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      Georg Jung, 1899 – 1957

      Georg Jungs 1 mest kända målningar

      Eva (1947) är det målning som Georg Jung är mest känd för. Vår katalog innehåller 1 verk av Georg Jung. Här är de 1 mest kända, med årtal, museum och historien bakom varje duk.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026.

      Porträtt av Georg Jung
      Georg Jung · 1899 – 1957
      Född · död
      1899 – 1957, Salzburg
      Verk i vår katalog
      1
      Mest kända
      Eva (1947)

      De tio mest älskade målningarna av Georg Jung

      Georg Jungs mest kända dukar, år efter år

      De daterade dukarna av Georg Jung på denna sida är alla från 1947: här är de, i ordning efter kändisskap.

      1. 1947
        Eva (1947) av Georg Jung
        Duk 1 av 1

        Eva

        Ålder 48

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      Eva (1947)

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      Georg Jung, född 1899, var 48 år gammal: Eva är från 1947.

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      1 verk av Georg Jung finns i vår katalog.

      Möt konstnären: Georg Jung

      The Life and Artistic Evolution of Georg Jung

      Born in Salzburg, Austria, Georg Jung grew up in an international atmosphere as the son of the proprietor of the Hotel de l’Europe. His early inclinations toward drawing were shaped by the prominent artists who stayed at his family's hotel during the Salzburg Festival. After leaving school in 1916 to serve as a one-year volunteer, he later moved to Vienna to study medicine, while simultaneously attending an evening course in life drawing at the Kunstgewerbeschule. His early work was characterized by sketches of battle scenes and views of Salzburg, eventually evolving into oil paintings and drawings.

      Jung’s career was marked by significant institutional involvement, including membership in the Hagenbund from 1925 to 1938 and the Vienna Secessionists from 1945 to 1952. Despite his artistic pursuits, he managed the Hotel de l’Europe until 1938, when he was forced to sell the property under pressure from the German Wehrmacht. His artistic journey saw him move from expressionist and cubist tendencies toward abstraction in his later years. Notably, his work was classified as "degenerate" by the National Socialists, resulting in an exhibition ban in 1942.

      Technique and Color Theory

      A central theme in Jung's development was the scientific study of color. He traveled to Dresden to meet the Nobel Prize-winning physicist Wilhelm Ostwald to explore the concept of color as a manifestation of partial light quantities. This fascination with color theory culminated in his late work with the development of the "Colormobile," a kinetic apparatus designed to create continuously changing color constellations. His repertoire included diverse subjects, from portraits and landscapes to religious themes, as well as architectural contributions such as a sundial on a university building and a fresco in the Franciscan Church.

      His notable works include: