten, a thirty-seven-year-old tobacco merchant from Rotterdam, sits for this formal portrait in Rome in 1778. Captured in a three-quarter view, the subject gazes directly at the viewer with a reserved, serious expression. He is presented from the chest up, a composition that emphasizes his dignified posture and the material markers of his success. A powdered white wig frames a face rendered with smooth, precise transitions, while a subtle…

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      Pompejo Batoni: platna od 11 do 100 na rang listi

      Peace and War (1776) čiji je Pompejo Batoni
      #15

      Peace and War

      1776 · Art Institute of Chicago

      A dramatic tension defines this 1776 composition, where two figures exist in a state of balanced opposition. On the left, a male warrior clad in Roman-style armor embodies…

      Naručite ručno oslikano →
      Peace and Justice (1745) čiji je Pompejo Batoni
      #18

      Peace and Justice

      1745 · Montreal Museum of Fine Arts

      Two female figures are locked in a tender, intimate embrace, their bodies arranged in a stable pyramidal composition. This Neoclassical work utilizes a dramatic chiaroscuro effect, where a…

      Naručite ručno oslikano →
      Philip Metcalfe (1766) čiji je Pompejo Batoni
      #22

      Philip Metcalfe

      1766 · National Portrait Gallery

      The sitter, Philip Metcalfe, meets the viewer through the steady gaze of a man defined by his many roles. He was a distiller and a collector, a patron…

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      Saint Andrew (1741) čiji je Pompejo Batoni
      #24

      Saint Andrew

      1741 · Art Institute of Chicago

      An elderly man sits amidst the shadows, his body a landscape of weathered skin and straining muscle. He is Saint Andrew, caught in a moment of profound internal…

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      Thomas William Coke (1773) čiji je Pompejo Batoni
      #34

      Thomas William Coke

      1773 · Holkham Hall

      Pompeo Batoni executed this portrait of Thomas William Coke in 1773. The subject is Thomas William Coke, 1st Earl of Leicester (of the Second Creation). This oil on…

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      Truth and Mercy (1745) čiji je Pompejo Batoni
      #76

      Truth and Mercy

      1745 · Montreal Museum of Fine Arts

      In this 1745 oil painting, we find ourselves drawn into a swirling, cloudy sky where two female figures move with a rhythmic, upward grace. The composition is defined…

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      Platna umetnika Pompejo Batoni po periodima

      Early Period

      1736 – 1745 · 4 dela na ovoj listi
      The infant Hercules strangling serpents in his cradle (1743), Pompejo Batoni #19 The infant Hercules strangling serpents in his cradle 1743 · Palazzo Pitti Saint Andrew (1741), Pompejo Batoni #24 Saint Andrew 1741 · Art Institute of Chicago Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736), Pompejo Batoni #36 Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa 1736 · J. Paul Getty Museum Truth and Mercy (1745), Pompejo Batoni #76 Truth and Mercy 1745 · Montreal Museum of Fine Arts

      Mature Period

      1740 – 1782 · 32 dela na ovoj listi
      Hercules at the Crossroads (detail) (1748), Pompejo Batoni #1 Hercules at the Crossroads (detail) 1748 · Liechtenstein Museum A Knight in Rome: Charles Cecil Roberts (1778), Pompejo Batoni #2 A Knight in Rome: Charles Cecil Roberts 1778 · Музеј Прадо Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompejo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · Nacionalna galerija Viktorije Time Unveiling Truth (1742), Pompejo Batoni #4 Time Unveiling Truth 1742 · Art Institute of Chicago Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompejo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery

      Šta je Pompejo Batoni najčešće slikao

      Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.

      Man 27 dela

      Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompejo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · Nacionalna galerija Viktorije Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompejo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761), Pompejo Batoni #7 John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile 1761 · Scottish National Portrait Gallery Portrait of John Woodyeare (1750), Pompejo Batoni #8 Portrait of John Woodyeare 1750 · Minneapolis Institute of Art

      Woman 13 dela

      Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785), Pompejo Batoni #5 Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley 1785 · Yale Center for British Art Hercules at the Crossroads (1748), Pompejo Batoni #11 Hercules at the Crossroads 1748 · Liechtenstein Museum Hercules at the Crossroads (1742), Pompejo Batoni #12 Hercules at the Crossroads 1742 · Palazzo Pitti Hercules at the Crossroads (1765), Pompejo Batoni #13 Hercules at the Crossroads 1765 · Ermitaž

      Landscape 7 dela

      Peter Beckford (1740-1811), godsejer, Dorset. (1766), Pompejo Batoni #9 Peter Beckford (1740-1811), godsejer, Dorset. 1766 · Statens Museum For Kunst Philip Metcalfe (1766), Pompejo Batoni #22 Philip Metcalfe 1766 · National Portrait Gallery Portrait of John Talbot, later 1st Earl Talbot (1773), Pompejo Batoni #35 Portrait of John Talbot, later 1st Earl Talbot 1773 · J. Paul Getty Museum Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompejo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery

      Sky 5 dela

      Time Unveiling Truth (1742), Pompejo Batoni #4 Time Unveiling Truth 1742 · Art Institute of Chicago James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) (1753), Pompejo Batoni #17 James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) 1753 · Yale Center for British Art Atis and Galathea (1761), Pompejo Batoni #21 Atis and Galathea 1761 · Nationalmuseum Venus Presenting Aeneas with Armour Forged by Vulcan (1748), Pompejo Batoni #31 Venus Presenting Aeneas with Armour Forged by Vulcan 1748 · Liechtenstein Museum

      Gde se nalaze platna umetnika Pompejo Batoni

      8 muzeja u kojima se nalazi najviše slika sa ove stranice.

      Muzej Grad Radovi umetnika Pompejo Batoni Slike iz ovog spiska
      UpparkUppark 11 Purity of Heart, Meekness, Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear
      Basildon ParkBasildon Park 9 Saint John the Evangelist, Saint Paul, God the Father and the Holy Spirit
      National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 5 Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783), A Lady of the Leeson Family as a Shepherdess, Presumed Portrait of the Marchesa Caterina Gabrielli as Diana
      Bavarske državne slikopisne kolekcije, MinhenBavarske državne slikopisne kolekcije Minhen 4 Elector Carl Theodor of the Palatinate, Pope Pius VI, Self portrait
      Liechtenstein Museum, BečLiechtenstein Museum Beč 4 Hercules at the Crossroads (detail), Hercules at the Crossroads, Venus Presenting Aeneas with Armour Forged by Vulcan
      Art Institute of Chicago, ČikagoArt Institute of Chicago Čikago 4 Time Unveiling Truth, Peace and War, Saint Andrew
      Nacionalna galerija Viktorije, MelburnNacionalna galerija Viktorije Melburn 3 Gaetano II Sforza Cesarini, Duke of Segni, Sir Sampson Gideon and an unidentified companion, Luigi Boccherini
      Walters Art Museum, BaltimoreWalters Art Museum Baltimore 3 Portrait of Cardinal Prospero Colonna di Sciarra, Portrait of Joseph Henry of Straffan, Portrait of Prince Abbondio Rezzonico as Senator of Rome

      Najpoznatije platno umetnika Pompejo Batoni, deceniju za decenijom

      1. 1730s
      2. 1740s
        Hercules at the Crossroads (detail) (1748) čiji je Pompejo Batoni
        1 od 100

        Hercules at the Crossroads (detail)

        Godine 32 – 41 · Liechtenstein Museum

        To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from…

      3. 1750s
        Portrait of John Woodyeare (1750) čiji je Pompejo Batoni
        Platno 8 od 100

        Portrait of John Woodyeare

        Godine 42 – 51 · Minneapolis Institute of Art

        The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in…

      4. 1760s
        Gaetano II Sforza Cesarini, Duke of Segni (1768) čiji je Pompejo Batoni
        3 od 100

        Gaetano II Sforza Cesarini, Duke of Segni

        Godine 52 – 61 · Nacionalna galerija Viktorije

        The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant…

      5. 1770s
        A Knight in Rome: Charles Cecil Roberts (1778) čiji je Pompejo Batoni
        Platno 2 od 100

        A Knight in Rome: Charles Cecil Roberts

        Godine 62 – 71 · Музеј Прадо

        Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere…

      6. 1780s

      Platna umetnika Pompejo Batoni, odgovor po odgovor

      Po kojem platnu je Pompejo Batoni najpoznatiji?Pročitajte odgovor

      Hercules at the Crossroads (detail) (1748), Liechtenstein Museum, Beč. Prate ih A Knight in Rome: Charles Cecil Roberts (1778) i Gaetano II Sforza Cesarini, Duke of Segni (1768).

      Hercules at the Crossroads (detail): koliko je godina imao/la Pompejo Batoni kada je ovo delo nastalo?Pročitajte odgovor

      Pompejo Batoni, rođen/a 1708, imao/la je 40 godina: Hercules at the Crossroads (detail) datira iz 1748.

      Koja su deset najpoznatijih platna umetnika Pompejo Batoni?Pročitajte odgovor

      Hercules at the Crossroads (detail), A Knight in Rome: Charles Cecil Roberts, Gaetano II Sforza Cesarini, Duke of Segni, Time Unveiling Truth, Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley, Alexander Gordon, 4th Duke of Gordon (1743 - 1827), John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile, Portrait of John Woodyeare, Peter Beckford (1740-1811), godsejer, Dorset. i The Rotterdam tobacco trader Pieter Caarten. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.

      Koliko je slika stvorio/la Pompejo Batoni?Pročitajte odgovor

      U našem katalogu se nalazi 164 dela umetnika Pompejo Batoni, datiranih od 1733 do 1785.

      Gde se danas nalaze najpoznatija platna umetnika Pompejo Batoni?Pročitajte odgovor

      Većinom u Uppark, Basildon Park i National Gallery of Ireland (Dublin); gornja lista navodi svaki muzej i njegova platna.

      Kada je Pompejo Batoni naslikao svoje najpoznatije platna?Pročitajte odgovor

      U 1740s, koji obuhvata 30 od 100 dela na ovoj stranici, među njima je i Hercules at the Crossroads (detail).

      Koje je čuveno platno umetnika Pompejo Batoni nastalo prvo, a koje poslednje?Pročitajte odgovor

      Najstarije platno ovde je iz Portrait of a man (1733) godine; najnovije je iz Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785) godine.

      Koje je motive Pompejo Batoni najčešće slikao?Pročitajte odgovor

      Man (27), Woman (13) i Landscape (7), kroz svih 100 dela na ovoj stranici.

      Koji se medij najčešće pojavljuje u delima umetnika Pompejo Batoni?Pročitajte odgovor

      Oil On Canvas, korišćeno u 34 od 100 dela na ovoj stranici.

      Sa kojim umetničkim pravcem je Pompejo Batoni povezan/a?Pročitajte odgovor

      Neoclassicism, kao što pokazuju platna na ovoj stranici.

      Koja dela Pompejo Batoni se nalaze u kolekciji Uppark?Pročitajte odgovor

      Muzej Uppark čuva 10 dela sa ove stranice, među kojima su i Purity of Heart, Meekness i Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear.

      Gde mogu kupiti reprodukciju slike od Pompejo Batoni?Pročitajte odgovor

      Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.

      Upoznajte umetnika: Pompejo Batoni

      Rani život i obuka

      • Rođen: Luka, Italija (1708)
      • Preminuo: 1787
      • Pompeo Batoni se preselio u Rim 1727. godine.
      • Usavršavao je svoj talenat pod mentorstvom Agostina Masuccija, Sebastiana Conce i/ili Francesca Imperialija.
      • Njegova prva samostalna narudžbina proizašla je kao rezultat obilnih kiša koje su pogodile Rim u aprilu 1732. godine.
      • Slika „Ekstaza Svete Katarine Sijenske” ilustruje njegovo akademsko usavršavanje kasnobaroknog stila.

      Umetnički stil i uticaji

      • Batonijev stil crpeo je inspiraciju iz klasične antike, francuskog rokokoa, bolonjskog klasicizma, kao i od umetnika poput Nikole Puzena, Kloda Lorena, a naročito od Rafaela.
      • On se smatra pretečom neoklasicizma.
      • Njegova dela se mogu pronaći u brojnim muzejima, uključujući Pinacoteku di Brera u Milanu, Italija.

      Značajna dela i narudžbina

        Devica idete sa svetima
      • Vitez u Rimu: Čarls Sesil Roberts – Slavljeni portret britanskog putnika postavljen ispred rimskih ruševina.
      • Trijumf Venecije
      • Brojni oltari za crkve u Italiji, kao što je Duomo u Sijeni.
      • Bio je veoma tražen za portretiranje, naročito od strane britanskih putnika na Velikom putovanju (Grand Tour), koji su naručivali portrete u stajaćim pozama unutar antičkih okruženja.

      Razvoj i istorijski značaj

      • Batoni je postao izuzetno modni slikar u Rimu nakon što je njegov rival, Anton Rafael Mengs, otputovao u Španiju 1761. godine.
      • Prijateljstvo je stekao sa Vinkelmanom, te je težio suzdržanosti klasicizma u svom slikarstvu.
      • Njegovi portreti su dočarali duh ere Velikog putovanja, odražavajući fascinaciju klasičnom antikom među evropskim elitama.
      • Batonijeva sposobnost da spoji barokne tehnike sa novonastalim neoklasičnim idealima pozicionirala ga je kao tranzicionu figuru u istoriji italijanske umetnosti.

      Nasleđe

      • Pompeo Batoni preminuo je 4. februara 1787. godine u Rimu.
      • Za sobom je ostavio nasleđe jednog od najpoznatijih italijanskih slikara svog vremena.
      • Njegova dela i dalje uživaju divljenje zbog tehničke veštine, elegantnih kompozicija i prodornih prikaza pojedinaca unutar njihovog istorijskog konteksta.

      Sva 164 dela umetnika Pompejo Batoni →