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      Basawan, 1560 – 1600

      Basawans 13 mest kända målningar

      Mihrdukht aims her arrow at the ring (1570) är det målning som Basawan är mest känd för; den finns i Metropolitan Museum of Art, New York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) och The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) fullbordar trion av de mest älskade målningarna. Vår katalog innehåller 13 verk av Basawan. Här är de 13 mest kända, med årtal, museum och historien bakom varje duk.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.

      Porträtt av Basawan
      Basawan · 1560 – 1600
      Född · död
      1560 – 1600, Uttar Pradesh
      Verk i vår katalog
      13
      Mest kända
      Mihrdukht aims her arrow at the ring (1570)
      Flest verk på
      Cleveland Museum of Art

      De tio mest älskade målningarna av Basawan

      Mihrdukht aims her arrow at the ring (1570) av Basawan
      1

      Mihrdukht aims her arrow at the ring

      1570 · Tempera · Metropolitan Museum of Art, New York

      The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

      Handmålad oljereproduktion från $403 28 × 36 cm Samma storlek som originalet $481 52 × 68 cm Beställ i originalstorlek →

      Basawan: dukar 11 till 13 på rankingen

      Där Basawans dukar hänger

      De 6 museer som innehar flest av målningarna på denna sida.

      Museum Stad Verk av Basawan Målningar från denna lista
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Mihrdukht aims her arrow at the ring
      Victoria and Albert Museum, LondonVictoria and Albert Museum London 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
      San Diego Museum of Art, San DiegoSan Diego Museum of Art San Diego 1 The Virgin and Child
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 A Mughal and a Rajput Converse at Dusk

      Basawans mest kända duk, decennium efter decennium

      1. 1570s
        Mihrdukht aims her arrow at the ring (1570) av Basawan
        Rankad 1 av 13

        Mihrdukht aims her arrow at the ring

        Ålder 10 – 19 · Metropolitan Museum of Art

        The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

      2. 1580s
      3. 1590s

      Basawans dukar, fråga för fråga

      Vilken målning är Basawan mest känd för?Läs svaret

      Mihrdukht aims her arrow at the ring (1570), Metropolitan Museum of Art, New York. The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) och The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) följer.

      Mihrdukht aims her arrow at the ring: hur gammal var Basawan när verket målades?Läs svaret

      Basawan, född 1560, var 10 år gammal: Mihrdukht aims her arrow at the ring är från 1570.

      Vilka är Basawans tio mest kända målningar?Läs svaret

      Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) och Page from Tales of a Parrot (Tuti-nama): text page. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.

      Hur många målningar skapade Basawan?Läs svaret

      13 verk av Basawan finns i vår katalog, daterade 1570 till 1596.

      Var hänger Basawans mest kända dukar idag?Läs svaret

      Främst i Cleveland Museum of Art (Cleveland), Metropolitan Museum of Art (New York) och Victoria and Albert Museum (London); listan ovan listar varje museum och dess målningar.

      När målade Basawan sina mest kända verk?Läs svaret

      Under 1590s, som utgör 4 av de 13 verk som finns på denna sida, varav Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer av dem.

      Vilken av de kända Basawan-målningarna kom först, och vilken kom sist?Läs svaret

      Den tidigaste duken här är Mihrdukht aims her arrow at the ring (1570); den senaste är The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596).

      Vilka målningar av Basawan finns i Cleveland Museum of Arts samlingar?Läs svaret

      Cleveland Museum of Art, Cleveland har 8 av verken på denna sida, bland annat The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night och The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night.

      Var kan jag köpa en reproduktion av en Basawan-målning?Läs svaret

      Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.

      Möt konstnären: Basawan

      Basawan: The Pioneer of Mughal Portraiture

      Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
      • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
      • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
      • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

      Exploring His Artistic Output: Beyond Akbarnama Illustrations

      While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
      • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

      Connections to Western Artistic Traditions

      Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

      Historical Significance: A Reflection of Mughal Patronage

      Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.