River scene (1910) je slika po kojoj je Walter Wright najpoznatiji; nalazi se u muzeju Auckland Art Gallery Toi o Tāmaki, Oklend. Shelly Beach (1916) i The Canoe Builders (1915) upotpunjuju triju najomiljenijih platna. Naš katalog sadrži 8 dela umetnika Walter Wright. Evo 8 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Walter Wright | Slike iz ovog spiska |
|---|---|---|---|
| Oklend | 8 | River scene, Shelly Beach, The Canoe Builders |
River scene (1910), Auckland Art Gallery Toi o Tāmaki, Oklend. Prate ih Shelly Beach (1916) i The Canoe Builders (1915).
Walter Wright, rođen/a 1866, imao/la je 44 godina: River scene datira iz 1910.
U našem katalogu se nalazi 8 dela umetnika Walter Wright, datiranih od 1898 do 1916.
Većinom u Auckland Art Gallery Toi o Tāmaki (Oklend); gornja lista navodi svaki muzej i njegova platna.
U 1910s, koji obuhvata 4 od 8 dela na ovoj stranici, među njima je i River scene.
Najstarije platno ovde je iz A Quiet stream, Hangitiki (1898) godine; najnovije je iz Shelly Beach (1916) godine.
Muzej Auckland Art Gallery Toi o Tāmaki, Oklend čuva 8 dela sa ove stranice, među kojima su i River scene, Shelly Beach i The Canoe Builders.
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Born in Nottingham, England, Walter Wright emigrated to New Zealand with his family following the death of his father. Settling in Auckland, he began his professional journey as an upholstery apprentice on Shortland Street. His artistic talent emerged early, and he began exhibiting with the Auckland Society of Arts, where his seaside scenes were noted for their inherent genius. Seeking further refinement, Wright and his brother Frank returned to England to study at the Heatherley Art School, where Walter studied under Stanhope Forbes.
Upon returning to New Zealand, Wright established a studio in Auckland, where he worked as both an artist and a teacher. His career was marked by extensive travels throughout the country, producing a series of seventy-five watercolours that illustrated William Pember Reeves' book, New Zealand. He also contributed work to Frank Fox's Oceania.
Wright became a leading exponent in the depiction of Māori life and culture. His subject matter was diverse, ranging from everyday scenes of women washing clothes in hot pools and harvesting crops to large social gatherings. His work A Native Gathering received significant praise at the Auckland Society of Arts' 1910 annual exhibition. Other notable works include The Canoe Builders, a collaboration with his brother Frank, and The Burning of the Boyd, Whangaroa Harbour, 1809, which was acclaimed as the finest picture at the 1908 exhibition.
In his later years, Wright's output was impacted by failing eyesight, leading him to cease teaching. Following the death of his brother Frank in 1923, he became somewhat reclusive. He died in Auckland, leaving behind a legacy of works held in significant collections, including the Auckland Art Gallery Toi o Tāmaki.