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      Симоне Мартини, 1284 – 1344

      The 100 Most Famous Симоне Мартини Paintings, Ranked

      The best-loved painting by Симоне Мартини is Anuncijacija i Dva Svetnika (1333), which hangs in the Galerija Ufizi, Firenca. Javljanje i dva svetitelja (detalj) (1333) and Javljanje sa Svetom Margaretom i Svetim Ansanom (1333) come next among the canvases readers know best. Our catalogue holds 151 works by Симоне Мартини: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated октобар 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Симоне Мартини
      Симоне Мартини · 1284 – 1344
      Born · died
      1284 – 1344, Сијена
      Movement
      Internacionalna gotika
      Works in our catalogue
      151
      Most famous
      Anuncijacija i Dva Svetnika (1333)
      Most works at
      Palazzo Pubblico

      Top 10 Симоне Мартини paintings: the canvases everyone knows

      Anuncijacija i Dva Svetnika (1333) by Симоне Мартини
      1

      Anuncijacija i Dva Svetnika

      1333 · Akril na platnu · Galerija Ufizi, Firenca

      U uzvišenim prostorima Galerije Uffizi postoji trenutak zamrznut u vremenu, božansko presjekanje neba i zemlje koje su zabeležile majstorske ruke Simone Martinija i Lipa Memija. Anuncijacija sa Svetom Margaretom i Svetim Ansanusom, naslikana 1elog 1333. godine, nije samo religiozni panel; to je oduševljavajuća simfonija sienskog gotičkog elegancije. Dok posmatračme gleda ovo remek-delo, oko mu odmah privlači blistava zlatna pozadina, svetlucavi prostranstvo koje prevazilazi fizički prostor kako bi sugerisalo beskrajnu slavu…

      Javljanje i dva svetitelja (detalj) (1333) by Симоне Мартини
      2

      Javljanje i dva svetitelja (detalj)

      1333 · Akril na platnu · Galerija Ufizi, Firenca

      Vizija milosti: Dekodiranje Martinijevog Obraćena Simone Martinijevo delo Obraćanje i dva svetca (detalj), nastalo 1333. godine, predstavlja mnogo više od običnog religioznog prikaza; ono je blistavi svedočanstvo elegancije i prefinjenosti međunarodnog gotičkog stila. Smeštena u prestižnoj firentinskoj galeriji Uffizi, ova tempera slika sažima ključni trenutak u istoriji umetnosti, premošćujući jaz između vizantijske tradicija i rađajućeg renesansa. Otkrivena scena: Narativ i kompozicija Ovaj detalj fokusira se na srž Obraćanja – božanski…

      Javljanje sa Svetom Margaretom i Svetim Ansanom (1333) by Симоне Мартини
      3

      Javljanje sa Svetom Margaretom i Svetim Ansanom

      1333 · Tempera na drvenoj podlozi · Galerija Ufizi, Firenca

      Renesansna vizija vere i milosti Delo Simeona Martinija, Obraćanje Bogorodice svetoj Margareti i svetom Ansanusu (1333), predstavlja remek-delo rane italijanske renesanse, olikavajući eleganciju i duhovni žar sieneskog pravca. Ovaj zadivljujući triptih nije samo prikaz biblijskog događaja; to je pažljivo konstruisan svet simboličkog značenja i profinjene umetnosti, osmišljen da pokrene duboku pobožnost. Dešifrovanje scene: Narativ i kompozicija U središtu ovog umetničkog dela nalazi se ključni trenutak Obraćanja, u kojem arhanđel Gabrijel…

      St Clare and St Elizabeth of Hungary (1317) by Симоне Мартини
      4

      St Clare and St Elizabeth of Hungary

      1317 · Fresco

      This breathtaking fresco, measuring 215 x 185 cm, offers an unparalleled glimpse into the artistic genius of Simone Martini, a pivotal figure bridging the medieval and Renaissance periods. Painted in 1317, “St Clare and St Elizabeth of Hungary” is more than just a religious depiction; it’s a testament to the Sienese Master's profound understanding of elegance, grace, and the subtle power of visual storytelling. The scene captures two iconic saints…

      Oltar Svetog Luja iz Tuluza (detalj) (1317) by Симоне Мартини
      5

      Oltar Svetog Luja iz Tuluza (detalj)

      1317 · Tempera na drvenoj podlozi · Museo di Capodimonte, Napulj

      Oltar Svetog Luja iz Tuluza (detalj) služi kao zadivljujući prozor u srce srednjovekovnog odavanja, hvatajući samu suštinu sienskog gotičkog stila. Stvoren oko 1317. godine od strane neuporedivog Simona Martinija, ovaj rad je mnogo više od obične religiozne relikvije; to je majstorski prikaz dvorskog elegancije i duhovne intimnosti. U ovom delikatnom detalju svedočimo sceni proživenoj dubokom milošću, gde se granice između zemaljskog i božanskog deluju kao rastvorene zahvaljujući umetnikovom majstorskom korišćenju…

      Devica u Anuncijaciji (1333) by Симоне Мартини
      6

      Devica u Anuncijaciji

      1333 · Akril na platnu · Koninklijk Museum voor Schone Kunsten, Antwerpen

      Vizija Tuge i Gracioznosti: „Devica u Anuncijaciji“ Simone Martinija Ova intimna devocionalna slika Simone Martinija, kreirana 1333. godine, pruža melanholičan pogled u emocionalni svet kasnog srednjovekovnog perioda. Dimenzijama od samo 23 x 14 cm, njen mali format krije iza sebe duboku duhovnu težinu – svedočenje o Martinijevom majstorstvu u prenošenju složenih emocija unutar rafinisanih kompozicija. Stil i istorijski kontekst Simone Martini bio je vodeća figura u razvoju stila Međunarodni Gotik…

      Saint Martin Renounces his Weapons (detail) (1312) by Симоне Мартини
      7

      Saint Martin Renounces his Weapons (detail)

      1312 · Oil On Canvas

      This exquisite detail from Simone Martini's monumental panel, painted in 1312, offers a profound glimpse into the heart of medieval piety and artistic innovation. Measuring 68 x 56 cm, this work transcends mere representation; it’s an embodiment of spiritual transformation, meticulously rendered with the hallmark elegance that defined Martini’s career. The scene depicts Saint Martin, a pivotal figure in Christian tradition, as he dramatically relinquishes his military possessions – a…

      Saint Martin Renounces his Weapons (detail) (1312) by Симоне Мартини
      8

      Saint Martin Renounces his Weapons (detail)

      1312 · Oil On Canvas

      This exquisite detail from Simone Martini’s “Saint Martin Renounces His Weapons,” painted in 1312, offers a profound glimpse into the heart of Sienese artistic achievement during the early 14th century. More than just a depiction of a biblical narrative – the moment Saint Martin distributes his armor to a peasant – it is a carefully constructed tableau brimming with symbolic weight and technical mastery. Martini, a master of elegance and…

      Blagoslovljeni Agostino Novello oltarski delo (detalj) (1324) by Симоне Мартини
      9

      Blagoslovljeni Agostino Novello oltarski delo (detalj)

      1324 · Akril na platnu · Pinacoteca Nazionale, Sijena

      Remek-delo Simonea Martinija: Prozor u umetničku dušu Sijene Simone Martini, svetlost sieneskog slikarskog pravca, darovao nam je Blessed Agostino Novello Altarpiece (detail), zadivljujući svedočanstvo njegove neuporedivive veštine i umetničke vizije. Ova slika temperom, dimenzija 65 x 67 cm, koja se trenutno čuva u Pinacotechi Nazionale di Siena u Italiji, datira iz 1324. godine i sažima samu suštinu međunarodnog gotičkog stila: eleganciju, pedantne detalje i duboku religioznu simboliku. Martinijevo nasleđe prevazilazi…

      Maestà (Madonna with Angels and Saints) (1315) by Симоне Мартини
      10

      Maestà (Madonna with Angels and Saints)

      1315 · Acrylic On Canvas · Palazzo Pubblico, Sijena

      In the heart of Siena, within the hallowed halls of the Palazzo Pubblico, resides a masterpiece that transcends the boundaries of mere paint and plaster. Simone Martini’s Maestà is not simply a fresco; it is a breathtaking window into the divine, a monumental achievement of the 14th century that continues to stir the souls of all who behold it. As one gazes upon this vast composition, they are immediately swept…

      More Симоне Мартини canvases, 11 to 100

      Madonna and Child (1325) by Симоне Мартини
      #12

      Madonna and Child

      1325

      The air within this small, intimate space feels heavy with a quiet, holy stillness. Within a warm, burnished gold background that suggests a divine, eternal realm, the Virgin…

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      Maestà (detail) (1315) by Симоне Мартини
      #14

      Maestà (detail)

      1315 · Palazzo Pubblico

      To gaze upon the detail of Simone Martini’s Maestà is to step through a portal into the golden age of Sienese Gothic art. Created around 1315, this fresco…

      Bogorodica idete (1325) by Симоне Мартини
      #15

      Bogorodica idete

      1325 · Isabella Stewart Gardner Museum

      Približite se kako biste uočili tihu intimnost ovog panela. Ovde Bogorodica drži Mladog Hrista na pozadini od teksturiranog zlatnog listova, površine koja kao da zrači sopstvenom mekom, unutrašnjom…

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      Maestà (detail) (1315) by Симоне Мартини
      #16

      Maestà (detail)

      1315 · Palazzo Pubblico

      The year is 1315, and within the vibrant heart of Siena, Italy, Simone Martini was meticulously crafting a masterpiece that would forever alter the course of European art.…

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      Blagoje Novoseljev Altarpiece (1324) by Симоне Мартини
      #18

      Blagoje Novoseljev Altarpiece

      1324 · Pinacoteca Nazionale

      Vizija svetosti i građanskog života: Blagoslovljeni Agostino Novello u oltaru Simeona Martinija Simeonov Oltar blagoslovljenog Agostina Novella, nastao 1324. godine, predstavlja mnogo više od obične religiozne slike; on…

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      Virgin and Child with Saints (1320) by Симоне Мартини
      #19

      Virgin and Child with Saints

      1320 · Isabella Stewart Gardner Museum

      The gold leaf catches the light, a flat and shimmering sky that holds no clouds. Within this luminous expanse, the Virgin Mary sits in the central panel, her…

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      Oltar Svetog Lava Tosalijskog (1317) by Симоне Мартини
      #20

      Oltar Svetog Lava Tosalijskog

      1317 · Museo di Capodimonte

      U tišini hodnika nacionalnog muzeja Capodimonte u Napulu počiva slika koja prevazilazi puko predstavljanje; to je uranjanje u srce pobožnosti, umetništva i dvorskog elegancije 14. veka. Oltar Svetog…

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      Burial of St Martin (detail) (1312) by Симоне Мартини
      #21

      Burial of St Martin (detail)

      1312

      A Window into Fourteenth-Century Devotion Simone Martini’s *Burial of St. Martin (detail)* isn't merely a fragment of a larger fresco; it is a poignant distillation of faith, grief,…

      Maestà (detail of the medallions) (1315) by Симоне Мартини
      #24

      Maestà (detail of the medallions)

      1315 · Palazzo Pubblico

      To gaze upon the Maestà (detail of the medallions) is to step through a portal into the golden age of Siena. Created around 1315 by the incomparable Simone…

      Saint Andrew (1326) by Симоне Мартини
      #26

      Saint Andrew

      1326 · Metropoliten музеј у Њујорку

      Saint Andrew Simone Martini’s Saint Andrew is more than just a portrait; it's a window into the artistic fervor of Siena in 1326, embodying the humanist spirit burgeoning…

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      Maestà (detalj) (1315) by Симоне Мартини
      #27

      Maestà (detalj)

      1315 · Palazzo Pubblico

      Eterni sjaj senješkog otmagenosti Pogrledati ovaj detalj iz Martinijevog dela Maestà znači zakoračiti kroz svetlucavo prozorno vreme u duhovno srce četvrnaestovečane Sijene. Ovo delo nije samo religijsko prikaza,…

      Maestà (detail) (1315) by Симоне Мартини
      #29

      Maestà (detail)

      1315 · Palazzo Pubblico

      A Vision of Maternal Grace: Exploring Simone Martini’s Maestà The fresco known as Maestà, completed around 1315 by Simone Martini and Pietro Lorenzetti in Siena Cathedral, stands as…

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      Guidoriccio da Fogliano (detail) (1328) by Симоне Мартини
      #31

      Guidoriccio da Fogliano (detail)

      1328 · Palazzo Pubblico

      To gaze upon this exquisite detail from Simone Martini’s Guidoriccio da Fogliano is to step through a portal into the golden age of Sienese artistry. Painted around 1328,…

      Polyptych (detail) (1320) by Симоне Мартини
      #32

      Polyptych (detail)

      1320 · Fitzwilliam College

      In the delicate fragment known as Polyptych (detail), we are invited to witness a profound moment of spiritual intimacy captured by the master Simone Martini. This captivating glimpse…

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      Maestà (detail) (1315) by Симоне Мартини
      #33

      Maestà (detail)

      1315 · Palazzo Pubblico

      A Glimpse of Divine Majesty: Simone Martini’s *Maestà* (Detail) Subject & Composition: This exquisite detail originates from a larger altarpiece, the *Maestà*, commissioned for the Palazzo Pubblico in…

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      The Dream of St. Martin (detail) (1312) by Симоне Мартини
      #35

      The Dream of St. Martin (detail)

      1312

      Discover this stunning fresco detail at WahooArt and explore high-quality reproductions to bring Simone Martini’s visionary artistry into your home.

      Sveti Jovan Bogdana (1330) by Симоне Мартини
      #37

      Sveti Jovan Bogdana

      1330 · Barber Institute of Fine Arts

      „Sveti Jovan Bogdana“ Simone Martinija, naslikan oko 1330. godine, nije samo prikaz biblijske figure; to je izuzetna destilacija sienenske dvorske elegancije i dubokog duhovnog razmišljanja. Ovaj intimni panel,…

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      Window (1312) by Симоне Мартини
      #40

      Window

      1312

      Simone Martini’s Window: A Fragment of Siena’s Gothic Soul The painting “Window” by Simone Martini—a masterpiece executed in 1312—isn't merely an image; it’s a portal into the artistic…

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      Boston Polyptych (1321) by Симоне Мартини
      #43

      Boston Polyptych

      1321 · Isabella Stewart Gardner Museum

      To stand before the Boston Polyptych is to step through a gilded portal into the spiritual heart of fourteenth-century Siena. Completed in 1321 by the incomparable master Simone…

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      Saint Andrew (?) by Симоне Мартини
      #46

      Saint Andrew (?)

      Muzej finih umetnosti u Bostonu

      The golden light of a celestial realm radiates from behind an elderly man, his presence fixed in a moment of quiet, holy contemplation. This figure, identified as Saint…

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      Meditation (detail) (1312) by Симоне Мартини
      #47

      Meditation (detail)

      1312

      Simone Martini's "Meditation," meticulously rendered in 1312, offers a poignant glimpse into the devotional practices and aesthetic sensibilities of Siena during the early 14th century. This intimate detail…

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      St Catherine and St Lucy (1320) by Симоне Мартини
      #49

      St Catherine and St Lucy

      1320 · Berenson Collection

      Simone Martini's “St Catherine and St Lucy,” painted circa 1320-25 in Siena, Italy, stands as a cornerstone of International Gothic art—a style characterized by exquisite detail, luminous color…

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      Maestà (detail of the medallions) (1315) by Симоне Мартини
      #50

      Maestà (detail of the medallions)

      1315 · Palazzo Pubblico

      A Window into Medieval Devotion: Exploring Simone Martini’s Maestà The fresco “Maestà” by Simone Martini, completed around 1315 in Siena, Italy, transcends mere visual representation; it embodies the…

      Crucifix (1321) by Симоне Мартини
      #51

      Crucifix

      1321

      This arresting depiction of the crucifixion, attributed to the masterful hand of Simone Martini, transcends mere religious iconography; it is a profound meditation on faith, suffering, and the…

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      Saint Judas Thaddeus (1315) by Симоне Мартини
      #53

      Saint Judas Thaddeus

      1315 · National Gallery of Art

      The apostle appears in a bust-length portrait, his head tilted slightly as he gazates beyond the frame. He holds a red book, likely representing scripture, against a flat,…

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      Maestà (detail) (1315) by Симоне Мартини
      #54

      Maestà (detail)

      1315 · Palazzo Pubblico

      A Window into Siena’s Spiritual Heart: Exploring Simone Martini's Maestà The fresco “Maestà,” executed by Simone Martini around 1315, isn’t merely a depiction of Mary enthroned; it’s an…

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      Christ on the Cross (1340) by Симоне Мартини
      #56

      Christ on the Cross

      1340 · Harvard Art Museums

      The figure hangs against a flat expanse of gold leaf. This light does not come from a sun or a candle; it radiates from the background itself, an…

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      Saint James Major (1315) by Симоне Мартини
      #59

      Saint James Major

      1315 · National Gallery of Art

      Step closer to observe the quiet dignity of this figure. This small panel, painted around 1315 to 1320, presents Saint James Major not as a distant deity, but…

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      A Saint Holding a Book (1337) by Симоне Мартини
      #62

      A Saint Holding a Book

      1337 · Birmingham Museum and Art Gallery

      A single figure, a saint, occupies an octagonal frame, captured from the waist up. He turns slightly to his left, eyes cast downward in contemplation. A luminous gold…

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      St. Luke (1330) by Симоне Мартини
      #63

      St. Luke

      1330 · J. Paul Getty Museum

      The figure of Luke the Evangelist appears in a moment of quiet study, his gaze directed downward toward an open manuscript. He wears a red tunic beneath a…

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      Saint Matthew (1315) by Симоне Мартини
      #64

      Saint Matthew

      1315 · National Gallery of Art

      A bust-length portrait of Saint Matthew occupies the center of this wood panel. The figure is an older man with wavy hair and a grey beard. He wears…

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      Polyptych of Santa Caterina (detail) (1319) by Симоне Мартини
      #68

      Polyptych of Santa Caterina (detail)

      1319 · Museo Nazionale di San Matteo

      A Window into Siena’s Spiritual Heart: Exploring Simone Martini's Polyptych of Santa Caterina Simone Martini’s *Polyptych of Santa Caterina*, completed in 1319, stands as a testament to the…

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      Saint Ansanus (1326) by Симоне Мартини
      #69

      Saint Ansanus

      1326 · Metropoliten музеј у Њујорку

      A vertical, bust-length portrait depicts Saint Ansanus against a textured gold leaf background. The subject possesses a pale complexion, large eyes, and wavy reddish-blonde hair. A circular golden…

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      Saint Simon (1315) by Симоне Мартини
      #70

      Saint Simon

      1315 · National Gallery of Art

      A waist-up portrait of Saint Simon occupies the center of this wood panel painting. The figure possesses short, wavy brown hair and a well-groomed beard. His gaze is…

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      Madonna of Mercyercy by Симоне Мартини
      #72

      Madonna of Mercyercy

      In the heart of the Sienese Golden Age, around 1305, Simone Martini breathed life into a masterpiece that would become an enduring icon of spiritual tenderness: the Madonna…

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      Consecration of the Chapel (1317) by Симоне Мартини
      #74

      Consecration of the Chapel

      1317

      In the quiet, hallowed corridors of the Basilica di San Domenico in Siena, there exists a fragment of time captured in pigment and plaster—a moment where the earthly…

      Saint Bartholomew (1317) by Симоне Мартини
      #76

      Saint Bartholomew

      1317

      A Saintly Portrait: Unveiling Simone Martini’s *Saint Bartholomew* This captivating panel depicts *Saint Bartholomew*, a work originating from the workshop of the celebrated Sienese artist Simone Martini in…

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      St Ladislaus, King of Hungary (1326) by Симоне Мартини
      #77

      St Ladislaus, King of Hungary

      1326 · Museo della Consolazione

      A Regal Vision: Simone Martini’s St. Ladislaus This exquisite panel painting by Simone Martini, created in 1326, presents a captivating depiction of St. Ladislaus, King of Hungary. Measuring…

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      St Anthony of Padua and St Francis (1317) by Симоне Мартини
      #80

      St Anthony of Padua and St Francis

      1317

      In the serene fresco St Anthony of Padua and St Francis, created in 1317, two men stand side by side within a composition framed by two arches. The…

      St. Catherine of Alexandria (1322) by Симоне Мартини
      #81

      St. Catherine of Alexandria

      1322 · Nacionalna galerija Kanade

      The Saint Catherine of Alexandria Polyptych emerges from the shadows of the fourteenth century, a work that carries the name Polyptych of Santa Caterina. In this composition, Simone…

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      Meditation (scene 6) (1312) by Симоне Мартини
      #83

      Meditation (scene 6)

      1312

      Painted circa 1312, “Meditation (Scene 6)” emerges from Siena during its golden age – a period marked by economic prosperity fueled by wool trade and a fervent devotion…

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      St. Martin is Knighted (detail) (8) (1312) by Симоне Мартини
      #85

      St. Martin is Knighted (detail) (8)

      1312

      In the delicate detail of St. Martin is Knighted, we are transported to the year 1312, stepping through a portal into the refined atmosphere of the Sienese school.…

      Window (1312) by Симоне Мартини
      #88

      Window

      1312

      The artwork, titled Window, is a stained glass window dating to 1312. The piece features a central painting of Jesus Christ standing on a cross. This figure is…

      Polyptych (detail) (1320) by Симоне Мартини
      #89

      Polyptych (detail)

      1320 · Fitzwilliam College

      The Luminous Grace of a Sienese Vision In the heart of the fourteenth century, amidst the golden glow of Siena, Simone Martini breathed life into a celestial realm…

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      Miraculous Mass (detail) (1312) by Симоне Мартини
      #90

      Miraculous Mass (detail)

      1312

      In the delicate detail of Simone Martini’s Miraculous Mass, a profound moment of spiritual encounter is captured through the masterful use of line and color. This fresco detail,…

      Miraculous Mass (scene 7) (1312) by Симоне Мартини
      #92

      Miraculous Mass (scene 7)

      1312

      In the middle level of the San Martino Chapel within the Lower Church of San Francesco in Assisi, the fresco Miraculous Mass (scene 7) presents a religious narrative…

      Miracle of Fire (scene 8) (1312) by Симоне Мартини
      #93

      Miracle of Fire (scene 8)

      1312

      In the hallowed stillness of the Basilica di San Francesco in Assisi, there exists a window into the profound spiritual landscape of the fourteenth century. Simone Martini’s “Miracle…

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      Guidoriccio da Fogliano (detail) (1328) by Симоне Мартини
      #95

      Guidoriccio da Fogliano (detail)

      1328 · Palazzo Pubblico

      The fragment presented here—a meticulously rendered detail from Simone Martini's "Guidoriccio da Fogliano"—offers a captivating window into the world of 14th-century Siena. More than just a portrait, this…

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      Blessing Christ (1317) by Симоне Мартини
      #96

      Blessing Christ

      1317 · Museo di Capodimonte

      Simone Martini's "Blessing Christ," painted in 1317, is more than simply a depiction of a religious scene; it’s a profound expression of the burgeoning elegance and devotional fervor…

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      St Mary Magdalen and St Catherine of Alexandria (1317) by Симоне Мартини
      #97

      St Mary Magdalen and St Catherine of Alexandria

      1317

      The fresco St Mary Magdalen and St Catherine of Alexandria, attributed to Simone Martini and painted around 1317, serves as a profound meditation on piety and righteousness. Within…

      St. Martin is Knighted (detail) (1312) by Симоне Мартини
      #100

      St. Martin is Knighted (detail)

      1312

      In the delicate brushstrokes of Simone Martini’s St. Martin is Knighted, we find more than a mere historical record; we encounter a window into the soul of fourteenth-century…

      Симоне Мартини's canvases, period by period

      What Симоне Мартини painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Симоне Мартини's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Симоне Мартини Paintings from this list
      Palazzo Pubblico, SijenaPalazzo Pubblico Sijena 17 Maestà (Madonna with Angels and Saints), Maestà (detail), Maestà (detail)
      Pinacoteca Nazionale, SijenaPinacoteca Nazionale Sijena 9 Blagoslovljeni Agostino Novello oltarski delo (detalj), Blagoje Novoseljev Altarpiece, Blagoslovljeni Agostino Novello oltarski delo (detalj)
      Galerija Ufizi, FirencaGalerija Ufizi Firenca 5 Anuncijacija i Dva Svetnika, Javljanje i dva svetitelja (detalj), Javljanje sa Svetom Margaretom i Svetim Ansanom
      National Gallery of Art, WashingtonNational Gallery of Art Washington 5 Saint Judas Thaddeus, Saint James Major, Saint Matthew
      Museo di Capodimonte, NapuljMuseo di Capodimonte Napulj 4 Oltar Svetog Luja iz Tuluza (detalj), Oltar Svetog Lava Tosalijskog, Altar of St Louis of Toulouse (without predella)
      Isabella Stewart Gardner Museum, BostonIsabella Stewart Gardner Museum Boston 4 Bogorodica idete, Virgin and Child with Saints, Boston Polyptych
      Metropoliten музеј у Њујорку, ЊујоркMetropoliten музеј у Њујорку Њујорк 4 Saint Andrew, Saint Ansanus
      Fitzwilliam College, CambridgeFitzwilliam College Cambridge 3 Polyptych (detail), Polyptych (detail)

      Симоне Мартини's best-loved canvas of each decade

      1. 1310s
        St Clare and St Elizabeth of Hungary (1317) by Симоне Мартини
        Canvas 4 of 100

        St Clare and St Elizabeth of Hungary

        Age 26 – 35

        This breathtaking fresco, measuring 215 x 185 cm, offers an unparalleled glimpse into the artistic genius of Simone Martini, a pivotal figure bridging the medieval and Renaissance periods.…

      2. 1320s
        Blagoslovljeni Agostino Novello oltarski delo (detalj) (1324) by Симоне Мартини
        Ranked 9 of 100

        Blagoslovljeni Agostino Novello oltarski delo (detalj)

        Age 36 – 45 · Pinacoteca Nazionale

        Remek-delo Simonea Martinija: Prozor u umetničku dušu Sijene Simone Martini, svetlost sieneskog slikarskog pravca, darovao nam je Blessed Agostino Novello Altarpiece (detail), zadivljujući svedočanstvo njegove neuporedivive veštine i…

      3. 1330s
        Anuncijacija i Dva Svetnika (1333) by Симоне Мартини
        Canvas 1 of 100

        Anuncijacija i Dva Svetnika

        Age 46 – 55 · Galerija Ufizi

        U uzvišenim prostorima Galerije Uffizi postoji trenutak zamrznut u vremenu, božansko presjekanje neba i zemlje koje su zabeležile majstorske ruke Simone Martinija i Lipa Memija. Anuncijacija sa Svetom…

      4. 1340s
        Blagoslov Spasitelja (timpanum) i Madonna Skromnosti (luneta) (1341) by Симоне Мартини
        45 of 100

        Blagoslov Spasitelja (timpanum) i Madonna Skromnosti (luneta)

        Age 56 – 60 · Notre-Dame des Doms

        Vizija Božanske Milosti: Simone Martinijevo „Blagoslov Savioara“ Simone Martinijev „Blagoslov Savioara (Timpanum) i Madonna Skromnosti (Luneta)“, naslikan 1341. godine, predstavlja zadivljujuće svedočenje o usponskoj umetničkoj briljantnosti Italije ranog…

      About Симоне Мартини's canvases: your questions answered

      What is the best-known painting by Симоне Мартини?Read the answer

      Anuncijacija i Dva Svetnika (1333), Galerija Ufizi, Firenca. Javljanje i dva svetitelja (detalj) (1333) and Javljanje sa Svetom Margaretom i Svetim Ansanom (1333) follow.

      What age was Симоне Мартини when Anuncijacija i Dva Svetnika was painted?Read the answer

      Симоне Мартини, born in 1284, was 49 years old: Anuncijacija i Dva Svetnika dates from 1333.

      What are the 10 most famous paintings by Симоне Мартини?Read the answer

      Anuncijacija i Dva Svetnika, Javljanje i dva svetitelja (detalj), Javljanje sa Svetom Margaretom i Svetim Ansanom, St Clare and St Elizabeth of Hungary, Oltar Svetog Luja iz Tuluza (detalj), Devica u Anuncijaciji, Saint Martin Renounces his Weapons (detail), Saint Martin Renounces his Weapons (detail), Blagoslovljeni Agostino Novello oltarski delo (detalj) and Maestà (Madonna with Angels and Saints). Each canvas in the ranking above comes with its year and its museum.

      How many works did Симоне Мартини paint in all?Read the answer

      151 works by Симоне Мартини are in our catalogue, dated 1311 to 1341.

      Where can I see Симоне Мартини's most famous canvases?Read the answer

      Mostly in Palazzo Pubblico (Sijena), Pinacoteca Nazionale (Sijena) and Galerija Ufizi (Firenca); the list above names each museum and its canvases.

      When did Симоне Мартини paint the best-loved canvases?Read the answer

      In 1310s, which gave 52 of the 100 works on this page, St Clare and St Elizabeth of Hungary among them.

      Which are Симоне Мартини's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Bogorodiica u slavi sa anđelima muzičarima (detalj) (1311); the latest is Blagoslov Spasitelja (timpanum) i Madonna Skromnosti (luneta) (1341).

      What did Симоне Мартини paint most often?Read the answer

      Medieval art (43), Simone martini (28) and Religious iconography (16), across the 100 works on this page.

      Which medium did Симоне Мартини paint in most often?Read the answer

      Tempera On Panel, used in 25 of the 100 works on this page.

      Which movement is Симоне Мартини's painting part of?Read the answer

      Internacionalna gotika and Gotika, as the canvases on this page show.

      Which Симоне Мартини canvases hang at the Palazzo Pubblico?Read the answer

      The Palazzo Pubblico, Sijena holds 12 of the works on this page, among them Maestà (Madonna with Angels and Saints), Maestà (detail) and Maestà (detail).

      Can I buy a reproduction of a Симоне Мартини canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Симоне Мартини: a life in paint

      Simone Martini – Maestro dell’Eleganza e della Grazia

      Simone Martini, nato intorno al 1284 nella città di Siena, Italia, rappresenta una figura chiave nella transizione dall'arte medievale a quella rinascimentale. Non fu solo un pittore; architetto dell'eleganza, maestro della linea e del colore che infondeva ai suoi lavori una raffinatezza cortese che lo distingueva dai contemporanei come Giotto. Storicamente, i suoi primi anni di formazione sono oggetto di alcune controversie: alcuni suggeriscono un apprendistato presso Duccio di Buoninsegna, il più importante artista sienese dell'epoca, mentre altri fanno riferimento a Firenze e all'influenza di Giotto – Martini ebbe senza dubbio una strada artistica unica.

      L’Influenza della Via Francigena e delle Correnti Artistiche Francesi

      Lo stile di Martini si distingue immediatamente dalla monumentalità favorita a Firenze. Abbracciò una sensibilità delicata, caratterizzata da linee fluide, dettagli decorativi morbidi e un senso generale di grazia. Questa estetica non nacque in isolamento; fu profondamente influenzata dalle forze esterne. La Via Francigena, importante percorso di pellegrinaggio attraversante l'Europa, portò con sé correnti artistiche dalla Francia – in particolare l’eleganza raffinata dell’illuminazione manoscritta e della scultura in avorio francese. Queste influenze sono immediatamente evidenti nell’opera di Martini, manifestandosi in motivi intricati, figure allungate e un’attenzione elevata alla decorazione superficiale. Martini non copiò semplicemente questi stili; li sintetizzò con le tradizioni artistiche esistenti a Siena creando qualcosa di completamente nuovo.

      Lo Stile Internazionale Gotico: Una Sintesi Innovativa

      Le opere di Martini sono caratterizzate dallo stile internazionale gotico, una corrente artistica che si distingue per l’eleganza, la raffinatezza e l’enfasi sui dettagli decorativi. Questo stile fu influenzato dalle tradizioni artistiche italiane del periodo precedente e dalla cultura francese dell'epoca.

      Il Maestà: Un Capolavoro di Raffinatezza

      La più celebre delle opere di Martini è senza dubbio la Maestà, affresco realizzato nel Palazzo Pubblico di Siena nel 1315. Questo ciclo pittorico rappresenta una pietra miliare nella storia dell'arte italiana e testimonia l’abilità artistica di Martini nel creare composizioni armoniosi e immagini ricche di emozione.

      Simone Martini: Un Maestro della Pittura Monumentale

      La Maestà è un esempio perfetto dello stile internazionale gotico, caratterizzato dall’uso di colori brillanti e illuminazione drammatica. Questo stile fu influenzato dalle tradizioni artistiche italiane del periodo precedente e dalla cultura francese dell'epoca.

      Simone Martini: Vita e Opere Principali

      Simone Martini ebbe una vita relativamente breve ma intensa, trascorsa principalmente a Siena e Firenze. Fu attivo come pittore, architetto e teorico dell’arte, contribuendo in modo significativo alla diffusione dello stile internazionale gotico e all'evoluzione della cultura rinascimentale.

      Simone Martini: Un Legato Duraturo

      L’opera di Simone Martini continua ad affascinare gli spettatori di tutto il mondo con la sua bellezza senza pari, armoniosa composizione e senso eterno dell’eleganza. È considerato uno dei più grandi artisti del suo tempo e un punto di riferimento per le generazioni successive di pittori.

      All 151 works by Симоне Мартини →