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Guide till studentkonst

On a Hillside

Namn Klass Datum

James Patchell Chettle, On a Hillside (1935), Salford Museum - Art Gallery. Allmän egendom Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
James Patchell Chettle topimpressionists.com/sv/artists/james-patchell-chettle/
Konstnärens levnadsår
1871 – 1944
Målat
1935
Ursprunglig storlek
62 x 75 cm
Plats för utställning
Salford Museum - Art Gallery topimpressionists.com/sv/museums/salford-museum-art-gallery-greater-manchester_sv/

I sammanhanget

On a Hillside — James Patchell Chettle

Vilken storlek har den?

Originalet mäter 62 × 75 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När målades detta?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Övre raden: åren. Undre raden: konstnärens ålder vid början och slutet av varje tidsperiod — 0 vid födseln, 73 vid dödsfallet.

Målat när konstnären var 64. Konstnären blev 73 år gammal. 4 av de 13 daterade verk av denna konstnär i vår katalog skapades tidigare.

Skuggat: James Patchell Chettle livstid (1871–1944) ▲ detta verk, 1935 varje daterad målning, decennium för decennium

Första verk: fram till 1934 Huvudsakliga verksamma år: 1934–1941 Senare verk: från 1941

Dessa tre tidsperioder delar upp de verk som denna katalog omfattar i en första fjärdedel, en mittre hälft och en sista fjärdedel. De utgör inte konstnärens fullständiga produktion: ett glesare skede kan bero på luckor i dokumentationen snarare än på en period av stillhet. Samma år med konstnärens liv utlagt längs dem

Jämför med

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.

Fler verk som passar tillsammans med detta: topimpressionists.com/sv/art/similar/james-patchell-chettle-on-a-hillside-AQUH7E-en/

Färger

Mätt från bilden

    Huvudfärg

    Driftwood #90894b

    Katalogiserad palett

    • #90894B
    • #6B6C3B
    • #42402C
    • #AFAF9E

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Namn på huvudfärg
    Driftwood
    Intensitet
    Balanced Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Gentle I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Unified Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Bright Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Balanced Soft Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • lägst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av James Patchell Chettle under de senaste tolv månaderna — 2 länder totalt. Var dessa siffror kommer ifrån

    De tio ledande länderna

    1. 1 Kina 80,0%400 visits
    2. 2 Amerikas förenta stater 20,0%100 visits

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 6 mest visade verken av James Patchell Chettle

    1. 1 Winter Evening, Derbyshire, 1938 20,0%100 visits
    2. 2 Pulteney Bridge, Bath, 1938 20,0%100 visits
    3. 3 Above the Valley, 1943 20,0%100 visits
    4. 4 Solitude, 1932 20,0%100 visits
    5. 5 Sharpness, 1934 20,0%100 visits
    6. — On a Hillside, 1935 denna målning 0,0%0 visits

    Tillsammans utgör dessa verk 100,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 13 verk av denna konstnär, varav 5 har betraktats minst en gång. Denna målning har ännu inte visats under den här perioden — den avslutar listan utan en ranking. Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Om detta konstverk

    On a Hillside — James Patchell Chettle

    The painting On a Hillside by James Patchell Chettle is a captivating piece that showcases the artist's skill in capturing the beauty of rural landscapes. Created in 1935, this oil on canvas work measures 62 x 75 cm and is currently located at the Salford Museum - Art Gallery in Salford, United Kingdom.

    The Painting's Composition

    The painting depicts a barn situated on top of a hillside, surrounded by lush green grass and trees. The barn appears to be old and weathered, adding character to the scene. In the background, a house is visible, further emphasizing the rural atmosphere. The overall effect is one of serenity and tranquility, inviting the viewer to step into the peaceful countryside setting. Key Features of the painting include:

    The use of warm colors to create a sense of comfort and relaxation

    The attention to detail in the depiction of the barn and surrounding landscape

    The effective use of light and shadow to add depth and dimension to the scene

    Other notable works by artists such as Joos Vincent De Vos and Camille Pissarro can be found on AllPaintingsStore.com, including Farmhouses and La Cote de Chou a Pontoise. These paintings showcase the artists' skill in capturing the beauty of rural landscapes and are available as handmade oil painting reproductions.

    For more information on James Patchell Chettle and his work, visit AllPaintingsStore.com. The website also features a range of other artists and paintings, including works by Edmund William Greacen and Paul Baum.

    Konstnär och museum

    Konstnär

    James Patchell Chettle

    James Patchell Chettle (1871-1944): A Pioneer of Landscape Impressionism

    James Patchell Chettle (1871-1944) was a British artist and businessman born in Sale, Cheshire. His family’s involvement in the cotton trade shaped his early life and instilled a lifelong appreciation for craftsmanship and detail—qualities that would permeate his artistic endeavors. He married Esther Davenport in 1896 and together they established a thriving textile business in Liverpool, providing him with both financial stability and exposure to diverse cultural influences.

    Early Life & Education: Chettle’s formative years were spent honing his artistic skills through self-study and experimentation. Although formal academic training was absent, he possessed an innate talent for capturing the beauty of the natural world—a passion that would define his artistic vision.

    Notable Works: Chettle's oeuvre comprises a remarkable collection of landscapes predominantly executed in oil paint, showcasing a distinctive Impressionistic style characterized by vibrant color palettes and loose brushstrokes. Among his most celebrated paintings are “Place de Verdun, La Rochelle” (1929), depicting the bustling Provençal cityscape with meticulous attention to light and atmosphere, and "Winter Evening, Derbyshire," which portrays a serene snowy landscape imbued with subtle tonal variations.

    The Influence of Impressionism & Artistic Technique

    Chettle’s artistic approach was deeply rooted in the principles of Impressionism—a movement that championed capturing fleeting moments of sensory experience rather than striving for photographic realism. Artists like Claude Monet and Camille Pissarro served as pivotal inspirations, guiding Chettle's exploration of color theory and brushwork techniques. He skillfully employed impasto—thickly applied paint—to create textural surfaces that conveyed the dynamism of light and air—a hallmark of his distinctive style.

    Color Palette: Chettle favored bold hues derived from nature, prioritizing complementary colors to heighten visual impact.

    Brushwork: Loose, expressive brushstrokes were central to his technique, allowing him to convey the immediacy and spontaneity of observation.

    Recognition & Legacy

    James Patchell Chettle’s artistic achievements garnered considerable acclaim during his lifetime, particularly within the Manchester Academy of Fine Arts where he served as president from 1934 to 1945. His dedication to fostering artistic excellence and promoting British art history cemented his place in the annals of Victorian and Edwardian art. Today, Chettle’s paintings reside primarily in private collections and are exhibited at JMU & The Michener Art Museum, ensuring that his contribution to landscape Impressionism continues to inspire admiration and scholarly study.

    Further Exploration

    For a more comprehensive understanding of James Patchell Chettle's life and artistic legacy, consult resources such as:

    Manchester Academy of Fine Arts: http://mafa.org.uk/past_presidents/james-patchell-chettle/

    Artprice: https://www.artprice.com/artist/87551/james-patchell-chettle

    Notable Paintings

    Place de Verdun, La Rochelle (1929)

    Winter Evening, Derbyshire

    Museum

    Salford Museum - Art Gallery

    Utställd på Greater Manchester, United Kingdom

    A Victorian Legacy Preserved: Exploring Salford Museum & Art Gallery

    Salford Museum & Art Gallery stands as a testament to both artistic heritage and local identity, nestled in the heart of Greater Manchester. Founded in 1850 as Britain’s first free public library—a bold vision for its time—the museum resides within Lark Hill House, a magnificent mansion constructed in 1790 that now serves as an evocative backdrop to its remarkable collections. More than just bricks and mortar, Lark Hill embodies the spirit of Victorian ambition and philanthropy, mirroring the values underpinning the institution’s enduring mission.

    Architectural Significance:

    The mansion's Georgian façade speaks volumes about the era’s aesthetic sensibilities—symmetry, grandeur, and meticulous craftsmanship are hallmarks of its design. Its interior spaces have been thoughtfully preserved, allowing visitors to step back in time and experience the atmosphere of Victorian society.

    A Journey Through Time:

    Lark Hill Place, a meticulously recreated Victorian streetscape, isn’t merely decorative; it's an immersive educational tool. Visitors can wander amongst period shops and residences, gaining firsthand insight into daily life during the 1890s—a fascinating contrast to the modern cityscape surrounding it.

    Celebrating Artistic Diversity: The Museum’s Collection Highlights

    Salford’s artistic treasures span centuries, reflecting influences from across Europe and beyond. The Paintings Gallery houses masterpieces by artists ranging from Romantic painters like John Constable to Impressionists experimenting with light and color. Examining these canvases reveals not only stylistic evolution but also the cultural preoccupations of their respective times—themes of landscape, portraiture, and mythology are recurring motifs.

    Ceramic Excellence:

    The Ceramics Collection showcases a stunning progression in pottery techniques and artistic expression. From Staffordshire porcelain to Wedgwood stoneware, each piece tells a story about industrial innovation and decorative artistry.

    Decorative Arts Showcase:

    Explore exquisitely crafted furniture pieces—Victorian sofas upholstered in velvet and mahogany tables adorned with inlaid marquetry—alongside textiles featuring intricate floral patterns and vibrant hues. These objects illuminate the tastes of Victorian elites and demonstrate the skill of artisans working at the forefront of their craft.

    More Than Just Exhibits: Engaging Experiences

    Salford Museum & Art Gallery distinguishes itself through its commitment to fostering connections between art and community. Regular events, including artist talks and workshops, provide opportunities for visitors to engage directly with artistic ideas and practices. Furthermore, the ‘Relax with Art’ sessions offer a tranquil space for contemplation and reflection—a welcome respite from the bustle of urban life.

    Accessibility & Community Focus:

    Admission is free, reflecting the museum's dedication to inclusivity and ensuring that art appreciation remains accessible to all.

    Supporting Local Talent:

    The Museum’s Shop offers a curated selection of gifts inspired by Salford’s artistic heritage—a tangible reminder of the museum’s mission to celebrate creativity.

    A Destination for Inspiration

    Whether you're an art historian researching Victorian aesthetics, an interior designer seeking inspiration for elegant spaces, or simply someone captivated by history and beauty, Salford Museum & Art Gallery promises a rewarding experience. Its unique blend of architectural grandeur, artistic diversity, and community engagement makes it a truly exceptional cultural institution.

    Läs mer här

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för On a Hillside

    topimpressionists.com/sv/art/download/james-patchell-chettle-on-a-hillside-AQUH7E-en/

    Källhänvisning för detta konstverk

    MLA
    Chettle, James Patchell. On a Hillside. 1935, Salford Museum - Art Gallery. https://topimpressionists.com/sv/art/james-patchell-chettle-on-a-hillside-AQUH7E-en/
    APA
    Chettle, James Patchell (1935). On a Hillside [Painting]. Salford Museum - Art Gallery. https://topimpressionists.com/sv/art/james-patchell-chettle-on-a-hillside-AQUH7E-en/
    Chicago
    James Patchell Chettle. On a Hillside. 1935. Salford Museum - Art Gallery. https://topimpressionists.com/sv/art/james-patchell-chettle-on-a-hillside-AQUH7E-en/
    Harvard
    Chettle, James Patchell (1935) On a Hillside. Salford Museum - Art Gallery. Available at: https://topimpressionists.com/sv/art/james-patchell-chettle-on-a-hillside-AQUH7E-en/

    Titta närmare

    On a Hillside — James Patchell Chettle

    Se närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Se tillbaka på The Grain Warehouse (1931) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    4. James Patchell Chettle var ungefär 64 när detta skapades. Vad i verket påminner om arbetet hos en konstnär i den åldern?
    5. Vad kan konstnären ha velat att du ska känna?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Är bilden av "On a Hillside" av James Patchell Chettle fri att återge?

    När det gäller upphovsrätt är "On a Hillside" allmän egendom – upphovsrätten har löpt ut.

    Vilken färgton dominerar i "On a Hillside"?

    "On a Hillside" lutar åt en Green to Violet Spectrum ton.

    Är "On a Hillside" av James Patchell Chettle ett ljust eller mörkt konstverk?

    Sammantaget har "On a Hillside" registrerats som bright. Upplevd ljusstyrka beskriver hur ljust eller mörkt verket framstår.