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Upplaga 2026 · 3 konstverk Varje konstverk målas på beställning
Linnecanvas · Äkthetsintyg · Levereras över hela världen Cesare Maccari · 1840 – 1919

Presentation to Vittorio Emanuele of the Roman Plebiscite av Cesare Maccari, 1886

1886 · Sala Del Risorgimento, Siena

Visa det mest populära konstverket av Cesare Maccari rankad som nr 1: Presentation to Vittorio Emanuele of the Roman Plebiscite

Color Palette: Earthy

Teknik: Handmålad olja på linnecanvas
Tillverkad av: Beställs av en utbildad konstnär
Popularitet: Nr 1 av 3 konstverk av Cesare Maccari
Leverans: Cirka 5 veckor över hela världen

från$17836 × 28 cm Beställ detta konstverk

Leonardo Painting the Mona Lisa (1863) by Cesare Maccari

1863 · original 97.0 x 130.0cm

Visa det mest populära konstverket av Cesare Maccari rankad som nr 2: Leonardo Painting the Mona Lisa

Color Palette: Earthy

Teknik: Handmålad olja på linnecanvas
Tillverkad av: Beställs av en utbildad konstnär
Popularitet: Nr 2 av 3 konstverk av Cesare Maccari
Leverans: Cirka 5 veckor över hela världen

från$30337 × 27 cm Beställ detta konstverk

Samma storlek som originalet$654130 × 97 cm Beställ i originalstorlek

Cesare Maccari, Decoration of the Sala del Risorgimento (1886)

1886

Visa det mest populära konstverket av Cesare Maccari rankad som nr 3: Decoration of the Sala del Risorgimento

Teknik: Handmålad olja på linnecanvas
Tillverkad av: Beställs av en utbildad konstnär
Popularitet: Nr 3 av 3 konstverk av Cesare Maccari
Leverans: Cirka 5 veckor över hela världen

från$17829 × 35 cm Beställ detta konstverk

Konstnären

Cesare Maccari

1840 – 1919

Snabbfakta

Art period19th Century
Also known asチェーザレ・マッカリ, Чезаре Маккари
Died1919
Works on APS3
Top 3 worksPresentation to Vittorio Emanuele of the Roman Plebiscite, Leonardo Painting the Mona Lisa, Decoration of the Sala del Risorgimento
Born1840, Siena, Italy

Biografi

Cesare Maccari: A Life in Art and History

Born: Siena, Italy (1840)
Died: Rome, Italy (1919)
Nationality: Italian
Known For: Painting, Frescoes, Historical Subjects

Early Life and Training

Maccari was born in Siena, a city rich in artistic heritage.
He began his formal training at the Institute of the Fine Arts in Siena alongside Tito Sarrocchi, demonstrating early aptitude for both painting and sculpture.
His studies included assisting with the completion of the Monumento Pianigiani in Siena, showcasing his developing skills.
Further artistic development occurred under the tutelage of Luigi Mussini in Florence, a significant figure in Florentine art at the time.
Early patronage from Marquis Pieri-Nerli led to commissions for frescoes depicting the four evangelists in a private chapel, marking an early step towards recognition.
A stipend allowed him to study in Rome and travel throughout Italy, broadening his artistic exposure and influences.

Mature Artistic Career: Roman Period

Upon settling in Rome, Maccari produced significant works including Vittoria Colonna meditates on the Poetry of Michelangelo and Sira che sacrifica la propia vita for the padrona Fabiola, earning him medals at exhibitions.
He was commissioned to decorate the church of the Sudario in Rome between 1870 and 1873 with frescoes.
Maccari's skill extended to tempera painting, exemplified by his work Love crowning the three Graces exhibited at the Turin Exposition in 1878.
His canvas depicting The Deposition of Pope Silverius by Antonina, wife of Belisarius was awarded a gold medal and acquired for the Civic Museum of Turin.
Notable works from this period include Leonardo che ritrae la Gioconda (Leonardo painting the Mona Lisa), which garnered recognition in 1865.
He decorated the Sala del Risorgimento in Siena's Palazzo Pubblico with frescoes celebrating Italian unification, a testament to his patriotic sentiments and artistic abilities.

Major Achievements: Frescoes and Historical Depictions

Between 1882 and 1888, Maccari created the monumental fresco cycle for the "Sala Maccari" in Palazzo Madama's Salone d’Onore, depicting significant events from Roman Senate history.
His most famous work, Cicerone denuncia Catilina (Cicero Denounces Catiline), is a centerpiece of this cycle and remains widely recognized for its dramatic portrayal of the historical event. While praised for capturing the atmosphere of the scene, it has also been noted for some historical inaccuracies regarding the location of the Senate meeting.
He undertook the extensive fresco project decorating the cupola of the Basilica di Loreto (1890-1907), depicting events leading to the proclamation of the dogma of the Immaculate Conception.

Legacy and Historical Significance

Cesare Maccari's artistic legacy lies in his ability to blend classical influences with historical narratives, creating visually compelling depictions of significant moments in Roman history and Italian national identity.
Cicerone denuncia Catilina has become an iconic representation of the Roman Senate and is frequently reproduced in textbooks and historical accounts.
His frescoes in Palazzo Madama remain a testament to his skill as a fresco artist and his contribution to Italian art.
Maccari's work reflects the artistic trends of the 19th century, particularly Neoclassicism and Romanticism, while also contributing to the visual representation of Italian national history during the Risorgimento period.

Frågor och svar

Vilka andra namn eller alias använder sig Cesare Maccari av?

Cesare Maccari är även känd under namnen チェーザレ・マッカリ, Чезаре Маккари.

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Av TopImpressionists.com redaktionella team Uppdaterad 3 september 2026

Samlarens quiz

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