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Guide till studentkonst

Arcangelo Corelli

Namn Klass Datum

Carlo Maratta, Arcangelo Corelli (1700), Royal College of Music Museum. Allmän egendom Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
Carlo Maratta topimpressionists.com/sv/artists/carlo-maratta_sv/
Konstnärens levnadstid
1625 – 1713
Målat
1700
Visas på
Royal College of Music Museum topimpressionists.com/sv/museums/royal-college-of-music-museum-london/

I sammanhanget

Arcangelo Corelli — Carlo Maratta

När målades detta?

  1. 1620
  2. 1630
  3. 1640
  4. 1650
  5. 1660
  6. 1670
  7. 1680
  8. 1690
  9. 1700
  10. 1710

Övre raden: åren. Undre raden: konstnärens ålder vid början och slutet av varje tidsperiod — 0 vid födseln, 88 vid dödsfallet.

Målat när konstnären var 75. Konstnären blev 88 år gammal. 14 av de 17 daterade verk av denna konstnär i vår katalog skapades tidigare.

Skuggat: Carlo Maratta livstid (1625–1713) ▲ detta verk, 1700 varje daterad målning, decennium för decennium

Första verk: fram till 1680 Huvudsakliga verksamma år: 1680–1690 Senare verk: från 1690

Dessa tre intervall delar upp de verk som denna katalog har ett datum för i en första fjärdedel, en mittre hälft och en sista fjärdedel. De utgör inte konstnärens fullständiga produktion: ett glesare skede kan vara ett avbrott i dokumentationen snarare än en period av stillhet. Samma år med konstnärens liv utlagt längs dem

Liknande verk

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: topimpressionists.com/sv/art/similar/carlo-maratta-arcangelo-corelli-D69EFE-en/

Färger

Mätt från bilden

    Huvudfärg

    Espresso #3d3023

    Sparad palett

    • #3D3023
    • #B4A17F
    • #7B674C
    • #221F19

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Färgpalett
    Earthy Den dominerande färggruppen i bilden.
    Huvudfärg
    Espresso
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Serene I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Strong Color Unity Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Deep_shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av Carlo Maratta under de senaste tolv månaderna — 7 länder totalt. Varifrån dessa siffror kommer

    De tio ledande länderna

    1. 1 Kina 69,2%
    2. 2 Hong Kong 10,3%
    3. 3 Kazakstan 10,3%
    4. 4 Italien 2,6%
    5. 5 Nederländerna 2,6%
    6. 6 Singapore 2,6%
    7. 7 Amerikas förenta stater 2,6%

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar denna målning i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 20 mest visade verken av Carlo Maratta

    1. 1 Hedringen av prästerna (i krona) 12,8%
    2. 2 The Virgin Appearing to St Philip Neri, 1675 10,3%
    3. 3 Arcangelo Corelli, 1700 denna målning 10,3%
    4. 4 The infant Romulus and two studies of a man's left arm 7,7%
    5. 5 The Sleep of the Infant Jesus, with Musician Angels, 1697 5,1%
    6. 6 Two Studies for the Head of an Old Woman, 1685 5,1%
    7. 7 Self-Portrait 5,1%
    8. 8 Holy Family 2 5,1%
    9. 9 Adoration of the Shepherds, 1690 2,6%
    10. 10 Study for a Statue of the Apostle Peter, 1703 2,6%
    11. 11 Assumption and the Doctors of the Church, 1689 2,6%
    12. 12 Adoration of the Thorn Crown 2,6%
    13. 13 Retrato de Faustina Maratti., 1686 2,6%
    14. 14 Study for Jael Slaying Sisera 2,6%
    15. 15 Cardinal Antonio Barberini 2,6%
    16. 16 Madonna and Child 2,6%
    17. 17 Faith and Justice Enthroned 2,6%
    18. 18 Holy Family 2,6%
    19. 19 Painter Andrea Sacchi 2,6%
    20. 20 Hercules and Onfalia 2,6%

    Tillsammans utgör dessa verk 92,7% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 64 verk av denna konstnär, varav 23 har betraktats minst en gång. Denna målning rankas som nummer 3 av dem, med 10,3% av den uppmärksamheten. Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Om detta konstverk

    Arcangelo Corelli — Carlo Maratta

    The first composer to build his reputation solely on the basis of instrumental works, to achieve fame through the music publishing industry, and to be canonised and studied long after the style of his time became outmoded, Arcangelo Corelli (1653–1713) was a violinist, influential teacher and concertmaster. He was also a friend of the artist Carlo Maratta (1625–1713), who painted a portrait of Corelli which it is thought was brought to England in the late seventeenth century by Corelli

    Konstnär och museum

    Konstnär

    Carlo Maratta

    Född i Camerano, Italien

    Carlo Maratta – A Synthesis of Style and Influences

    Carlo Maratta, often known as Maratti, stands as a pivotal figure in 17th-century Italian painting, embodying the transition from the High Baroque to a more refined and classically inspired aesthetic. Born on May 15, 1625, in Camerano, within the Papal States—now part of Italy—his artistic journey began with an early move to Rome at the age of eleven. This relocation proved transformative, as he entered the studio of Andrea Sacchi, a painter renowned for his measured compositions and commitment to classical ideals. Sacchi’s influence would profoundly shape Maratta's developing style, instilling in him a dedication to clarity, balance, and a restrained emotionalism that distinguished him from more flamboyant Baroque contemporaries. This apprenticeship wasn’t merely technical training; it was an immersion into a philosophical approach to art, one prioritizing intellectual rigor and harmonious design over dramatic spectacle. He absorbed these principles, yet he wouldn’t remain solely within their confines, demonstrating a remarkable ability to synthesize classical foundations with the prevailing currents of Baroque sensibility.

    Early Life and Education: Maratta’s formative years were marked by his relocation to Rome and subsequent tutelage under Andrea Sacchi, where he honed his skills in mastering classical ideals alongside Baroque techniques.

    The Flourishing Career in Rome: By the mid-1650s, Maratta rapidly gained recognition for his talent and commissions, establishing himself as a favored artist among prominent Roman families and securing papal patronage.

    A Synthesis of Styles and Influences: Maratta’s distinctive style—often termed “classicizing Baroque”—seamlessly blended classical elegance with Baroque dynamism, resulting in works that captivated audiences intellectually and emotionally.

    Major Works & Lasting Impact

    Maratta's artistic legacy extends beyond individual paintings; it resides in his articulation of a style that bridged two eras, offering a balanced aesthetic rooted in classical tradition while acknowledging the expressive power of Baroque art. His contributions solidified his position as one of the most influential painters of his time and continue to inspire artists today. Notable masterpieces include Apollo Chasing Daphne, showcasing dynamic movement and emotion; Adoration of the Magi demonstrating masterful color palettes and compositional balance; Adoration of the Shepherds, celebrated for its divine symbolism and dramatic arrangement; The Visitation, reflecting Maratta’s early mastery of light and movement within a religious context; and The Mystery of the Trinity Revealed to St. Augustine, exemplifying his ability to fuse classical idealism with Baroque elements.

    Restoration and Legacy

    Recognizing Maratta's unparalleled skill, Innocent XI entrusted him with overseeing the monumental restoration project of Raphael’s frescoes in the Vatican Stanze—a responsibility that underscored his authority as a scholar of classical art and cemented his enduring reputation as a champion of artistic heritage. This undertaking wasn’t merely about repairing damaged paintings; it was an act of reverence for one of Italy's greatest artistic treasures, entrusted to a master who understood its profound significance. Maratta continued producing artwork prolifically until his death in Rome on December 15, 1713, leaving behind a vast and influential body of work that continues to be studied and admired worldwide.

    Influence & Recognition

    Giovanni Pietro Bellori’s biography documented Maratta's artistic approach, highlighting his dedication to intellectual rigor and harmonious design—principles that resonated throughout the Baroque period and beyond. His paintings can now be found in museums across Europe and America, ensuring that Maratta’s vision persists as a cornerstone of Western art history.

    Museum

    Royal College of Music Museum

    Utställd på London, United Kingdom

    A Symphony of History: The Soul of South Kensington

    Nestled within the prestigious cultural enclave of Albertopolis, the Royal College of Music Museum stands as a profound testament to the enduring power of sound and the meticulous preservation of musical heritage. To step across its threshold in South Kensington is to leave the modern bustle of London behind and enter a meticulously curated cabinet of wonders, where five centuries of sonic artistry converge. The museum is far more than a mere repository for historical artifacts; it is an immersive journey through the very evolution of Western music. Founded in 1883 as the successor to the National Training School of Music, the institution was born from a noble vision to elevate musical education in Britain, nurtured by royal patronage and a dedication to excellence that remains palpable in every corridor. For the art lover or the discerning collector, the museum offers a rare opportunity to witness the tangible links between the creative minds of the past and the instruments that gave voice to their genius.

    The architectural setting of the museum provides a majestic backdrop that complements its storied collection. Designed by Sir Arthur Blomfield in the striking Flemish Mannerist style during the early 1890s, the building is a masterpiece of Victorian grandeur. Its facade, constructed from rich red brick and accented with the warmth of Welden stone, commands attention within London’s cultural landscape. As one enters, the architectural details—such as the imposing statues of Samson Fox and the Prince of Alwaleed—evoke a sense of reverence and timelessness. This physical space does not merely house history; it actively participates in the museum experience, creating an atmosphere of scholarly elegance that resonates with the importance of the treasures held within its walls.

    Treasures of Craftsmanship and Creative Legacy

    The true heart of the Royal College of Music Museum lies in its extraordinary collection, a diverse assembly of over 15,000 musical treasures that illuminate the lives of legendary composers. Among the most breathtaking highlights are the Stradivarius violins, exquisite examples of lutherie whose craftsmanship is matched only by their hauntingly beautiful voices. To stand before such an instrument is to connect with a lineage of virtuosity, feeling the weight of history in its polished wood and delicate varnish. The collection also offers intimate encounters with the masters; visitors can find themselves face-to-face with the most recognized portraits of Joseph Haydn, alongside personal belongings that offer a poignant glimpse into the daily existence of the composer. These objects serve as much more than historical curiosities; they are the physical echoes of melodies that have shaped human emotion for generations.

    Beyond the classical canon, the museum possesses a remarkable ability to bridge the gap between tradition and the contemporary zeitgeist. This is evidenced by its bold approach to exhibition, such as showcasing the intersection of classical heritage and modern iconoclasm through exhibits featuring figures like Kurt Cobain. Such curation ensures that the museum remains a living, breathing entity, relevant to the modern era while honoring its roots. For interior designers and lovers of fine aesthetics, the museum’s ability to present the evolution of form—from the earliest known guitars to magnificent grand pianos—provides endless inspiration drawn from the marriage of functional design and artistic expression.

    The museum continues to thrive as a center for innovation through its involvement in performance science, exploring the physiological and psychological dimensions of musical execution. This commitment to research ensures that the institution remains at the forefront of musical understanding, making it a vital destination for scholars and enthusiasts alike. Whether wandering through self-guided tours or attending a Friday lunch chamber performance, every visitor is invited to participate in a continuous symphony of history, where the echoes of the past harmonize beautifully with the innovations of the future.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Arcangelo Corelli

    topimpressionists.com/sv/art/download/carlo-maratta-arcangelo-corelli-D69EFE-en/

    Källhänvisning för detta konstverk

    MLA
    Maratta, Carlo. Arcangelo Corelli. 1700, Royal College of Music Museum. https://topimpressionists.com/sv/art/carlo-maratta-arcangelo-corelli-D69EFE-en/
    APA
    Maratta, Carlo (1700). Arcangelo Corelli [Painting]. Royal College of Music Museum. https://topimpressionists.com/sv/art/carlo-maratta-arcangelo-corelli-D69EFE-en/
    Chicago
    Carlo Maratta. Arcangelo Corelli. 1700. Royal College of Music Museum. https://topimpressionists.com/sv/art/carlo-maratta-arcangelo-corelli-D69EFE-en/
    Harvard
    Maratta, Carlo (1700) Arcangelo Corelli. Royal College of Music Museum. Available at: https://topimpressionists.com/sv/art/carlo-maratta-arcangelo-corelli-D69EFE-en/

    Granska detaljerna

    Arcangelo Corelli — Carlo Maratta

    Granska detaljerna

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Se tillbaka på André Le Nôtre (1681) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    4. Carlo Maratta var ungefär 75 när detta skapades. Vad i verket påminner om arbetet hos en konstnär i den åldern?
    5. Vad kan konstnären ha velat att du ska känna?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Hur gammal var Carlo Maratta när "Arcangelo Corelli" skapades?

    Carlo Maratta skapade "Arcangelo Corelli" vid 75 års ålder. Konstnären föddes 1625 och verket är daterat 1700.

    Är "Arcangelo Corelli" av Carlo Maratta fri från upphovsrätt?

    "Arcangelo Corelli" av Carlo Maratta är allmän egendom – upphovsrätten har löpt ut. Denna status avgör hur bilden av verket får återges.

    Vilket format har "Arcangelo Corelli" av Carlo Maratta?

    "Arcangelo Corelli" av Carlo Maratta är en komposition i Portrait. Det är värt att kontrollera proportionerna innan du väljer tryckstorlek.