Papper
Namn Klass Datum

Maurice Frederick Codner, Digby Chamberlain (1896–1962) (1947), Leeds General Infirmary. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren. Se denna duk i rörligt ljus: teckningen, den sanna färgen under vernissen, det nakna pigmentet

Fakta om verket

Konstnär
Maurice Frederick Codner topimpressionists.com/sv/artists/maurice-frederick-codner/
Konstnärens levnadsår
1888 – 1958
Målat
1947
Ursprunglig storlek
90 x 70 cm
Plats för utställning
Leeds General Infirmary topimpressionists.com/sv/museums/leeds-general-infirmary-leeds/

I sammanhanget

Digby Chamberlain (1896–1962) — Maurice Frederick Codner

Vilken storlek har den?

Originalet mäter 90 × 70 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När målades detta?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Övre raden: åren. Undre raden: konstnärens ålder vid början och slutet av varje tidsperiod — 0 vid födseln, 70 vid dödsfallet.

Målat när konstnären var 59. Konstnären blev 70 år gammal. 10 av de 15 daterade verk av denna konstnär i vår katalog skapades tidigare.

Skuggat: Maurice Frederick Codner livstid (1888–1958) ▲ detta verk, 1947 varje daterad målning, decennium för decennium

Första verk: fram till 1938 Huvudsakliga verksamma år: 1938–1948 Senare verk: från 1948

Dessa tre tidsperioder delar upp de verk som denna katalog omfattar i en första fjärdedel, en mittre hälft och en sista fjärdedel. De utgör inte konstnärens fullständiga produktion: ett glesare skede kan bero på luckor i dokumentationen snarare än på en period av stillhet. Samma år med konstnärens liv utlagt längs dem

Jämför med

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som skiljer dem åt.

Fler verk som passar tillsammans med detta: topimpressionists.com/sv/art/similar/maurice-frederick-codner-digby-chamberlain-1896-1962-AQVD3B-en/

Färger

Mätt från bilden

    Huvudfärg

    Quinacridone Magenta #87644d

    Katalogiserad palett

    • #87644D
    • #1F2523
    • #D2B28C
    • #323B3C

    Dessa färger i konstnärens hela palett Hitta andra målningar efter färg

    Namn på huvudfärg
    Quinacridone Magenta
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Balanced I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Discordant Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Deep_shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Var i världen betraktas den här målningen?

    • lägst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% och mer
    Denna målning har i sig själv för få registrerade besökare för att kunna kartläggas, så planschen visar varje verk av Maurice Frederick Codner under de senaste tolv månaderna — 2 länder totalt. Var dessa siffror kommer ifrån

    De tio ledande länderna

    1. 1 Kina 80,0%
    2. 2 Nya Zeeland 20,0%

    Hitta de tre mörkaste länderna på kartan. Finns museet som förvarar den här målningen i något av dem? Skriv ner en anledning till varför människor långt borta skulle kunna titta på den.

    De 6 mest visade verken av Maurice Frederick Codner

    1. 1 Mrs Hoy as Women's Auxiliary Air Force Officer (1939–1945), 1940 55,6%
    2. 2 Digby Chamberlain (1896–1962), 1947 denna målning 22,2%
    3. 3 Lieutenant Colonel Charles Herbert Gibson (1881–1962), 1950 5,6%
    4. 4 Colonel C. E. Heathcote, CB, CMC, DSO, 1928 5,6%
    5. 5 Sir George Broadbridge (1869–1952), Lord Mayor of London (1936) 5,6%
    6. 6 Sir Alfred Munnings Seated 5,6%

    Tillsammans utgör dessa verk 100,0% av all den uppmärksamhet som denna konstnärs målningar har fått under de senaste tolv månaderna. Katalogen innehåller 17 verk av denna konstnär, varav 6 har betraktats minst en gång. Denna målning rankas som nummer 2 av dem, med 22,2% av den uppmärksamheten. Samma siffror, månad för månad

    Staplarna mäter uppmärksamhet, inte kvalitet. Välj verket högst upp och detta: nämn en sak som kan göra en målning berömd utöver hur väl den är målad.

    Konstnär och museum

    Konstnär

    Maurice Frederick Codner

    The Sculptor’s Vision: The Life and Legacy of Maurice Frederick Codner

    In the vibrant tapestry of early twentieth-century British art, few figures possessed the dual mastery of form and light as Maurice Frederick Codner. Born in London on September 27, 1888, Codner emerged as a versatile force, navigating the delicate boundary between the tactile permanence of sculpture and the ephemeral beauty of portraiture. His artistic journey was one of profound observation, driven by an enduring fascination with the grandeur of the English countryside and the nuanced character of the individuals who inhabited it. Through his hands, the stillness of stone and the fluidity of oil paint both conspired to capture a specific, dignified era of British history.

    Codner’s artistic foundation was laid within the prestigious halls of the Slade School of Fine Art, an environment that nurtured his technical precision. During these formative years, he studied alongside luminaries such as William Orpen and Henry Tonks, engaging in a creative dialogue that would shape his approach to composition and light. Under the guidance of Bertram MacDowell, Codner mastered the principles of tonal harmony and atmospheric perspective—elements that would later allow him to imbress his landscapes with a sense of living breath. This rigorous training provided him with more than just skill; it instilled a deep respect for traditional techniques that he would eventually marry with the experimental spirit of Impressionism.

    A Mastery of Form and Surface

    While many recognize Codner for his ability to capture the human likeness, his contributions to the sculptural arts remain a cornerstone of his legacy. His reputation reached international heights through monumental commissions for the Bode Museum in Berlin, Germany. In works such as “The Shepherd,” Codner demonstrated an extraordinary ability to translate Impressionistic ideals—the play of light and the texture of nature—into three-dimensional reality. He approached sculpture not merely as a study of anatomy, but as an exploration of surface and emotion, much like his approach to painting.

    In his paintings, Codner often employed a technique reminiscent of sculptural depth, utilizing textured impasto to create palpable irregularities on the canvas. This thick application of paint allowed him to mimic the rugged textures of the natural world, lending his landscapes an extraordinary level of detail and emotional weight. Whether he was working in the medium of clay or oil, his goal remained constant: to capture the essence of a subject through a sophisticated interplay of light, shadow, and physical presence.

    The Portraitist to the Elite

    Beyond the sweeping vistas of the countryside, Codner’s brush was frequently called upon to document the faces of his age. He became one of Britain's most sought-after portrait painters, possessing a rare ability to convey both the social stature and the inner humanity of his subjects. His portfolio serves as a historical record of mid-century British society, featuring an array of notable figures including:

    King George VI, captured with the dignity befitting his reign;

    Queen Elizabeth, the Queen Mother, in a portrait that stands as a testament to his skill in capturing grace;

    The celebrated singer Kathleen Ferrier;

    Prominent theatrical figures such as Athene Seyler and Evelyn Laye;

    Distinguished leaders like Lord Alexander of Tunis and Gwilym Lloyd-George.

    This prolific career in portraiture was supported by his active involvement in prestigious artistic institutions. As a member and former honorary secretary of the Royal Society of Portrait Painters (RP), as well as a member of the Royal Academy (RA), the New English Art Club (NEAC), and the Paris Salon, Codner was deeply embedded in the professional fabric of the art world. His work did not merely exist within galleries; it lived within the halls of power and the hearts of the public, bridging the gap between high art and historical commemoration. When he passed away on March 10, 1958, he left behind a body of work that remains a vital window into the soul of a bygone Britain.

    Museum

    Leeds General Infirmary

    Utställd på Leeds, United Kingdom

    A Legacy Forged in Stone and Steel: Exploring Leeds General Infirmary

    The Leeds General Infirmary isn’t merely a hospital; it's a monumental testament to Victorian ambition, medical innovation, and the enduring spirit of healing. Nestled within the heart of Leeds, this imposing structure stands as a palimpsest – layers of history etched into its red brick façade, whispering tales of workhouse roots, pioneering surgical advancements, and a continuous evolution towards modern healthcare. A visit here transcends a simple observation of medical artifacts; it’s an immersive journey through two centuries of social transformation, architectural grandeur, and the relentless pursuit of alleviating human suffering. The LGI's story is inextricably linked to that of Leeds itself – a city forged in industry, driven by innovation, and deeply rooted in its commitment to progress.

    The Infirmary’s origins trace back to 1767, born from the urgent need to provide basic sustenance and care for the impoverished residents of Leeds. Initially functioning as a workhouse, it was a stark reflection of the social inequalities prevalent at the time. However, the true genesis of the building we see today began in 1863 with the ambitious vision of Sir George Gilbert Scott. His design, deeply influenced by the Gothic Revival style and informed by Florence Nightingale’s revolutionary ideas on ventilation and hygiene, represents a remarkable synthesis of tradition and progress. The ‘pavilion’ plan, maximizing natural light and airflow within the wards, was groundbreaking for its time – a deliberate attempt to create an environment conducive to recovery and well-being. Scott's meticulous attention to detail is evident in every arched window, every intricately carved stone dressing, and the overall sense of solemn dignity that permeates the building.

    Within the LGI’s walls resides a remarkable collection that chronicles the dramatic evolution of medical practice. Gleaming Victorian surgical instruments – some surprisingly delicate, others brutally utilitarian – offer a tangible connection to an era when medicine was both art and science. Historical photographs capture pioneering doctors and nurses in their roles, alongside poignant glimpses into the daily lives of patients navigating illness and recovery. The museum doesn’t shy away from confronting the difficult realities of medical history; it presents them with sensitivity and context, prompting reflection on how far we've come. Interactive displays illuminate key breakthroughs – from the development of trauma care techniques that now underpin the LGI’s role as a regional Major Trauma Centre to the groundbreaking hand transplantation program, showcasing the hospital’s continued commitment to pushing the boundaries of medical possibility. The collection is not simply static; it breathes with the stories of those who sought and received treatment within its walls.

    Architectural Marvel and Victorian Innovation

    The architecture itself is a captivating narrative. The red brick façade, adorned with Venetian Gothic windows and intricate stone dressings, exudes an air of both solemnity and grandeur. Scott’s design wasn't merely aesthetic; it was deeply informed by contemporary medical thinking. The ‘pavilion’ plan, prioritizing light and ventilation – a direct response to Nightingale’s principles – is a testament to the intersection of art and science in Victorian architecture. The central courtyard, now housing a tranquil garden, represents a deliberate attempt to create a restorative environment for patients. Note the Potts clock, a remarkable feat of engineering that once regulated ward activities, and the meticulously crafted mosaic floor within the reception hall—details that speak volumes about the era’s craftsmanship and values.

    A Living Landmark: Preservation and Evolution

    What truly distinguishes Leeds General Infirmary is its unique ability to seamlessly blend past and present. The original Victorian architecture has been carefully preserved and integrated into a modern hospital complex, creating a compelling dialogue between heritage and innovation. The ongoing development of the site – including plans for new maternity units – demonstrates a commitment to both honoring the institution’s rich history and meeting the evolving needs of the community it serves. This isn't a static museum frozen in time; it is a living landmark, constantly adapting while remaining deeply rooted in its past. The LGI stands as a powerful symbol of human resilience—our relentless pursuit of knowledge, our unwavering dedication to healing, and our profound capacity for compassion.

    Notable Exhibitions and Historical Highlights

    While the entire building is a museum in itself, several exhibitions within the LGI offer deeper insights into specific areas of medical history. The ‘Victorian Surgery’ display showcases an array of surgical instruments, alongside detailed explanations of the procedures they were used to perform. The ‘Pioneering Nurses’ exhibit celebrates the vital role played by nurses throughout the hospital's history, highlighting their dedication and innovation. Furthermore, temporary exhibitions regularly explore specific medical advancements or historical events, ensuring that the LGI remains a dynamic center for learning and reflection. The museum also hosts regular open days and guided tours, providing visitors with opportunities to delve deeper into its fascinating story.

    Connecting to Leeds’s Past

    The LGI's history is inextricably linked to the broader narrative of Leeds itself. As one of the city’s oldest institutions, it reflects the growth and development of Leeds as a major industrial and commercial center. The surrounding area – including the historic city centre and the River Aire – provides a rich context for understanding the Infirmary’s significance. The LGI's presence has shaped the landscape of Leeds, serving as a focal point for healthcare and community engagement. Exploring the hospital offers a unique opportunity to connect with the city’s past, present, and future—a testament to the enduring legacy of healing and innovation.

    Läs mer här

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Digby Chamberlain (1896–1962)

    topimpressionists.com/sv/art/download/maurice-frederick-codner-digby-chamberlain-1896-1962-AQVD3B-en/

    Källhänvisning för detta konstverk

    MLA
    Codner, Maurice Frederick. Digby Chamberlain (1896–1962). 1947, Leeds General Infirmary. https://topimpressionists.com/sv/art/maurice-frederick-codner-digby-chamberlain-1896-1962-AQVD3B-en/
    APA
    Codner, Maurice Frederick (1947). Digby Chamberlain (1896–1962) [Painting]. Leeds General Infirmary. https://topimpressionists.com/sv/art/maurice-frederick-codner-digby-chamberlain-1896-1962-AQVD3B-en/
    Chicago
    Maurice Frederick Codner. Digby Chamberlain (1896–1962). 1947. Leeds General Infirmary. https://topimpressionists.com/sv/art/maurice-frederick-codner-digby-chamberlain-1896-1962-AQVD3B-en/
    Harvard
    Codner, Maurice Frederick (1947) Digby Chamberlain (1896–1962). Leeds General Infirmary. Available at: https://topimpressionists.com/sv/art/maurice-frederick-codner-digby-chamberlain-1896-1962-AQVD3B-en/

    Titta närmare

    Digby Chamberlain (1896–1962) — Maurice Frederick Codner

    Se närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Titta tillbaka på Sir George Broadbridge (1869–1952), Lord Mayor of London (1936), tidigare i denna guide. Nämn två saker som den har gemensamt med detta verk, och en sak som är annorlunda.
    4. Maurice Frederick Codner var ungefär 59 när detta skapades. Vad i verket påminner om arbetet hos en konstnär i den åldern?
    5. Vad kan konstnären ha velat att du ska känna?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.

    Frågor och svar

    Vilken färgton dominerar i "Digby Chamberlain (1896–1962)"?

    Den dominerande nyansen i "Digby Chamberlain (1896–1962)" av Maurice Frederick Codner är Green to Violet Spectrum. Nyansen utgör den underliggande tonen i färgpaletten.

    Hur många personer ser "Digby Chamberlain (1896–1962)"?

    Statistik för "Digby Chamberlain (1896–1962)" av Maurice Frederick Codner finns på verkets Besöksstatistik-sida: månatliga besök för verket, besök för konstnärens verk samt en uppdelning av nyligen anlända besökare per land och språk.

    Hur balanserar "Digby Chamberlain (1896–1962)" ljus och mörker?

    "Digby Chamberlain (1896–1962)" har en övergripande ljusstyrka på deep_shadow, och dess luminans är Dark.