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      Daniel Saint, 1778 – 1847

      Daniel Saints 5 mest kända målningar

      Portrait de Mme Savary, duchesse de Rovigo (1840) är det målning som Daniel Saint är mest känd för. Portrait of the duchess of berry och Unknown Man fullbordar trion av de mest älskade målningarna. Vår katalog innehåller 7 verk av Daniel Saint. Här är de 5 mest kända, med årtal, museum och historien bakom varje duk.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.

      Porträtt av Daniel Saint
      Daniel Saint · 1778 – 1847
      Född · död
      1778 – 1847, Saint-Lô
      Verk i vår katalog
      7
      Mest kända
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      Flest verk på
      Nationalmuseum

      De tio mest älskade målningarna av Daniel Saint

      Lady with a Greyhound (1842) av Daniel Saint
      5

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      Handmålad oljereproduktion från $178 24 × 41 cm

      Där Daniel Saints dukar hänger

      De 2 museer som innehar flest av målningarna på denna sida.

      Museum Stad Verk av Daniel Saint Målningar från denna lista
      Nationalmuseum, StockholmNationalmuseum Stockholm 2 Unknown Man, Charles X, King of France and Navarre
      Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

      Daniel Saints mest kända dukar, år efter år

      De daterade dukarna av Daniel Saint här sträcker sig över endast 3 år, från 1840 till 1842: år efter år.

      1. 1840
      2. 1842
        Lady with a Greyhound (1842) av Daniel Saint
        Duk 5 av 5

        Lady with a Greyhound

        Ålder 64

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      Daniel Saints dukar, fråga för fråga

      Vilken målning är Daniel Saint mest känd för?Läs svaret

      Portrait de Mme Savary, duchesse de Rovigo (1840), följt av Portrait of the duchess of berry och Unknown Man.

      Portrait de Mme Savary, duchesse de Rovigo: hur gammal var Daniel Saint när verket målades?Läs svaret

      Daniel Saint, född 1778, var 62 år gammal: Portrait de Mme Savary, duchesse de Rovigo är från 1840.

      Hur många målningar skapade Daniel Saint?Läs svaret

      7 verk av Daniel Saint finns i vår katalog, daterade 1840 till 1842.

      Var hänger Daniel Saints mest kända dukar idag?Läs svaret

      Främst i Nationalmuseum (Stockholm) och Château de Chambord (Chambord); listan ovan listar varje museum och dess målningar.

      Vilken av de kända Daniel Saint-målningarna kom först, och vilken kom sist?Läs svaret

      Den tidigaste duken här är Portrait de Mme Savary, duchesse de Rovigo (1840); den senaste är Lady with a Greyhound (1842).

      Vilka målningar av Daniel Saint finns i Nationalmuseums samlingar?Läs svaret

      Nationalmuseum, Stockholm har 2 av verken på denna sida, bland annat Unknown Man och Charles X, King of France and Navarre.

      Var kan jag köpa en reproduktion av en Daniel Saint-målning?Läs svaret

      Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.

      Möt konstnären: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.