Av alla Ertés målningar är Evening Night den mest kända. Tätt följs de av Little Slave och At the Theatre, Trapeze. Bland de 360 verk av Erté i vår katalog är dessa 100 de mest hyllade, var och en presenterad med sitt datum, sitt museum och sin historia.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026.
This work captures the essence of a period defined by glamour and the shifting tides of modern design. The influence of Persian miniatures, known for their intricate detail, whispers through the patterns on the dresses. There is a tension between the organic curves of the women's forms and the sharp, structured nature of their attire. The scene feels like a fragment of a grander theatrical production or a high-fashion illustration…
In the pantheon of twentieth-century visual culture, few names evoke the shimmering allure of the Jazz Age quite like Erté. His masterpiece, Little Slave, serves as a breathtaking window into an era defined by unparalleled glamour and sophisticated design. The artwork presents a stylized, ethereal depiction of a woman caught in a moment of theatrical grace, embodying the very soul of the Art Deco movement. Through elongated forms and meticulous…
The scene unfolds within the composition of At the Theatre, Trapeze, a work that captures a singular moment of suspended motion. Created by the artist Erté, this piece emerges from his celebrated At the Theatre series. It exists as a refined expression of the Art Deco movement, where the precision of line and the elegance of form define the visual language. The work is classified under the genre of design,…
The artwork titled Fantasia was produced by the artist Erté about 1982. This piece emerged from the hands of a man who bridged two worlds, born in Saint Petersburg, Russia, and later becoming a French artist. His life spanned from 1892 to 1990, a period that saw the rise and fall of many aesthetic movements.
The scene unfolds through the vision of At the Theatre, Golden Calf, a work that carries the unmistakable signature of Erté. This piece emerges from the creative mind of Romain de Tirtoff, the man who chose the name Erté to navigate his path through the artistic circles of the twentieth century. He was born in 1892 in Saint Petersburg, Russia, a place that shaped the early sensibilities of a man…
We are looking at Oriental Tale, a work by the artist known as Erté. His full name was Romain de Tirtoff, a man whose life spanned much of the twentieth century, from his birth in 1892 until his death in 1990. Born in Saint Petersburg, Russia, he eventually became a central figure in the Art Deco movement, bridging his Russian origins with the sophisticated sensibilities of France.
In "The Seven Deadly Sins, Pride" by Erté, the artist presents a study of vanity through a single, poised female figure. She is the central focus, embodying the essence of self-importance. A striking red dress defines her silhouette, cascading downward to reveal a portion of her torso. Upon her head rests a crown, a clear signifier of the grandeur and ego associated with this specific sin. The figure's posture is…
A woman emerges from a void of black. She is a silhouette of grace, her long hair cascading like silk against the dark. She looks upward, her expression serene and fixed on something unseen. Around her, the world is a tangle of branches and leaves. She holds a comb to her tresses, a quiet gesture of preparation or perhaps a ritual of transition. Flowers cling to her skin and her…
Eyes of Jealousy emerges from the imagination of Erté, a name that carries the weight of a transformed identity. Born Romain de Tirtoff in 1892 in Saint Petersburg, Russia, the artist navigated a life of deep tradition before finding his true calling in the creative pulse of Paris. He moved through the decades with a singular vision, eventually passing away in 1990, leaving behind a legacy defined by the very…
A Vision of Art Deco Elegance: Introducing “Ready for the Ball 2” by Erté Romain de Tirtoff, better known as Erté, masterfully captures a moment of poised anticipation…
De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Erté | Målningar från denna lista |
|---|---|---|---|
 Labirinto della Masone |
Fontanellato | 1 | Little Slave |
En lång karriär i färg: 58 år, från 1926 till 1983, och Ertés mest hyllade dukar för varje år.
Evening Night, följt av Little Slave och At the Theatre, Trapeze.
Evening Night, Little Slave, At the Theatre, Trapeze, Fantasia, At the Theatre, Golden Calf, Oriental Tale, The Seven Deadly Sins, Pride, The Seasons, Autumn, Eyes of Jealousy och Simone. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.
360 verk av Erté finns i vår katalog, daterade 1926 till 1983.
Främst i Labirinto della Masone (Fontanellato); listan ovan listar varje museum och dess målningar.
Den tidigaste duken här är Marriage Dance (1926); den senaste är Phoenix Triumphant (1983).
Designs and sketches (53), Women (16) och Geometric design (8), fördelat på 100 verk på denna sida.
Screenprint, som används i 3 av de 100 verk som finns på denna sida.
Art deco, som dukarna på denna sida visar.
