Av alla Actouches målningar är Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention (1789) den mest kända; den hänger på Musée Carnavalet i Paris. Bland de 1 verk av Actouche i vår katalog är dessa 1 de mest hyllade, var och en presenterad med sitt datum, sitt museum och sin historia.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Actouche | Målningar från denna lista |
|---|---|---|---|
| Paris | 1 | Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention |
Ett år, 1789, omfattar varje daterad duk av Actouche på denna sida: här är de, de mest kända först.
Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention (1789)
Actouche, född 1750, var 39 år gammal: Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention är från 1789.
1 verk av Actouche finns i vår katalog.
Främst i Musée Carnavalet (Paris); listan ovan listar varje museum och dess målningar.
Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.
The life of Actouche remains a quiet presence in the annals of French painting. Born in France in 1750, he lived through a period of profound transformation, navigating a world that would soon be reshaped by revolution. While the grand movements of his era often claim the spotlight, his contribution is found in the intimate precision of the portrait, capturing the likenesses of those caught in the currents of history.
His work reflects the sensibilities of late eighteenth-century France, a time when the brush was used to document not just faces, but the very essence of social standing and political identity. He moved through a landscape of shifting allegiances, leaving behind a record of the individuals who defined his era.
Actouche’s artistic output is characterized by a focus on the individual. His technique sought to render the human form with a clarity that spoke to the dignity of his subjects. One of his most significant surviving works provides a window into the political tensions of the late 1780s.
His catalog includes notable subjects such as:
This specific work, dated 1789, offers a glimpse into the intersection of art and the political upheaval of the time. By painting a member of the Convention, Actouche placed his brush at the center of a changing world, documenting a figure of significant historical weight.
By the time of his death in 1800, the world Actouche had known was unrecognizable from the one into which he was born. He did not seek the loud acclaim of the academies, yet his presence is felt in the collections of Paris. His work resides in the Carnavalet Museum, preserved as a fragment of a vanished age. He remains a painter of the moment, a witness to the faces of a revolution, captured in oil and pigment.