Те Клиника Агнова (1875) je slika po kojoj je Томас Икинс najpoznatiji; nalazi se u muzeju Philadelphia Museum of Art, Filadelfija. Swimming (1885) i Макс Шмитт у једној четкици (1871) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 346 dela umetnika Томас Икинс. Evo 100 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
Thomas Eakins’ “The Gross Clinic,” completed in 1875, stands as an enduring testament to the power of realism within American art history—a bold departure from romantic idealism and a profound engagement with scientific observation. More than just a depiction of surgery, it's a meticulously crafted tableau that captures a pivotal moment in medical advancement and confronts viewers with the complexities of human experience.
Thomas Eakins' "Swimming," painted in 1884, isn’t merely a depiction of men enjoying a summer afternoon by the water; it’s a meticulously constructed study of human form, motion, and the subtle tensions simmering beneath the surface of American society. This oil on canvas, currently residing within the Amon Carter Museum of American Art in Fort Worth, Texas, is a pivotal work that encapsulates Eakins' revolutionary approach to art – one…
Očaravajuća tema i kompozicija Ova izvrsna slika beleži spokojni trenutak na reci Skulkil, gde je fokus na Maksu Šmitu, istaknutom veslaču, koji se graciozno klizi u svom pojedinačnom čamcu. Kompozicija balansira dinamičnu energiju sporta sa mirnom lepotom prirodnog pejzaža. Scena poziva posmatrače u tihi, kontemplativni svet u kojem koegzistiraju ljudska veština i prirodna harmonija, izazivajući osećaj mirne samoće i atletske elegancije. Suptilni detalji površine vode, udaljeni most i bujne obale…
To stand before Thomas Eakins’s Portrait of Samuel Murray is not merely to observe a likeness; it is to engage in an intimate confrontation with the spirit of late nineteenth-century America. This oil on canvas, dating from 1889, stands as a monumental testament to the power and conviction of Realism. Eakins, whose career was marked by an almost scientific dedication to truth, eschewed the romantic veneer that often cloaked portraiture.…
The oil sketch for The Gross Clinic is a work by the American artist Thomas Eakins. Created in 1875, this piece serves as a preparatory study for a larger composition. The subject of the work is Dr. Samuel Gross of Jefferson Medical College. The scene depicts a medical team performing bone surgery on a young man.
To gaze upon Thomas Eakins' "The Dancing Lesson" is to step through a veil into a moment suspended in time—a breath held between notes of music and laughter. This captivating watercolor, executed in 1878, transcends the mere depiction of an event; it captures the very essence of human connection. The scene unfolds with an almost palpable warmth, inviting the viewer into a private gathering where generations interact through the universal…
Thomas Eakins’ “John Biglin in a Single Scull,” painted in 1873, is more than just a depiction of an oarsman at work; it’s a meticulously crafted meditation on observation, human physicality, and the burgeoning spirit of realism within American art. This watercolor masterpiece, born from Eakins' deep engagement with the everyday lives of Philadelphia’s elite – doctors, sportsmen, and laborers – offers a rare glimpse into a moment of intense…
To stand before this depiction of Jefferson Medical College is to step directly into the earnest, rigorous atmosphere of late nineteenth-century American intellectual life. The scene unfolds with an almost documentary precision, capturing not just a moment in time, but the very process of learning itself. We see a gathering—a cohort of men, perhaps students or young practitioners—assembled within what appears to be a lecture hall or clinic space. At…
To gaze upon Thomas Eakins's The Pair Oared Shell is to be invited into a moment suspended between exertion and profound tranquility. Painted in 1872, this work transcends a mere depiction of sport; it captures the very essence of shared human endeavor set against the backdrop of natural permanence. The scene unfolds on calm water, where two figures propel a long canoe, their synchronized effort forming a visual rhythm that…
To stand before Elizabeth Crowell with a Dog is to step directly into the nuanced, richly observed world of late nineteenth-century Philadelphia. Thomas Eakins, the master chronicler of American realism, has gifted us more than just a portrait; he offers an intimate tableau vivant. The scene unfolds with remarkable quietude: Elizabeth Crowell, clad in striking red, kneels gracefully beside her canine companion. Her posture speaks of deep connection, her hand…
To stand before Thomas Eakins's Portrait of Mrs. Helen Mac Knight (Portrait of a Mother) is to encounter not merely a likeness, but a profound meditation on the…
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In the quiet, profound depths of Thomas Eakins’ Portrait of Walt Whitman, we encounter more than just a likeness; we witness a monumental collision of two American icons.…
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Thomas Eakins’ “Swimming,” painted in 1884, isn't merely a depiction of men enjoying a summer day; it’s a profound exploration of the human form, movement, and the burgeoning…
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The Unflinching Gaze of American Realism To stand before Thomas Eakins' Portrait of Frank Hamilton Cushing is to encounter not merely a likeness, but a profound study in…
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In the quiet, damp expanses of the New Jersey marshes near the Delaware River, a profound drama of human endurance unfolds within Thomas Eakins’s 1874 masterpiece, Pushing for…
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In the hushed atmosphere of a Philadelphia parlor, time seems to decelerate within the frame of Thomas Eakins’s 1876 masterpiece, The Chess Players. This intimate oil on wood…
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To stand before Thomas Eakins’s Portrait of Mary Adeline Williams is not merely to observe a likeness; it is to engage in an intimate dialogue with the past.…
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Thomas Eakins's "William Rush Carving His Allegorical Figure of the Schuylkill River" isn’t merely a depiction of an artist at work; it’s a meticulously crafted window into 19th-century…
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Thomas Eakins: A Pioneer of Anatomical Realism Thomas Cowperthwait Eakins (1844–1916) stands as a monumental figure in American art—a painter of unflinching realism who dedicated his life to…
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Thomas Eakins’s “Home Ranch,” painted in 1892 and now residing within the Philadelphia Museum of Art, isn't a grand historical tableau or a dramatic portrait; instead, it offers…
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The Weight of Shadow A single light source strikes from the upper left, carving the face of J. Harry Lewis out of a heavy, dark void. The man…
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In this 1904 oil portrait, we are invited into a quiet, shadowed space to meet Joseph R. Woodwell. He is presented in a three-quarter profile, his body angled…
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The room falls silent as she turns her gaze toward the left, her eyes a clear, steady blue that seems to hold a lifetime of unspoken thoughts. She…
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The light catches the soft, white texture of a well-groomed goatee, pulling the viewer's gaze toward the face of Joshua Ballinger Lippincott. He sits in a moment of…
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In this 1895 oil on canvas, an older gentleman is seated in a large, plush armchair. The chair is a deep red, featuring a soft, velvet-like texture and…
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Thomas Eakins' "The Courtship," painted in 1878, is more than just a portrait; it’s a meticulously observed study of human connection—a quiet tableau brimming with unspoken emotions and…
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A Study in Shadow and Form Sketch for Portrait of Mother Patricia Waldron emerges as a raw, preparatory exploration of character. The composition centers on an elderly woman…
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The painting The Oarsmen by Thomas Eakins is a beautiful representation of two men rowing a boat on the water. Created in 1874, this oil on canvas piece…
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Arthur B. Frost emerges from the shadows in this 1886 oil on canvas, a work executed after Thomas Eakins. The subject sits in a bust-length view, his body…
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The portrait presents a three-quarter length view of Archbishop James Frederick Wood, seated in a posture of quiet authority. The composition relies on a dramatic chiaroscuro, where light…
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A formal, full-length portrait of Sophia Wells Royce Williams, captured in 1891. She is positioned centrally against a dark, atmospheric background, her presence defined by a sense of…
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The oil on canvas portrait, dated 1895, depicts Emily Tennison Magill, known as Mrs. Frank Hamilton Cushing. She is positioned in a three-quarter view, seated and facing toward…
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A solitary man sits anchored in a dimly lit room, his profile cutting a sharp silhouette against the heavy gloom. He leans toward a table, his body caught…
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The air in the room feels heavy, thick with the weight of a long career reaching its twilight. Dr. Agnew sits before us, a man of profound intellectual…
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The room falls away into a deep, indistinct darkness, leaving only the presence of a woman caught in a soft, directional light. She sits before us, her gaze…
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Retrospection is an oil painting created by the artist Thomas Eakins. The work was executed in 1880. This piece is rendered in oil on a surface of canvas…
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In this oil study, Thomas Eakins presents a quiet, introspective moment through the figure of a man. Titled Study of a Groom, the work emerged in the United…
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The oil on canvas portrait, dated 1897, presents a close-up view of a young girl, centered within the frame from the head to the shoulders. The subject is…
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The portrait presents a bust-length study of Professor William Woolsey Johnson, rendered with a focus on the psychological weight of the subject. Positioned slightly off-center, the man gazes…
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The portrait presents Archbishop James Frederick Wood in a moment of quiet, seated introspection. Positioned slightly off-center, the figure occupies a space defined by deep shadows and a…
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Step closer and observe the way the light settles upon the subject. In this 1890 oil on canvas, we find ourselves in the presence of a young person…
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In this intimate oil on canvas, we encounter The Bohemian (Portrait of Franklin Louis Schenck), a work executed by the American artist Thomas Eakins. Created in the United…
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In this 1886 oil on cardboard study, two figures sit within a dark, indeterminate space. The composition is vertically oriented, focusing on the interaction of light and shadow…
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In the Portrait of Blanche Hurlburt, Thomas Eakins presents a somber and intimate encounter with his subject. The woman is captured in a bust-length view, her profile turned…
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This oil sketch, created in 1892, presents a solitary female figure positioned slightly off-center against a dark, indistinct background. The composition is vertically oriented. The subject wears a…
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The room falls away into a deep, indistinct darkness, leaving only the presence of an elderly man emerging from the gloom. He sits in a quiet, contemplative stillness,…
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The portrait presents James MacAlister through a lens of somber realism. Captured in a three-quarter length view, the subject sits centrally against an indistinct, textured background that offers…
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The Portrait of Elizabeth L. Burton is a significant oil on canvas work by the American artist Thomas Eakins. Created between 1905 and 1906, this portrait captures a…
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A powerful, somber presence fills the space, defined by the heavy interplay of light and dark. The subject, a muscular male figure, is captured in profile, his upper…
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In 1879, Thomas Eakins turned his attention to a quiet, singular moment of domestic life. Old Lady Sewing presents us with an elderly woman absorbed in the rhythmic,…
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In this 1895 oil on canvas, a young woman is positioned in a bust-length view, oriented slightly off-center. She looks toward the right of the frame, her gaze…
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A single male figure emerges from a heavy, dark void, caught in a moment of quiet, somber presence. The air around him feels thick, as if the very…
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The Portrait of Dr. Edward J. Nolan is an oil on canvas work by the American artist Thomas Eakins. Created in the United States, this painting captures the…
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The scene unfolds through Sketch for Music (The Violinist), a work that captures a fleeting moment of musical intensity. Created in the United States, this piece emerges from…
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In the quiet corridors of the Philadelphia Museum of Art, there exists a window into the profound psychological landscape of the late nineteenth century. Thomas Eakins’s “Portrait of…
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The room feels quiet, held in a heavy, respectful stillness as Rear Admiral George Wallace Melville sits before us. He is an elderly man, his face etched with…
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The artwork is titled Portrait of Mrs. Fairman Rogers (Study for The Fairman Rogers Four-in-Hand). It was painted by the American artist Thomas Eakins in 1879. The subject…
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The painting titled Study of a Nude Man (The Strong Man) is an oil on canvas work by the artist Thomas Eakins. Created in the United States, this…
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This oil sketch presents a profile view of an elderly man, identified as Bertrand Gardel, an elderly French teacher. The subject is positioned toward the right side of…
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In this 1898 portrait, we encounter a man whose presence seems to emerge from the shadows of his own history. The subject, General E. Burd Grubb, is rendered…
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In this half-length portrait, we encounter Kern Dodge, a young man captured in a moment of profound stillness. He is positioned in profile, his gaze directed slightly toward…
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In this 1907 oil on canvas, the gaze of Miss Eleanor S. F. Pue meets the observer through the steady hand of Thomas Eakins. The portrait captures a…
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To stand before Thomas Eakins’s Portrait of Mary Adeline Williams is to enter into a silent, profound dialogue with the late nineteenth century. Completed in 1899, this masterpiece…
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Thomas Eakins’s “Elizabeth at the Piano” is more than a simple depiction of a woman playing an instrument; it's a meticulously crafted meditation on solitude, observation, and the…
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This oil study, dated 1885, presents a dense arrangement of animal forms, likely cattle or oxen, within a low-light environment. The composition lacks a singular focal point, instead…
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Sketch for Portrait of Monsignor James P. Turner is a painting by the American artist Thomas Eakins. Created about 1906, this work focuses on the figure of Monsignor…
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The oil sketch titled Billy Smith (Sketch for Between Rounds) is a work by the American artist Thomas Eakins. This study captures a moment of heavy stillness, focusing…
Unesite ovu svetlost u svoj dom →Četiri teme koje se najčešće pojavljuju na ovim platnima, svaka sa svojim najomiljenijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Томас Икинс | Slike iz ovog spiska |
|---|---|---|---|
 Philadelphia Museum of Art |
Filadelfija | 82 | Те Клиника Агнова, Sketch for The Gross Clinic, The Pair Oared Shell |
 Metropoliten музеј у Њујорку |
Њујорк | 18 | Макс Шмитт у једној четкици, The gross clinic jefferson medical college of th, Pushing for Rail |
 Yale University Art Gallery |
New Haven | 11 | John Biglin in a Single Scull, Archbishop James Frederick Wood (1813-1883), Dr. Agnew (Dr. D. Hayes Agnew) (1818-1892) |
 Pennsylvania Academy of Fine Arts |
Filadelfija | 16 | Fifty Years Ago (Young Girl Meditating): Study, Spinning: Sketch, Charles Edmund Dana |
 National Gallery of Art |
Washington | 11 | Annie C. Lochrey Husson (Mrs. Louis Husson), The Biglin Brothers Racing |
 Fine Arts Museums of San Francisco |
San Francisco | 4 | The Courtship, Professor William Woolsey Johnson |
 Crystal Bridges Museum of American Art |
Bentonville | 4 | Archbishop James Frederick Wood, The Model |
 Art Institute of Chicago |
Čikago | 3 | Riter Fitzgerald, Portrait of Mary Adeline Williams |
A powerful, somber presence fills the space, defined by the heavy interplay of light and dark. The subject, a muscular male figure, is captured in profile, his upper…
Thomas Eakins’ “The Gross Clinic,” completed in 1875, stands as an enduring testament to the power of realism within American art history—a bold departure from romantic idealism and…
Thomas Eakins' "Swimming," painted in 1884, isn’t merely a depiction of men enjoying a summer afternoon by the water; it’s a meticulously constructed study of human form, motion,…
The Unflinching Gaze of American Realism To stand before Thomas Eakins' Portrait of Frank Hamilton Cushing is to encounter not merely a likeness, but a profound study in…
To stand before Thomas Eakins's Portrait of Mrs. Helen Mac Knight (Portrait of a Mother) is to encounter not merely a likeness, but a profound meditation on the…
Те Клиника Агнова (1875), Philadelphia Museum of Art, Filadelfija. Prate ih Swimming (1885) i Макс Шмитт у једној четкици (1871).
Томас Икинс, rođen/a 1844, imao/la je 31 godina: Те Клиника Агнова datira iz 1875.
Те Клиника Агнова, Swimming, Макс Шмитт у једној четкици, Portrait of Samuel Murray, Sketch for The Gross Clinic, The Dancing Lesson, John Biglin in a Single Scull, The gross clinic jefferson medical college of th, The Pair Oared Shell i Elizabeth Crowell with a Dog. Svako platno u gornjem rangiranju sadrži godinu nastanka i naziv muzeja.
U našem katalogu se nalazi 346 dela umetnika Томас Икинс, datiranih od 1869 do 1908.
Većinom u Philadelphia Museum of Art (Filadelfija), Metropoliten музеј у Њујорку (Њујорк) i Yale University Art Gallery (New Haven); gornja lista navodi svaki muzej i njegova platna.
U 1890s, koji obuhvata 29 od 100 dela na ovoj stranici, među njima je i Portrait of Frank Hamilton Cushing.
Najstarije platno ovde je iz Study of a Nude Man (The Strong Man) (1869) godine; najnovije je iz The Model (1908) godine.
Portrait (27), Man (26) i Woman (16), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, korišćeno u 49 od 100 dela na ovoj stranici.
Realism i Contemporary realism, kao što pokazuju platna na ovoj stranici.
Muzej Philadelphia Museum of Art, Filadelfija čuva 38 dela sa ove stranice, među kojima su i Те Клиника Агнова, Sketch for The Gross Clinic i The Pair Oared Shell.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
