1
The Last Match
Rukom oslikana uljana reprodukcija od $203 29 × 35 cm
Isti veličine kao original $570 100 × 131 cm Naručite u originalnim dimenzijama →
William Small, 1843 – 1929
1 najpoznatijih dela umetnika William Small
The Last Match (1887) je slika po kojoj je William Small najpoznatiji. Naš katalog sadrži 1 dela umetnika William Small. Evo 1 najpoznatijih, sa godinom nastanka, muzejom i pričom o svakom platnu.
Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano новембар 2026. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu od lana ili kao umetnički print, izrađen u dimenzijama koje sami odaberete.
- Rođen · umro
- 1843 – 1929, Edinburgh
- Radovi u našem katalogu
- 1
- Najpoznatije
- The Last Match (1887)
Deset najomiljenijih slika umetnika William Small
Najpoznatija platna umetnika William Small, jedno za drugim
Sva platna William Small datirana na ovoj stranici pripadaju godini 1887: evo ih, poređanih prema slavi.
-
1887
1 od 1The Last Match
Platna umetnika William Small, odgovor po odgovor
Po kojem platnu je William Small najpoznatiji?Pročitajte odgovor
The Last Match (1887)
The Last Match: koliko je godina imao/la William Small kada je ovo delo nastalo?Pročitajte odgovor
William Small, rođen/a 1843, imao/la je 44 godina: The Last Match datira iz 1887.
Koliko je slika stvorio/la William Small?Pročitajte odgovor
U našem katalogu se nalazi 1 dela umetnika William Small.
Gde mogu kupiti reprodukciju slike od William Small?Pročitajte odgovor
Da. Svaku sliku sa ove stranice možete naručiti sa njene posebne stranice kao ručno oslikano ulje na platnu ili kao umetnički print, u veličini koju odaberete.
Upoznajte umetnika: William Small
A Life in Lines and Light
Born in Edinburgh, United Kingdom, in 1843, William Small occupied a significant space in the visual landscape of the Victorian era. He was a man of many mediums, moving with ease between the precision of a draftsperson and the fluid grace of a watercolorist. His career was defined by a prolific output that reached far beyond the walls of private studios, finding its way into the hands of the public through the pages of noted periodicals such as The Graphic, Good Words, and Once a week. He possessed a particular ability to translate complex narratives into striking illustrations, a skill that earned him a reputation as one of the most successful illustrators of his time.
His technical range was vast. Whether working in oil on canvas or through the delicate application of lithography, Small demonstrated a mastery over his tools. His work often leaned toward the Idyllic school, a style that favored a certain sense of peace and pastoral beauty. This inclination is visible in his ability to capture the quietude of nature and the subtle tensions of human interaction.
The Breadth of a Victorian Career
Small’s professional life was marked by a steady accumulation of accolades and institutional recognition. His contributions to the arts were not confined to a single genre, but rather spanned the essential disciplines of the nineteenth-century illustrator and painter. His reach extended from the bustling centers of London to the galleries of Manchester, Liverpool, and Leicester.
His professional identity was shaped by several key roles and honors:
- Painter and watercolorist
- Illustrator for major periodicals
- Draftsperson and lithographer
- Recipient of the R.I. and H.R.S.A. titles
The Final Chapter
As the decades progressed, Small’s influence remained steady, even as the artistic sensibilities of the era began to shift. He remained a fixture of the British art scene until his death in Worcester, England, in 1929. His legacy is preserved not merely in individual canvases, but in the historical record of the periodicals that relied on his hand to bring stories to life. From the quietude of The woodlands to the more spirited scenes of The Last Match, his work remains a window into the visual language of a bygone age.